c1950/1990s. Cast resin with bronze finish, signature incised into base, 30.5 x 6 x 5.5cm. The original wooden sculpture, made in 1950, is held in the AGNSW, with the comment “Barbara Tribe began working with wood whilst enrolled at Regent Street Polytechnic School of Art, London, and produced works in..... More

1993. Hardcover folio, brown cloth boards with red printed title and spine, glassine dust jacket and housed in publisher’s original white cardboard box, 284pp, with index, autographed and dated “1993” by Avedon in ink on flyleaf, 37.3 x 30.6cm. Minor bumping and scuffing to cardboard box including old tape and..... More

c1960s/2000s. Screenprint on cotton, design title and studio printed along selvage, 205 x 147cm. Text reads “‘Waterfall Gardens’, a Florence Broadhurst design, printed by Signature Prints, Sydney, Australia.” Florence Broadhurst was an Australian wallpaper and textile designer, whose work is known for its brightly coloured geometric shapes and nature-inspired oversized..... More

2006. Hardcover quarto with illustrated boards and black cloth with white lettering to spine, 637pp, 28.2 x 24cm. As new in shrink-wrap. By Michael J. Campbell. Published by Bancaja; Museo de Bellas Artes de Bilbao, Spain. Spanish text with English translations. This book, which is still the most up-to-date reference..... More

1946/2015. Bronze, stamped “cire perdue [lost wax], Meridian Melbourne”, signed and editioned 4/7 on base lower right, 47 x 32 x 27.5cm. Ben Chifley was the 16th Prime Minister of Australia from 1945 to 1949. “As a returned serviceman completing his fine art and graphic diploma at the Ballarat School..... More

c1866–1923. Fifteen (15) items comprising 12 albumen paper photographs, cabinet or carte-de-visite format, two vintage silver gelatin photographs, and one octavo book, each photograph identified and annotated by multiple hands in ink and pencil, all with studio line on backing below image or verso, 9.1 x 5.9cm to 14.5 x...... More

c1930s–1959. Two hundred and thirty-nine (239) items consisting of 224 illustrations in pencil, watercolour, ink or crayon on tissue or butcher’s paper; 10 colour stencils; three screenprints; and two notebooks, some items annotated with instructions for fabrics and production details, sizes range from 7.5 x 10cm to 75.9 x 62cm..... More

1979–1992. Nineteen (19) items comprising of 12 ink illustrations and seven letters including examples of book cover art, each illustration captioned, and each letter signed by Leunig in ink, some letters or envelopes stamped “received” with date, 4 x 6cm (illustrations approx. each). Most images taped to paper, some with..... More

c1850–1860s. Ink and watercolour on linen, titled in ink upper left, 28 x 50.5cm. Old folds, stains. Shows West Dapto Road “to be opened as shown by a red line.” Provenance: Daniel Cooper estate. William Frances Weston’s 500 acres in Dapto, bordered on the north by West Dapto Road, were..... More

c1860s–1870s. Black and red ink and blue pencil on linen, titled in ink lower right, 46.5 x 55cm. Old folds, creases, slight foxing, uneven margins. Shows the early street layout of Liverpool in Sydney’s western suburbs and notes 17 allotments of land owned by “D. [Daniel] Cooper.” Provenance: Daniel Cooper..... More

c1870s–1880s. Ink on linen, titled lower centre, 38 x 61.5cm. Old folds, foxing overall, minor tears. Title continues “Proposed to be opened as a parish road under Act of Council, 4 Win IV, No. II.” Provenance: Daniel Cooper estate. The road proposed in this map is now called Kanahooka Road..... More

c1940s–1950s. Two folk art figures and two vintage silver gelatin photographs, one figure with “Jakanda Reg’d” label attached to base, one photograph with paper manufacturer’s mark “A.M. Crown Copyright Reserved” verso, 13 x 8.5 x 6.5cm and 14 x 6 x 2.5cm (figures); 19.2 x 12.2cm and 19 x 22.7cm..... More

c1960s–1970s. Crackle-glazed porcelain on wooden plinth, 25.5 x 14.2 x 17cm. Minor paint splatter top left. More