1867. Etching, initialled in plate lower left, text including artist’s name, date and title in plate below image, collector’s stamp verso, 19.5 x 10.6cm. Slight discolouration. Text reads “Frédéric Leighton, pinx. & sculp. Royal Academy 1867. Pastorale. Gazette de Beaux-Arts. Imp. Delâtre, Paris.”..... More
1641/1868. Etching, signed and dated in plate upper right, 14.4 x 11.3cm. Minor foxing to margins, old mount burn. Published in Hamerton’s book in 1868 from the original plate. Ref: Bartsch #118, 2nd state; Hind #183, listed as Jacob and Laban. A crisp, clean impression with wide margins. More
1868. Etching, annotated “Werrington”, signed and dated in plate lower left, 14 x 21cm. Slight foxing and discolouration to margins. Also known as La Rookery, edition of 350. Illustration to poem by Ernest D’Hervilly within the volume Sonnets et Eaux-Fortes. Held in the National Gallery of Australia and British Museum..... More
![The Valley Of The Ovens River [Victoria]. Eugene von Guerard, Austrian/Aust.](/pictures/thumb/CL194-31.JPG?v=1543548670)
1866-1868. Colour lithograph, signed in image lower right, title and “Hamel & Ferguson Litho.” blindstamp below image, 32.6 x 50.5cm. Repaired tears and missing portions to edges including upper centre of image, minor stains. Laid down on acid-free backing. Plate 2 from Eugene von Guerard’s Australian Landscapes, published by Hamel..... More
![Top Of Mount Lofty Near Adelaide [South Australia]. Eugene von Guerard, Austrian/Aust.](/pictures/thumb/CL194-32.JPG?v=1543548670)
1866-1868. Colour lithograph, signed in image lower left, title below image, 29.8 x 46.8cm. Trimmed margins. Plate 17 from Eugene von Guerard’s Australian Landscapes, published by Hamel & Ferguson, Melbourne. Held in NGA. This image shows men and dogs after a kangaroo hunt. More
1866-1868. Colour lithograph, signed in image lower right, title below image, 28.8 x 49.1cm. Old, worn crease to centre of image, repaired tears to upper and lower right of image, slight stains. Framed. This image is one of 24 drawn by von Guerard onto a lithographic stone, published by Hamel... More
![Prospecting In Australia [Gold Rush]](/pictures/thumb/CL194-37.jpg?v=1543548674)
1870. Colour wood engraving, letterpress text including artist, title and date below image, 32.3 x 43.9cm. Old folds, minor missing portions and stains to margins. Laid down on acid-free backing. Text reads “Engraved by S. Calvert. Clarson, Massina & Co., Melbourne. From an original picture by O.R. Campbell. Supplement to... More
1861/1871. Etching and drypoint, signed and dated in plate centre left, 10.2 x 12.6cm. Minor glue stains to upper margin, old mount burn. State viii/viii. From the series Sixteen etchings of scenes on the Thames, 1861. Ref: Kennedy #74. More
c1871. Group of three tinted lithographs, two signed in image lower left or right, approx. 64.4 x 48cm each. Missing portions to margins, soiling, repaired creases and tears. Linen-backed. Titles read “Emmeline Zavistowski;” “Alice Zavistowski;” and “The Zavistowski Trio: Alice, Christine & Emmeline.” All include text “Ferd. Mayer & Sons..... More
![The Baby-House [Doll’s House]. John Everett Millais, Brit.](/pictures/thumb/CL168-99.JPG?v=1492489420)
1872. Etching and engraving on chine- collé, signed, titled, monogrammed and annotated “9” in plate lower left to right, 14.5 x 18.5cm. Slight foxing to margins. More
1873. Collection of 12 periodicals bound together, illustrated with over 260 line-blocks, wood engravings and lithographs, from Jan. to Dec. 1873, Tyrrells’ stamp on front endpaper, 27.1 x 22.2cm (quarto). Foxing, stains, tears, missing portions to some pages. First title page includes “Vol. XVIII – new series, vol. 1. Sydney... More
c1814/1873. Etching with engraving, proof before letters, 21 x 30cm. Minor surface loss to upper portion, slight foxing and stains overall. William Say, who was one of the engravers employed by Turner to work on his Liber Studiorum, executed 11 of the published and two of the unpublished plates. He... More
