The Med School Doorway [University of Sydney]
c1930s. Etching and aquatint, editioned 7/50, titled and signed in pencil in lower margin, 21.4 x 16.2cm. Slight old mount burn. More
c1930s. Etching and aquatint, editioned 7/50, titled and signed in pencil in lower margin, 21.4 x 16.2cm. Slight old mount burn. More
c1928-1930. Colour linocut, monogrammed in block lower left, annotated “linocut”, titled and signed in ink in lower margin, 23.2 x 15.6cm. Slight foxing, crinkles and perforations to margins. Held in the National Gallery of Australia collection. More
c1930s. Colour linocut, signed in block lower right, 23.2 x 24.8cm. Dents and crinkles to margins, slight foxing overall. More
c1928-1930s. Consisting of 38 items including hand-coloured dye-line print plan, panoramic and other silver gelatin photographs, pencil drawing, etching, gouache illustration design, colour lithograph poster, certificate, and various process lithograph and process screen prints, several items signed or dated, most titled or captioned, sizes from 6 x 10.5cm to 100.3..... More
c1930s. Colour lithograph on card, signed in image lower left, 30.1 x 60.7cm. Stains and minor surface loss overall. More
c1930s. Etching, editioned 7/25, titled and signed in pencil in lower margin, 17.7 x 15.1cm. Old mount burn. Emanuel studied etching with Sydney Long during the 1930s. His enthusiasm for this medium is highlighted in his book, The Etchings of Cedric Emanuel, 1980, where he states “I hope I have..... More
c1930s. Etching and aquatint, editioned 9/25 and signed in pencil in lower margin, 29.1 x 21.5cm. Slight foxing, old mount burn. This etching is from a pen and ink wash drawing at Halvorsen’s Boatshed, which at that time was located in Neutral Bay, NSW, before relocating to Ryde in 1939..... More
c1930s. Etching, editioned 1/25, titled and signed in pencil in lower margin, 20.1 x 24.9cm. Ref: The Etchings of Cedric Emanuel, 1980, plate 40, listed as The Boatsheds, Rushcutters Bay. More
c1930s. Monotype, signed in image lower right, 26.9 x 24.5cm. Small perforation to image centre, slight foxing. More
c1930s. Etching, titled and signed in pencil in lower margin, 6.9 x 13.6cm. More
c1930s. Etching, signed and editioned 7/40 in pencil in lower margin, 25.1 x 20cm. More
c1930. Etching, signed in pencil in lower margin, 20.6 x 39.1cm. Tears to margins, old mount burn. More
c1930s. Drypoint, editioned 14/25, titled and signed in pencil in lower margin, 13.8 x 17.5cm. Surface loss, creases and soiled margins. More
c1930s. Wood engraving, erroneously attributed to “Douglas Robert Dundas by his son Kerry Dundas” in pencil verso, 7.7 x 10.3cm. Slight foxing and creases to margins. Provenance: Kerry Dundas. Held in AGNSW; NGA. Reginald Cecil Grahame (Rah) Fizelle is known for his influential role in the development of Modernism in..... More
c1930s. Linocut, initialled in block lower right, 14.2 x 16.2cm. Paper loss to image centre left, old creases to image upper right, slight stains to margins, old mount burn. More
c1930s. Etching, editioned 8/75, titled and signed in pencil in lower margin, 18.3 x 26.4cm. Slight foxing overall, cracking to platemark, old mount burn. More
c1930s. Colour stencil with lacquer finish, signed in pencil below image, annotated “#3”, titled, signed and artist’s address in pencil verso, 39.3 x 32.3cm. Tear to left edge including image, creases to upper right corner, pinholes and soiling. Address reads “74 W. 68th Street, New York City.” The artist often..... More
c1930s. Four buckram-bound folios containing 109 original prints, many signed, some editioned or dated in pencil in lower margin, two annotated “From A. Mackie’s Teacher’s [sic] College Sydney” and dated “26.11.30” in ink verso, 3.7 x 3cm to 16.8 x 22.5cm (prints); 32.2 x 28.2cm (folios, approx. each). Creases, crinkles..... More
1930. Woodcut, signed in block upper right, titled, editioned 63/75, signed and dated in pencil in lower margin, 12.6 x 15.1cm. Retouching to four block joins. London-born cartoonist, illustrator and printmaker Will Mahony was the son of Australian artist Frank P. Mahony. More
c1930s. Etching, editioned 14/50, titled and signed in pencil in lower margin, 32.5 x 19.5cm. Slight foxing. Illustrated in The Etchings of Cedric Emanuel, #4, with title “Boatshed, Rushcutter’s Bay.” New Zealand-born Cedric Emanuel studied art at the Royal Art Society under Julian Ashton, and learned etching from Sydney Long..... More
c1930s. Colour linocut, titled and signed in pencil in lower margin, 21.3 x 20.8cm. Minor cockling to edges. Framed. British-born Mary Packer Harris was a painter, printmaker, designer and embroiderer who also wrote and published books on art and Quaker beliefs. She taught at the South Australian School of Arts..... More
1931. Etching, titled, editioned 19/75 and signed “E. Warner” in pencil in lower margin, 12.9 x 16.3cm. Missing portions to margins not affecting image, old mount burn. Laid down on acid-free tissue. Held in SLNSW. More
1931. Wood engraving, signed in block lower left, signed, titled and annotated “100” in pencil in lower margin, 14.3 x 10.9cm. Slight tears and creases to margins. Ref: Mendelssohn, p102, also listed as Depression. More
c1931. Linocut, letterpress including artist’s name below image, 14.2 x 12.6cm. Tipped to original publication page. Another impression of this linocut was published in Harry Tatlock Miller (ed.), Manuscripts: The Book Nook Miscellany, no. 1, 1931. More