Auf Der Weide (In The Pasture)
1891/1893. Etching, annotation including title and artist in an unknown hand in pencil verso, 19.3 x 23.7cm. Slight discolouration to margins. Published in Zeitschrift fur Bildende Kunst, 1893. Ref: Schiefler #21. More
Prints
Victorian Cottage Homes
1893. Hand-coloured lithograph, text with date and title in image, 30.1 x 39.1cm. Repaired tear to original vertical fold, some offsetting to image, slight foxing and crinkles overall, minor tears and missing portions to margins. Text includes “The Australasian Builder and Contractor’s News, June 10, 1893. Alan C. Walker, ARIBA... More
The Friary, Waverley, New South Wales
1894. Hand-coloured lithograph, text throughout image, 30.8 x 36.8cm. Old vertical fold with tears and retouching, foxing overall, slight tears to margins. Text reads “The Australasian Builder and Contractors’ News, February 17, 1894. Tappin, Dennehy and Smart, Architects, Sydney.”. More
The Oxford Hotel, Sydney and Amateur Photography. Baker & Rouse, Photographic Materials And Optical Lantern Goods
c1894. Letterpress and wood engraving leaflet, 31.2 x 21.7cm. Missing portion, slight tears and discolouration to edges. Text includes “Detective Cameras… Free Darkrooms. Free Lantern Rooms” and “Geo. Murray & Co., Printers and Stationers, …Clarence St, Sydney.” The Oxford Hotel was located at the top of King and Elizabeth Streets..... More
A Venetian Fountain
1894. Etching, signed and dated in plate lower left, signed and titled in pencil in lower margin, 15.2 x 22.3cm. Repaired tears to right edge of image and to margins, minor stain to upper right corner of image, slight soiling to margins. From the North Italian Set, in an edition... More
Prière Marmitale (Prayer Over The Soup Pot)
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More
Self-portrait
1894. Drypoint, signed “Hop” and dated in plate lower right, 15 x 9.5cm. Faint smudge in image upper and lower left, old mount burn. Held in NGV; NPG. Livingston York Yourtee “Hop” Hopkins was an American illustrator who became a major Australian cartoonist, working for The Bulletin during the time..... More
À Schumann (To Schumann)
1893/1895. Woodcut, printed on blue paper, titled and initialled in block lower centre, printer’s line in letterpress below image, 15.1 x 12.2cm. Minor stains to margins, old mount burn. Printer’s line reads “C. Grumbach, Leipzig.” Ref: The Graphic Work of Vallotton 1865-1925, Arts Council, 1976, #49, noting that this portrait..... More
The Professional andThe Amateur
1895. Pair of colour lithographs with letterpress, signed in image lower left, text, date and title above and below image, 39.9 x 29.8cm (each). Minor scuffing and paper remnants to images centre right. Text reads “The Sketch, Christmas Number, 1895.” Born in Newport, Monmouthshire, Harold Stephen “Hal” Ludlow was an..... More
Little Evelyn
1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way... More
![[Female Profile With Flowers]. Paul Berthon, French.](/pictures/thumb/CL168-12.JPG?v=1492488912)
[Female Profile With Flowers]
c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More
Köpping’sche Ziergläser (Köpping’s Ornamental Glasses)
1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA collection. More
Little Evelyn
1896. Lithograph, signed with butterfly monogram in image upper left, text with date in lower margin, 17.3 x 11.8cm. Repaired tears and minor soiling to margins. Text reads “The Art Journal, March, 1896.” Ref: Levy #159. Little Evelyn is a portrait of one of the five daughters of Whistler’s friend... More
![Une Cour Du Petit Salut, Rouen [France]. David Young Cameron, Scottish.](/pictures/thumb/CL175-30.JPG?v=1492659674)
Une Cour Du Petit Salut, Rouen [France]
1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More
Walter Crane
1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More
![Kingston Bank [England]. After J. M. W. Turner and Frank Short, Brit.](/pictures/thumb/CL175-151.JPG?v=1492660319)
Kingston Bank [England]
1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More
![Chocolat Masson/Chocolat Mexicain [The Four Seasons]. Alphonse Mucha, Czech.](/pictures/thumb/CL194-80_04.JPG?v=1543548744)
Chocolat Masson/Chocolat Mexicain [The Four Seasons]
1896. Four colour lithographs, each signed in image lower right, 31.2 x 14.2cm (approx. each). Cropped calendars, minor foxing. Framed. Designed as the 1897 calendar for Chocolat Masson/Chocolat Mexicain. Each lithograph is missing a top panel with company name, and a lower panel with three calendar months (for winter, autumn... More
Portrait Study Of W.P. Nicholson
1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and... More
Bords Du Loing, Pres De Saint-Mammès (On The Banks Of The Loing, Saint-Mammès),
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the... More
![Aux Champs Elysées [Paris, France]. Henri Edmond Cross, 1856- 1910 French.](/pictures/thumb/CL192-19.JPG?v=1524199199)
Aux Champs Elysées [Paris, France]
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More
Schneedächer Mit Telephonstand (Snowy Roofs With Telephone Lines)
1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More
L’Avenue
1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985... More
![[Four Seasons]. Anon.](/pictures/thumb/CL175-5.JPG?v=1492659695)
[Four Seasons]
c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More
Australie: Types Et Coutumes
c1900. Letterpress booklet with colour process screen illustrations, each captioned in plate below image, 24 x 32.2cm. Minor crinkles, slight stains and tears to edges of some pages, missing portions and discolouration to cover. This booklet is part 41 from the series “Autour du Monde: Aquarelles, Souvenirs, Voyages”, published in... More