c1894. Letterpress and wood engraving leaflet, 31.2 x 21.7cm. Missing portion, slight tears and discolouration to edges. Text includes “Detective Cameras… Free Darkrooms. Free Lantern Rooms” and “Geo. Murray & Co., Printers and Stationers, …Clarence St, Sydney.” The Oxford Hotel was located at the top of King and Elizabeth Streets..... More about The Oxford Hotel, Sydney <i>and</i> Amateur Photography. Baker & Rouse,...

1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More about Prière Marmitale (Prayer Over The Soup Pot

1893/1895. Woodcut, printed on blue paper, titled and initialled in block lower centre, printer’s line in letterpress below image, 15.1 x 12.2cm. Minor stains to margins, old mount burn. Printer’s line reads “C. Grumbach, Leipzig.” Ref: The Graphic Work of Vallotton 1865-1925, Arts Council, 1976, #49, noting that this portrait..... More about À Schumann (To Schumann

1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way... More about Little Evelyn

1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA collection. More about Köpping’sche Ziergläser (Köpping’s Ornamental Glasses

1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More about Walter Crane

1896. Four colour lithographs, each signed in image lower right, 31.2 x 14.2cm (approx. each). Cropped calendars, minor foxing. Framed. Designed as the 1897 calendar for Chocolat Masson/Chocolat Mexicain. Each lithograph is missing a top panel with company name, and a lower panel with three calendar months (for winter, autumn... More about Chocolat Masson/Chocolat Mexicain [The Four Seasons

1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the... More about Bords Du Loing, Pres De Saint-Mammès (On The Banks Of The Loing, Saint-Mammès

1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More about Schneedächer Mit Telephonstand (Snowy Roofs With Telephone Lines

c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More about Four Seasons

1860/1903. Etching, initialled in plate lower left, 16 x 12.7cm. Published in Twenty-One Etchings…, Astolat Press, London, 1903, in an edition of 150 (ten on vellum, 140 on Japan paper). Ref: Chesson #9; Beraldi #7. More about A Lady Reading Book

1901/ 1903. Lithograph, stamped signature and title, and annotated “no. 45-8” in pencil in unknown hand below image, 25.5 x 32.3cm. Slight foxing and creases to edges of margins. This work is from the Weber portfolio, which contained 15 facsimile prints of pen and ink drawings, published by Hans von... More about Vergessen, Versunken (Forgotten, Lost

c1903. Etching, aquatint and roulette, printed à la poupée, signed in pencil in lower margin, 19.5 x 13.3cm. Crinkles, old glue stains verso. Provenance: James Fairfax estate. Held in Albertina; British Museum (uncoloured). More about From Japan. The Courtesan