1856. Hand-coloured engraving with aquatint, signed “H. Hall” in image centre left, artist, engraver, title and text in plate below image, 46.8 x 66.2cm (image). Repaired major tear to margin and image centre left, slight foxing. Framed. Text reads “Bred in 1834 by Humphrey Clinker. Dam by Cervantes. Painted by..... More

1857/later printing. Cliché-verre, dated and signed in image lower left and lower right, 17.1 x 22.1cm (paper). Minor chips to corners, uneven margins. Ref: Melot #C65. Corot and other artists of the Barbizon school were the first, and most prolific, experimenters with cliché-verre, a technique that combines aspects of printmaking..... More

1858. Etching, signed and dated in plate centre right, 15.4 x 9cm. Repaired minor paper loss to image upper right, stains to margins, old mount burn. Held in the Art Gallery of NSW collection. More

c1860s. Sheet music, toned lithograph cover, signed “A. Arnst” lower right, 35.1 x 25.5cm. Slight soiling, stains and crinkles, small tears and chips to edges, old paper tape to spine. Text reads “London, Cramer, Beale & Co. Edinburgh, Wood & Co., Glasgow, J.M. Wood & Co. Schenck & McFarlane, Lith’rs..... More

c1860. Globe with iron and turned wood stand, small compass affixed to base, accompanied by original handheld magnifying glass, 30 x 19cm (with stand). Oxidation, minor crazing and wear to varnish (globe), repaired missing portion to “North America” section. Text in French includes “Nuremberg, institute artistique de C. Abel-Klinger, editeur.”..... More

1861. Etching, numbered “10”, monogrammed, dated with artist’s name and text in plate above and below image, 9.6 x 16.4cm. Two perforations to left margin. Text reads “Plate 10. J.E. Millais. London. Published December 1st 1861, by Day and Son, Lith. to the Queen.” Provenance: Estate of Dr Constable, former..... More

1862/later printing. Cliché-verre, signed in image lower left, 21.6 x 19.2cm (paper). Minor discolouration and foxing to upper and lower edges of image, slight rubbing, tears and paper loss to corners of border. Ref: Melot #D137. Daubigny, Corot and other artists of the Barbizon school were the first to experiment..... More

1865/later printing. Etching, signed lower right and artist’s name and text in plate below image, 9.3 x 8.1cm. Old mount burn. Text reads “Peint et grave [painted and engraved] par Manet, 1862. Imp. A[lfred] Salmon.” 4th state. Ref: Harris #61. This portrait is based on a photograph taken in 1862..... More

c1865. Hand-coloured lithograph, text including title below image, 23.6 x 28.3cm. Cropped top margin. Framed. Text includes “Distance lends enchantment to the view is exquisitely verified in the opinion a new arrival, or in Colonial parlance, a New Chum…a young gentleman remarks in a colonial song: ‘I’ve got to work..... More

1641/1868. Etching, signed and dated in plate upper right, 14.4 x 11.3cm. Minor foxing to margins, old mount burn. Published in Hamerton’s book in 1868 from the original plate. Ref: Bartsch #118, 2nd state; Hind #183, listed as Jacob and Laban. A crisp, clean impression with wide margins. More

1866-1868. Colour lithograph, signed in image lower right, title and “Hamel & Ferguson Litho.” blindstamp below image, 32.6 x 50.5cm. Repaired tears and missing portions to edges including upper centre of image, minor stains. Laid down on acid-free backing. Plate 2 from Eugene von Guerard’s Australian Landscapes, published by Hamel..... More

1799/1868. Etching, aquatint and drypoint, signed in plate lower left, numbered “70” and titled in plate above and below image, erased title in pencil in lower margin, 20.8 x 16.6cm. Slight foxing. This etching is from a small edition of Los Caprichos, meaning “the follies” or “the caprices” and was..... More

1861/1871. Etching and drypoint, signed and dated in plate centre left, 10.2 x 12.6cm. Minor glue stains to upper margin, old mount burn. State viii/viii. From the series Sixteen etchings of scenes on the Thames, 1861. Ref: Kennedy #74. More