Fantasy & Imagination Beasts and Beauties

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	23 Anon Military Lover, 1781. Mezzotint, 32.8 x 25.1cm. Printed for W. Johnson, Print Seller. An officer and his extravagantly bewigged lady in deep conversation.	$890
	24 Valère Bernard Esprit des Ténèbres, c.1920. Etching, numbered 18/30 and signed, 43.3 x 27cm. Inscribed to Albert Garrant from Paul Gouchon.	$990
	25 Max Brünning 25 Max Brünning. (Dressing the Dog), c.1920s. Etching & drypoint, signed in pencil below, 26.3 x 19.2cm. $490	$490
	26 After F. Calze The Right Hon. Gertrude, Viscountess Villiers, 1773. Mezzotint, eng. by J. Finlayson, 50 x 35.5cm. Trimmed to the margins. Minor rubbing.	$690
	27 Adrian Feint Circe, 1927. Woodcut, numbered 15/50, titled, signed and dated, 25.7 x 20.7cm.	$1,590
	28 Zoltan Fenyes (Soldier and Woman), c.1945. Pen & ink, 8.5 x 16.5cm.	$690
	29 Erich Glas Frau und ein Teufel, 1921. Etching, printed in dark green, signed in pencil below, 12 x 9.5cm.	$390
	30 Francisco Goya y Lucientes Aquarda que teunten (Wait till you've been anointed). Plate 67, Los Caprichos, 1799/later printing. Etching, 8th edition of 12, published by Calcografia for Real Academia 1905-07, 19 x 13.2cm. Harris #102. The eighty etchings of Los Caprichos were the first Goya produced for sale as a single set. In 1803, fearful of the Spanish Inquisition, Goya relinquished the plates to Charles IV, in return for a pension for his son. The plates remain with the Calcografia, and have been issued in ensuing years by that institution.	$1,100
	31 After Peter Lely The Countess of Rochester, late 18th century. Mezzotint, by Thomas Watson, 41 x 32.9cm. Trimmed into plate mark. Very strong impression.	$590
	32 Charles Bernard de Fevre La Tristesse des Levres, c.1890. Colour lithograph, signed in the plate, 19.7 x 15cm. Beauty in a plumed hat.	$390
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