 International
& Australian Works on PaperCollectors' List 123 2007 |
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153 Sydney Ure Smith
(1887-1949) [Sydney Harbour], 1943. Watercolour and pencil, signed and dated in pencil lower right, 25.1 x 36.5cm. Framed. |
$1,850 |
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154 Elizabeth van Damme (European [?], active 1940s) [Untitled], 1947. Lithograph, signed in image lower left, 22.7 x 15.6cm. Slight discolouration to edges. From the publication "Le Surréalisme en 1947", Exposition Internationale du Surréalisme. Présentée par André Breton et Marcel Duchamp. Pierre a Feu. Maeght Éditeur. From an edition of 999. |
$330 |
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155 Kees van Dongen
(Dutch, 1877-1968) Place Vendôme, Paris, France, 1937/posthumous printing. Etching, signed in plate lower right, 33.7 x 26.5cm. Framed. Title, date and background information on previous dealers' labels attached to mount verso. One of a suite of etchings entitled Views of Paris, commissioned by the Ville de Paris for the Exposition Universelle in 1937. |
$990 |
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156 Harald Vike
(1906-1987) Anglers Arms Fishy Club, 1945. Pen and ink drawing, titled and signed upper left and lower centre, publishing stamps and annotations in pencil in margins and verso, McCulloch label fragment verso, 33 x 41.2cm. Handling creases, tears, surface soiling. Stamp reads (faintly) "The Australian. 5 Jan 1946."Annotation verso reads "And his tales about the one that got away!" Rare early work by Vike from his time in Melbourne illustrating for magazines and newspapers before going to Western Australia. Provenance: McCulloch Estate. |
$880 |
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157 Harald Vike
(1906-1987) Hair Raising Drama, 1946. Pen and ink drawing, titled and signed upper and centre right, publishing annotations in pencil in margins, McCulloch label fragment, 39.5 x 31.8cm. Handling creases, tears, surface soiling. Rare early work by Vike from his time in Melbourne illustrating for magazines and newspapers before going to Western Australia. Provenance: McCulloch Estate. |
$880 |
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158 Jacques Villon
(French, 1875-1963) Camille Renault, 1947. Etching with drypoint, signed in pencil in lower margin, 40 x 31.4cm. Slight foxing and handling creases to margins. Framed. Ginestet and Pouillon #E494, lists title. Edition of 40. |
$1,650 |
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159 Jacques Villon
(French, 1875-1963) Mater, 1949. Drypoint, signed and dated in plate lower left, editioned 56/108, signed and titled in pencil with illegible blind stamp in lower margin, 23.9 x 17.7cm. Ginestet and Pouillon #E493, listed as La Mère (Portrait of Madame André Mare). Final state. |
$1,350 |
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160 Norbertine von Bresslern-Roth (1891-1978) (Austrian/American) [Greyhounds], c1925. Colour woodcut, mono-grammed in block lower right, annotated "handdruck" (hand-printed) and signed in pencil in lower margin, 20.5 x 23.3cm. Framed. |
$3,800 |
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161 Norbertine von Bresslern-Roth (1891-1978) (Austrian/American) [Red Parrots], c1925. Colour linocut, annotated "handdruck" (hand-printed) and signed in pencil in lower margin, 23.5 x 23.5cm. Foxing to lower margin. Framed. |
$4,400 |
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162 Ralph Trafford Walker (b.1912) [Horse and Man], 1937. Linocut, signed and dated in pencil in lower margin, 17 x 17.1cm. Minor foxing to margins. |
$440 |
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163 Edward A. Warner
(1879-1960) Macquarie Street, c1925. Etching, titled, editioned 28/75 and signed in pencil in lower margin, 12.9 x 16.2cm. Missing portion to corner of upper right margin. |
$990 |
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164 Edward A. Warner
(1879-1960) [Government House and the Barracks, Macquarie Street, Sydney], c1925. Etching with drypoint, editioned 2/60 and signed in pencil in lower margin, 20.7 x 39.7cm. Light blue stain to image lower right, minor foxing and creases to margins. |
$1,650 |
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