 A Plethora of PrintsLindsay to Matisse |
.NOTE: Linked large images in this collection have now been archived.
If you would like to view images other than those thumbnailed here please contact us via email.
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61 Norman Lindsay Julia Frisk and Mr Brisk, 1928. Etching, numbered 31/55, titled and signed in the margin below, 25.5x 22.5cm. Framed. Bloomfield #365. |
$5,900 |
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62 Sydney Long (1) The Spirit of the Plain, 1918 [and] (2) Pan, 1916. (1) Aquatint, printed in light blue, numbered A, titled and signed in the margin below, 17.5 x 35.3cm. (2) Aquatint and etching, printed in sepia, signed Sid Long in the margin below, 27.9 x 41.6cm. Each framed. (1) Based on oil paintings by Long, and one of the most sought after of his images. As one of the best exponents of art nouveau in Australia, Long has used the elegant flowing forms of that movement to great effect. Mendelssohn #12. (2) Mendelssohn #10. |
The Pair $16,500 |
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63 After Claude Lorraine (Sea Port), c.1870. Mezzotint and etching, engraved by Thomas Lupton, signed in the plate, 18.5 x 26cm. |
$390 |
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64 After Claude Lorraine (The Hunt) from Liber Veritatis, 1803. Mezzotint and etching, engraved by Richard Earlom, the artist, engraver and title engraved in the plate below the image, 19 x 29cm. Published by J. & J. Boydell, "from original drawing in the collection of Mr… Hibbert". |
$490 |
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65 Jessie Mackintosh Spring Cleaning, 1938. Colour linocut, numbered 5/25, titled and signed in the margin below, 21.8 x 18.2cm. Framed. |
$4,850 |
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66 Jessie Mackintosh The Fruit Stall, c.1938. Colour linocut, numbered 4/25, titled and signed in the margin below, initialled in the plate, 26.5 x 19.2cm. Framed. |
$4,850 |
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67 After Aristide Maillol (The Georgics of Vergil), 1950. Three woodcuts, stamped with Maillol monogram lower right, 23.5 x 15cm (the sheet 32.2 x 24cm). Published in P. Virgilii Maronis Georgica. Les Géorgiques de Virgile. I and II. Texte latin et version francaise de l'Abbé Jacques Delille, gravures sur bois d'Aristide Maillol, by Philippe Gonin, Paris, MCMXXXVII, actually published 1950 in an edition of 750 copies. This page containing three images is possibly a printer's proof sheet, with the Maillol stamp. The top image is the tailpiece to André Mary's Preface (landscape). The second is the tailpiece to the Latin text book III (landscape with flock), and the bottom image is the tailpiece to the French text, Book III (landscape with sheep). Maillol had first planned the illustration in 1910. Gonin encouraged Maillol to resume work on the project in 1937. The last block was received in 1944, just before Maillol's death. Maillol supervised the cutting of the blocks as his hands and eyes were too weak to do it himself. It was finally published in 1950. |
$280 |
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68 Frans Masereel Business-man, 1920. Woodcut, 20.7 x 16.2cm. Published in Genius, Vol. 2, 1920, p.159. |
$690 |
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69 Henri Matisse Visage de Femme, 1938. Linocut, signed in the plate, 29 x 21.6cm. First published in XXe Siecle in 1938. |
$1,690 |
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70 Henri Matisse (Head of a Woman), c.1948. Lithograph, printed in sanguine, edition of 320, 31 x 23.5cm. From Florilege des Amours de Ronsard. |
$1,690 |
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