1 Nan Adams aka
Hortin (Aus.,
1916-1971)
[The Peace Chair], c1940. Red crayon, 33.1 x 54cm. Stains, surface
loss, creases and tears to edges, slight foxing overall.
Provenance:
friend of Nan Adams.
Sydney-born Nan Adams, also known as Hortin (nee Lyall), was
a painter, sketcher, craft-worker and art teacher. She travelled
extensively, was politically active and was a member of several
art groups in Sydney.
$2,900
|
2 Nan Adams aka
Hortin (Aus.,
1916-1971)
[Large Female Nude
With Male Figures], c1940s. Green crayon, 33.5 x 42.5cm. Minor
foxing to centre, slight glue stains, pinholes and minor tears
to edges.
Provenance:
friend of Nan Adams.
Sydney-born Nan Adams, also known as Hortin (nee Lyall), was
a painter, sketcher, craft-worker and art teacher. She travelled
extensively, was politically active and was a member of several
art groups in Sydney.
$2,200
|
3 Julian Ashton (Aus., 1851-1942)
Old Queen Victoria Markets, c1893. Etching, titled and annotated
"first state" in pencil in lower margin, 28.6 x 18cm
(image). Minor soiling and foxing overall. Framed.
From
a series of nine etchings produced by Ashton after being taught
printmaking by Livingston Hopkins in 1893. While this plate was
etched at that time it was not editioned until 1918.
The building to the left is the old George Street Markets in
Sydney which commenced business in 1810 and was pulled down in
1893 to make way for the new Queen Victoria Markets (now QVB).
The domed building to the right was the old police station which
also made way for the new markets.
An artist and teacher, Ashton was known for his support of the
Heidelberg School and for the influential Julian Ashton Art School
in Sydney, established in 1890.
$3,300
|
4 David C. Barker (Australian, 1888-1946)
The Hill, c1930s. Etching, editioned 23/25, titled and signed
in pencil in lower margin, 9.5 x 15.2cm. Minor creases to lower
right corner of margin.
A
Sydney artist who was a wartime cartoonist, illustrator, painter
and etcher, Barker served in Gallipoli, France and the Middle
East during WWI, where he co-edited The Anzac Book and Kia Ora
Coo-ee and was art editor for Australia in Palestine. After Gallipoli
he was lent to the British Army to work as cartographer in Mesopotamia
under the orders of Col. T.E. Lawrence, otherwise known as Lawrence
of Arabia. (Ref: Dictionary of Australian Artists)
$990
|
5 Jason Benjamin (Aus., b.1971)
"What Becomes Of Us" (W. MacDonnell Ranges, NT), 2008.
Etching, editioned 7/25, titled, signed and dated in pencil with
Northern Editions blind stamp in lower margin, 39.5 x 64.3cm.
This
etching is part of a series of five images of Australian landscapes
that Benjamin will be completing in 2010.
$5,500
|
6 Jason Benjamin (Aus., b.1971)
"Empire" (Glen Helen Gorge, NT), 2008. Etching, editioned
7/25, titled, signed and dated in pencil with Northern Editions
blind stamp in lower margin, 39.3 x 64.5cm.
This
etching is part of a series of five images of Australian landscapes
that Benjamin will be completing in 2010.
$5,500
|
|
7 Dorritt Black (Australian, 1891-1951)
Study With Two Figures 11, 1929. Pencil drawing, publishing annotations
in pencil in various hands in lower margin, typed title, date
and artist's name in accompanying authentication certificate
signed in ink by Lin Bloomfield, 16.6 x 12.7cm. Creases overall,
pinholes and chips to margins.
Illustrated
in North, The Art of Dorritt Black, 1979, plate 18 (b),
p41. Provenance: Ruth Goble; Bloomfield Galleries; private collection,
Queensland; private collection, South Australia.
$4,800
|
8 Charles Blackman (Aus., b.1928)
I Love Tom Jones, 1969. Colour screenprint, editioned "V
9/25", titled, signed and dated in pencil on image lower
left to right, printer's blind stamp in lower margin, 40.5 x
57.3cm. Minor stains to image lower centre, slight soiling and
crinkles to margins.
Stamp
reads "Hand-printed in collaboration with the artist. Paddington
Print Studio, Australia." Illustrated in Bannon, Australian
Printmaker: An Aspect of Australian Art 1968-1982, plate
7, p74. Held in the University of South Australia Library collection.
$1,350
|
9 Charles Blackman (Aus., b.1928)
The Embrace, 1969.
Colour screenprint, editioned "artist's proof", titled,
signed and dated in pencil and printer's blind stamp in lower
margin, 41.8 x 52.2cm. Slight stains and foxing to margins.
Stamp
reads "Hand-printed in collaboration with the artist. Paddington
Print Studio Australia." Illustrated in Bannon, Australian
Printmaker: An Aspect of Australian Art 1968-1982, plate
38, p10.
$1,350
|
10 Charles Blackman (Aus., b.1928)
Barnaby, c1978. Etching, printed in blue ink, editioned "A/P",
titled and signed in pencil in lower margin, 20.1 x 19.5cm.
$990
|
11 Charles Blackman (Aus., b.1928)
Self-portrait With Three Sisters, c1978. Etching with aquatint,
editioned "A/P", titled and signed in pencil in lower
margin, 24.8 x 19.7cm. Slight foxing to margins, old mount burn.
$990
|
12 Charles Blackman (Aus., b.1928)
La Coiffure, c1978. Etching, printed in red ink, editioned "A/P",
titled and signed in pencil with WHP blind stamp in lower margin,
19.8 x 14.7cm. Slight foxing, paper loss and stains to margins.
$990
$990
|
13 Charles Blackman (Aus., b.1928)
The Painter's Studio, c1978. Etching, printed in brown ink, editioned
"A/P", titled and signed in pencil in lower margin,
29.8 x 29.5cm. Minor foxing to margins.
$1,350
|
|
