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NOTE: Linked large
images in this collection have now been archived. If you would
like to view images other than those thumbnailed here please
contact us email. |
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ROGER SCOTT
...The majority of these vintage photographs
were taken over twenty years ago for Roger Scott's first exhibition
at the Australian Centre for Photography in Paddington.
In November 2001, the late David Moore launched the book Roger
Scott: From the Street (Chapter & Verse, Sydney, 2001) with
the following words:
..."Robert McFarlane quotes Roger
Scott as saying, 'When I see something really good, I almost
shake with excitement'. What a splendid expression of the creative
act that is! The situation; the edge of the moment; the knowing;
the arrow of light passing through the lens. Another quote from
Scott: 'Life is a joy and we should live it.' That expresses
something that I have felt often. In my time I have learnt a
lot from children who see the world as a fun place with many
ridiculous elements while most adults tend to lose sight of the
wacky world in their search for success and a fat bank balance.
..."Roger Scott holds up a photographic
mirror so we can see how delightfully odd the human condition
is. But his photography is much more than an exercise in fun.
The pictures are sophisticated, intelligently structured and
their meanings and suggestions move outside the frame. It is
implied that there is more for us to consider. The old photojournalism
technique of tunnel vision - where everything extraneous to the
message was deleted by cropping - is not apparent in the Scott
pictures. They have a continuity and sometimes an ambiguous meaning.
I love ambiguity in photography. This ability of the picture
to suggest that all is not as we perceive it can subtly influence
the mind of the viewer for deeper meanings.
..."I also like to think of Roger
as a magician. Of all the visual, creative mediums photography
comes closest to rendering apparent actuality so that we tend
to believe in what we see. But some of these pictures make us
doubt what we see as statements of fact. There is a sleight-of-hand
at work that asks us to question the truth of the image. Roger
pulls more rabbits out of the hat than any other photographer
I know. Another point: these images are of our time so their
future historical relevance has the greatest importance. Each
of these statements is a small time capsule for the future.
..."I first met Roger in the early
1970s when he had pictures in a group show at the Kirk Gallery
in Surry Hills. Roger's work was fresh, original, amusing and
heart-warming. The man was retiring, gentle and respectful -
all qualities which add to his way of seeing, for there was no
malice in those images. They were documents of love from a lover
of life.
..."I once asked Roger how he managed
to be so inconspicuous when mingling with a crowd. He said he
always carried a spray-can of invisible liquid. Also he carries
a Leica or two with a couple of short lenses. In 1972 he wrote
'... photographing people with a telephoto lens is more like
being a spy than a photographer.' How many pictures does he shoot
on a subject? Generally three only and the last is often the
telling one.
..."Australia and the world would
be less of an enjoyable place without the remarkable vision of
Roger Scott. His pictures are our pictures because we are his
subject matter. They will live forever. It is a pleasure and
a privilege to launch From the Street. Thank you Roger for this
visual gift."
David
Moore
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105 Botany Bay
Sydney, 1970/1974. Silver gelatin print, signed, titled &
dated verso, 22.2 x 33.4cm. JLG3050
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$1,600 |
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106 Sydney
Taronga Park Zoo, 1970/1975. Silver gelatin print, signed in
the margin below right, and titled, dated & signed again
verso, 40.2 x 26.8cm. JLG3066
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$2,400 |
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107 Sydney
(In the rain), 1970/1975. Silver gelatin print, signed in the
margin below right, and titled, dated & signed again verso,
26.6 x 40.2cm. JLG3081
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$1,900 |
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108 NSW Art Gallery
1971/1974. Silver gelatin print, titled, dated & signed verso,
22.5 x 34cm. JLG3084
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$1,600 |
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109 Sydney
(Pulling up sock), 1971/1974. Silver gelatin print, signed in
the margin below right, and titled, dated & signed again
verso, 26.7 x 40.1cm. JLG3076
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$2,400 |
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110 Sports Ground
Sydney, 1971/1974. Silver gelatin print, signed, titled &
dated verso, 22.5 x 33.6cm. JLG3046
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$1,600 |
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111 Sydney
1972/1974. Silver gelatin print, titled, dated & signed verso,
22.7 x 33.8cm. JLG3040
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$1,800 |
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112 Long Reef
1972/1974. Silver gelatin print, titled, dated & signed verso,
22.4 x 33.7cm. JLG3041
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$1,600 |
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113 Ghost Train
Easter Show, Sydney, 1972/1974. Silver gelatin print, signed,
titled & dated verso, 22.4 x 33.3cm. JLG3049
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$2,600 |
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114 The Rocks
Sydney (Fairy Floss), 1972/1974. Silver gelatin print, signed,
titled & dated verso, 22.4 x 33.6cm. JLG3057
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$1,600 |
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