1825/1874. Engraving, plate number “6”, captioned and signed with publisher’s line and date in plate above and below image, 21.6 x 17.1cm. Minor foxing to lower portion of image and stains to margins. Text reads “Naked came I out of my mother’s womb & naked shall I return thither. The..... More
1874. Wood engraving, artist, date and signed “Calvert” by engraver in block lower left to right, title in block below image, 43.5 x 56.3cm. Foxing and slight stains, old folds and creases. Framed. Text includes “Supplement to The Illustrated Australian News.”. More
![Mr [And] Mrs F.M. Bates. Charles Turner, fl.1850s-1912 Aust.](/pictures/thumb/CL177-2_1.JPG?v=1492662585)
c1874. Pair of lithographs, each signed and titled in image lower right and centre, approx. 56.6 x 43.6cm (paper). Repaired creases and tears, slight soiling and foxing. Linen-backed. Text continues “Lith. 62 Collins St, E. Melbourne.” The image of Mrs Eliza Bates is held in State Library of Victoria. These... More
![Sydney, New South Wales, Australia [Sydney Harbour]. Samuel Calvert . After A. C. Cooke, Aust.](/pictures/thumb/CL187-44_1.JPG?v=1496120269)
c1874. Wood engraving, signed by Cooke and Calvert in block lower left to right, text including title in margins, 53.5 x 94.6cm. Minor foxing to image upper centre and paper loss to old folds. Linen-backed. Text reads “Supplement to the special European edition of the Illustrated Sydney News. Gibbs, Shallard... More
![[Hawkesbury Or Pittwater View, NSW]. W H. Raworth, Brit./Aust./NZ.](/pictures/thumb/CL194-44.jpg?v=1543548677)
1874. Watercolour, signed and dated lower centre, 33.5 x 63.1cm. Old mount burn. More
1866/1876. Colour lithograph, signed and dated “1865” in image lower left to right, text including date “1866” and title below image, 48 x 65.7cm. Repaired slight tears to image and margins, minor stains to margins. Laid down on acid-free tissue. Text includes “J.H. Wright, pinxt. Copyright 1876 by Currier &..... More
1874/1876. Wood engraving, signed and dated “1874” by Cooke and signed by Calvert in block lower left to right, text including title and date in lower margin, 68.5 x 100cm. Old folds, repaired slight tears or missing portions to margins, minor stain to image upper centre. Title continues “with enlarged... More
![Pride Of The Hills [Race Horse]. Frederick Woodhouse Jr, Aust.](/pictures/thumb/CL181-70.JPG?v=1486012453)
c1877. Hand-coloured tinted lithograph, artist and title in upper and lower margins, 42.2 x 61.2cm (image). Some surface loss, slight stains to margins. In original period frame. Text includes “Woodhouse’s Australian Winners. Painted, lith. & publ. by Fred Woodhouse. Printed by Fergusson & Mitchell, Melb. Pride of the Hills, by..... More
1877/later printing. Etching, aquatint and drypoint, 21.5 x 32.6cm (image). Minor surface loss to image centre right, trimmed to edges of image, tipped to mount. Plate C from the Disparates (Follies) . Held in the Metropolitan Museum of Art collection. More
1879. Etching, 18.7 x 25.1cm. Minor stains and crinkles to upper margin. Published state iii/vi. Held in British Museum; V&A. The subject of this etching is an idealized view of Lee Abbey, Devon. Ref: Peacock, Samuel Palmer: Shoreham and After, 1968, p131. More
![[View Of Sydney From The North Shore]. After Edward B. Boulton, Aust.](/pictures/thumb/CL169-38.JPG?v=1492490626)
1879. Colour lithograph, text including date in image lower right, 33 x 83.5cm. Repaired tear to right edge and repainted portions to lower edge of image. In original gilt frame. Text includes “Published [illegible] 1st, 1879, by [illegible] 428 George St, Sydney. Ent’d Stationers’ Hall…” This image was sold during..... More
1863-1880. Group of 11 pages or slips of newsprint with wood engraving illustrations, some monogrammed, initialled or signed in block by artists including Calvert, Cawker, Cubitt, Jackson and Nash, sizes range from 21 x 28.3cm to 42.2 x 28cm (paper).Stains and foxing, tears and paper loss to edges. From The... More
![Gladesville Wharf [NSW]](/pictures/thumb/CL169-41.JPG?v=1492491005)
c1880s. Colour lithograph, titled in image lower centre, 10.9 x 22.6cm. Slight stains and foxing overall, trimmed to edges of image. More