c1814/1873. Etching with engraving, proof before letters, 21 x 30cm. Minor surface loss to upper portion, slight foxing and stains overall. William Say, who was one of the engravers employed by Turner to work on his Liber Studiorum, executed 11 of the published and two of the unpublished plates. He..... More

1874. Wood engraving, artist, date and signed “Calvert” by engraver in block lower left to right, title in block below image, 43.5 x 56.3cm. Foxing and slight stains, old folds and creases. Framed. Text includes “Supplement to The Illustrated Australian News.”. More

c1874. Wood engraving, signed by Cooke and Calvert in block lower left to right, text including title in margins, 53.5 x 94.6cm. Minor foxing to image upper centre and paper loss to old folds. Linen-backed. Text reads “Supplement to the special European edition of the Illustrated Sydney News. Gibbs, Shallard..... More

1866/1876. Colour lithograph, signed and dated “1865” in image lower left to right, text including date “1866” and title below image, 48 x 65.7cm. Repaired slight tears to image and margins, minor stains to margins. Laid down on acid-free tissue. Text includes “J.H. Wright, pinxt. Copyright 1876 by Currier &..... More

1876. Colour wood engraving with letterpress, signed in block lower left, 52.5 x 40.7cm. Old folds, slight stains, uneven margins. Linen-backed. Text reads “Supplement to The Illustrated Australian News, December 1876.” Image includes a cage with two budgerigars. Held in NLA, NGV. More

1877. Lithograph, 32.3 x 88cm. Old creases, folds, slight foxing, stains, offset. Linen-backed. Text includes “Supplement to The Illustrated New Zealand Herald for May 1877.” This panoramic view of Auckland is taken from the harbour and includes a key noting local landmarks, businesses and hotels. More

1879. Colour lithograph, text including date in image lower right, 33 x 83.5cm. Repaired tear to right edge and repainted portions to lower edge of image. In original gilt frame. Text includes “Published [illegible] 1st, 1879, by [illegible] 428 George St, Sydney. Ent’d Stationers’ Hall…” This image was sold during..... More

1863-1880. Group of 11 pages or slips of newsprint with wood engraving illustrations, some monogrammed, initialled or signed in block by artists including Calvert, Cawker, Cubitt, Jackson and Nash, sizes range from 21 x 28.3cm to 42.2 x 28cm (paper).Stains and foxing, tears and paper loss to edges. From The..... More

c1880s. Colour lithograph, titled in image lower centre, 12.2 x 22cm. Old vertical fold to right portion, slight foxing overall, trimmed to edges of image. Possibly a view from Victoria Road. More

1880. Etching and aquatint on chine-collé, 25.5 x 17.5cm (image); 36.3 x 27.6cm (plate). From Cupid and Psyche (Opus V), plate 44. Ref: Singer #107. More

1880. Etching and aquatint on chine-collé, 25.4 x 17.5cm (image), 36.3 x 27cm (plate). From Cupid and Psyche (Opus V), plate 28. Ref: Singer #91. Cupid and Psyche is a love story about overcoming obstacles from the novel Metamorphoses written in the 2nd century by Apuleius. During the Renaissance his..... More

1880. Pair of hand-coloured wood engravings, 22.7 x 32.9cm; 24.4 x 22.3cm. Creases, repaired tears to edges, slight soiling and foxing. Captions for one image read “No. 1 General view: night attack by the police on the inn; No. 2 After the fight: Ned Kelly wounded, lying at the railway..... More

1882. Etching on chine-collé, signed in plate lower left, 15.2 x 20cm. Discolouration to edges of margins. Illustration for the book, The Epic of Kings, Stories Retold from Firdusi by Helen Zimmern, 1882. Held in the British Museum collection. Chine-collé, a process developed in the 19th century, enabled artists to..... More