|
|
|
|
41 Louis Icart
(French, 1888-1950)
Marchande De Fleurs (Flower Seller), 1928. Hand-coloured drypoint
and aquatint, artist, date and text in plate above image, artist's
blind stamp, numbered "163" and signed in pencil below
image, 49.8 x 38cm. Repaired insect damage overall.
Text reads
"Copyright 1928 by L. Icart, Paris." Ref: Holland #336.
|
$1,900 |
|
42 Wassily Kandinsky
(Russian, 1866-1944)
Two Riders Against A Red Background, 1911/1938. Colour woodcut,
10.5 x 15.8cm.
First issued
in 1911, this edition was published in Deuxième Siècle,
Vol. I, No. 1938. Ref: Roethel #26.
|
$2,900 |
|
43 Fernand Léger (French, 1881-1955)
Composition Au Profile, 1948. Colour lithograph, editioned 12/75
and signed in pencil in lower margin, 36.5 x 50cm. Missing portion
to lower right edge of margin.
Printed
by Mourlot Freres, Paris. Illustrated in Sapphire, Fernand Leger:
The Complete Graphic Work, 1978, plate 19.
|
$15,900* |
|
44 Marino Marini
(Italian, 1901-1980)
Miracle, 1971. Colour etching and aquatint, editioned XL/XL and
signed in pencil in lower margin, 39.5 x 26.8cm. Framed.
From the
suite of 10 etchings in Tout près de Marino, text by Egle
Marini, published by Deuxième Siècle, Paris. Printed
by Lacourière and Frélaut. San Lazzaro #63d.
|
$1,450 |
|
45 Henri Matisse
(French, 1869-1954)
Portrait De Femme Nu Accoudée (Female Nude Leaning On
Elbows), 1931. Pencil drawing, signed and dated "31"
in pencil lower right, Institute Valencià d'Art Modern
exhibition label on mount verso, 30.5 x 14cm (image); 24.5 x
32cm (paper). Framed.
Label reads
"Exposition Matisse, Henri Del: 21/10/2003 al 11/1/2004."
Accompanied by authentication certificate with registration No.
U140, dated 7/2/1997, from Wanda de Guebriant, who is a recognised
expert on the work of Matisse and archivist for the artist's
estate.
|
$183,000* |
|
46 Henri Matisse
(French, 1869-1954)
Jeune Femme Assise (Young Woman Seated), 1942. Pen and ink, signed
and dated "12/42" lower left, Pierre Matisse Gallery
label attached to frame verso, 51.8 x 39.8cm. Framed.
Label includes
handwritten artist's name, date, title and stock No. ST2069 in
red ink. Accompanied by a certificate of authenticity from the
Matisse Archives, dated January 24 2005 with registration No.
H132.
Provenance:
Matisse's estate to Pierre Matisse Gallery in New York; then
acquired by a private collector in Connecticut in 1959; thereafter
held in a private collection in Melbourne. Acquired by the present
owner in Sydney in 2008.
Wanda de Guebriant, who is a recognised expert on the work of
Matisse and archivist for the artist's estate, states that this
drawing relates to a painting by Matisse, entitled Monique. It
is more than possible that the sitter of this drawing was a student
nurse by the name of Monique Bourgeois, who met Matisse in 1942,
when he advertised for a nurse to assist him with his recovery
from cancer. During this time, she sat for several of Matisse's
drawings and paintings. In 1943 she entered the Dominican order
and became known as Sister Jacques-Marie. Matisse's abiding friendship
with her lead to his beautiful work on the Rosary Chapel in Vence,
France.
Note: A Matisse
drawing entitled Portrait de Femme, dated 1941, 52.7 x 40.7cm,
was sold at Sothebys, New York, on May 8 2008 for USD $571,000.
|
$265,000* |
|
47 Joan Miro
(Spanish, 1893-1983)
[Frontispiece From "El Innocente"], 1974. Colour etching
and aquatint, editioned 167/170 and signed in pencil below image,
32.7 x 25cm (paper). Framed.
Ref: Dupin
#677.
|
$3,900 |
|
48 Henry Moore
(British, 1898-1986)
[Reclining Figure], 1975. Colour lithograph, editioned 111/575
in pencil in lower margin, 21.2 x 28.2cm. Framed.
From San
Lazzaro et ses Amis, text by Yvon Taillandier and others. Printed
by Curwen Studios, London. Ref: Cramer #366.
|
$1,100 |
|
49 Victor Pasmore
(British, 1908-1998)
The Tear That Falls
, 1974. Etching and aquatint, monogrammed
in reverse in plate lower right, editioned 5/60, monogrammed
and dated in pencil in lower margin, verse in letterpress in
right margin, 37.7 x 38.1cm. Slight foxing to image and margins.
Verse continues
"the piercing cry/which splits the silence/in the sky./But
what the sound/of a magic tune/or the luminous beauty/of the
moon?" From the Word and Image suite.
|
$1,650 |
|
50 Victor Pasmore
(British, 1908-1998)
When The Lute Is Broken/Melodies Are Remembered Not, 1974. Etching,
printed in brown ink, monogrammed in reverse in plate lower right,
editioned 1/60, monogrammed and dated in pencil in lower margin,
printed verse in lower margin, 38.4 x 39.3cm. Framed.
|
$1,650 |
|
|
|