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31 Eric Gill
Dress 1860, 1921. Wood engraving, 7 x 5.1cm.
From Cleverden
edition. Dress, Welfare Handbook No. 7. Skelton #P187.
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$490 |
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32 Eric Gill
St. Anthony, 1926. Copper engraving, 8 x 7.2cm.
From Cleverden
edition. Bookplate design for Dr. Newman Nield. Skelton #P414.
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$490 |
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33 S.T. Gill
Government House and Fort Macquarie from Outer Domain, Sydney,
1856. Lithograph, hand-coloured, published by Alan Wigley, Sydney,
initialled, dated and titled in the image, 16 x 22cm. Trimmed
to the image.
From a
rare series of lithographs of Sydney by Gill.
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$2,200 |
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34 James Gleeson
The Judgement of Paris IV, 1981. Colour lithograph, titled, dated,
signed and numbered 36/40, 56 x 76cm.
Printed
by Fred Genis. Gleeson made his first ever lithographs for this
series.
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$1,100 |
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35 James Gleeson
The Judgement of Paris VI, 1981. Colour lithograph, signed, titled,
dated, signed and numbered 36/40, 56.5 x 76cm.
Printed
by Fred Genis. Gleeson made his first ever lithographs for this
series.
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$1,100 |
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36 John Goodchild
Sydney from Milson's Point, c.1926. Etching, titled, dated, numbered
44/50 and signed in the margin below, 18 x 30.9cm.
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$890 |
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37 Francisco Goya y Lucientes
Alla Va Eso (There it Goes). Plate 66, Los Caprichos, 1799/l.p.
Etching, 5th edition of 12, published by Calcografia for Real
Academia 1881-1886, 18.8 x 12.4cm.
Harris
#101. The 80 etchings of Los Caprichos were the first collection
Goya produced for sale as a single set. In 1803, fearful of the
Spanish Inquisition, Goya relinquished the plates to Charles
IV, in return for a pension for his son. The plates remain with
the Calcografia, issued in the ensuing years by that institution.
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$950 |
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38 Murray Griffin
The Thirsty One, 1936. Colour linocut, numbered 18/20, titled,
signed and dated in the margin below, 28 x35.4cm. Framed.
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$2,200 |
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39 Roakin (Weaver Hawkins)
The Piazza, c.1927. Linocut, titled and signed in the margin
below, 15 x 10.8cm. Backed on acid-free paper.
Hawkins
adopted the name Raokin after moving to Malta.
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$790 |
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40 Sir Frances Seymour
Hayden
Twickenham Church, 1865/1872. Etching with drypoint, 4th state,
titled, signed and dated in the plate lower left, 13.7 x 21.4cm.
Although
created in 1865, this etching was published in Hamerton's Portfolio
III in 1872. Schneiderman #98.
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$690 |
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