c1964. Gouache and ink, scarf design, titled and signed in image centre and lower right, captioned throughout image, 70 x 70cm. Slight scuffs, surface loss and stains overall, creases and pinholes to margins. Captions identify Adelaide landmarks depicted around the edges of the image, and include “King William Street, Elder..... More

c1966. Plaster bust, 42 x 28 x 25cm. Added graphite to eyes. Born in Glebe, NSW, Les Tanner was one of Australia’s best-known political cartoonists and columnists. At an early age he showed a talent for drawing portraits. While studying at the Julian Ashton Art School he worked at The..... More

1966. Plaster and stand with bronze finish, date and signature incised into bust lower left, 23 x 8.9 x 8.9cm (overall). Minor chips to bust and stand. Provenance: Purchased in Australia. Jimilu Mason’s original bust of President Johnson was a clay model cast in plaster, then in bronze. “Though Johnson..... More

c1930-1968. (1) Don Bradman, The World’s Greatest Batsman, c1930. Vintage silver gelatin photograph, captioned in image lower left to right, 13.5 x 8.7cm. Slight creases. Caption continues “Born at Cootamundra, NSW, Aug. 27th, 1908.” (2) Don Bradman’s Reply To A Fan Letter, 1968. Handwritten letter on Sir Donald Bradman letterhead..... More

c1970s. Vitreous enamel on metal plate, signed lower centre, 28cm (diameter). Chip to enamel outside image. Hesling’s plates are held in NGA and Powerhouse collections. Bernard Hesling was a British-born muralist and painter who lived and worked in Australia and produced many vitreous enamel artworks and wrote humorous autobiographies. Ref..... More

c1970s. Vitreous enamel on metal plate, initialled “H” and annotated “test” lower right, 27.5cm (diameter). More

1970. Embroidered cotton with hooped fringe, date lower centre, 82.5 x 97.5cm. Slight stains, creases and pulls to thread. Translated Vietnamese text reads “To Fight – To Win, Into a Land of Steel.” The embroidered scene shows a Viet Cong flag with a man in military uniform and a woman..... More

c1971. Original handwritten manuscript in ink consisting of 50 stapled booklets, accompanied with typed version in three bound folders, signed in ink on typescript title page, marginalia and notes throughout manuscript, 35 x 23cm (folders, each); 448pp. This unfinished manuscript by Vernon W.E. Goodin is a comprehensive history of the..... More

1972. Letterpress poster, stamped “approved” and signed in ink on image lower portion, 37.7 x 33.2cm. Repaired pinholes. Linen-backed. Text includes “May Day stands for working-class solidarity for the summing up of its experience and the setting of its political goals. It is time now to prepare for May Day..... More

c1970-1973. Consisting of 23 envelopes with ephemera and one vintage silver gelatin photograph, cut into 24 jigsaw puzzle pieces, each envelope addressed to “Jon Conté, 85 Hamilton Street, Yarraville, Victoria 3013”, most postmarked with date and place of sending, some with return addresses typed or in ink or pencil, envelope..... More

c1974. Group of 14 colour screenprints, each editioned and signed in pencil in lower margin, all annotated “203” in pencil verso, each 76.5 x 56.1cm (paper). Some with stains, creases or tears to edges. Some of these poems were included in Flowers of Emptiness, a 1982 compilation of Krausmann’s poetry..... More

c1975. Bronze bust, signature incised verso, 32.5 x 25.1 x 15.6cm. Provenance: Artist’s agent. This work was most likely commissioned around 1975, when Cherina was in Australia, creating a bust of Prime Minister Gough Whitlam. More

1975. Folio of 40 poems in loose-leaf pages, one poem handwritten in ink, the remaining are lithographs, housed in a handmade envelope with watercolour illustration on cover, editioned “number fifteen [of 50]” and titled in ink, 23.1 x 30cm. Slight foxing and stains to envelope. This folio of poems by..... More