Old Commissariat Store, Sydney
1932. Drypoint, editioned 20/30, titled, signed and dated in pencil in lower margin, 18 x 15.4cm. More
1932. Drypoint, editioned 20/30, titled, signed and dated in pencil in lower margin, 18 x 15.4cm. More
1932. Wood engraving, titled, editioned 31/40, signed and dated in pencil in lower margin, 22.8 x 16.4cm. Foxing overall. More
1932. Etching, monogrammed and dated in plate lower right, editioned 1/30, titled and signed in pencil in lower margin, 16 x 30.3cm. Minor crinkles overall and soiling to margins. More
1932. Etching, editioned 5/25, titled and signed in pencil in lower margin, 24.9 x 20cm. Minor cockling, discolouration and stains to upper portion of image. Framed. Held in NGA; illustrated in The Etchings of Cedric Emanuel, 1980, plate 26. The Anzac Memorial was designed by architect Bruce Dellit, with exterior..... More
1934. Etching, signed and dated “29/3/34” in plate lower left, faintly editioned 14/50[?], titled and signed in pencil in lower margin, 22.6 x 30.3cm. Rubbing to upper centre, image edges and margins, missing portions to lower margin. Held in Powerhouse Museum. More
c1934. Etching, partially obscured title and signed in pencil in lower margin, 25.3 x 35.1cm. Foxing and repaired surface loss, repaired tears and missing portions to plate mark and margins. Laid down on acid-free paper. Rare, not listed in Mendelssohn. More
1934. Etching, signed and dated “June 9 1934” in plate lower left, editioned 12/50, titled and signed in pencil in lower margin, 25.3 x 15.3cm. Old mount burn. More
c1934. Group of five prints consisting of three lithographs, one with added graphite, one aquatint, and one etching with drypoint, three images titled and each signed in image lower left or right, 8.2 x 15.1cm to 19.6 x 26cm. Foxing and minor creases overall. Titles of lithographs read (1) Collins..... More
1935. Etching, signed and dated in plate lower left, editioned 4/50 and signed in pencil in lower margin, 19.5 x 26.7cm. Foxing to margins, old mount burn. More
c1935. Etching, editioned 16/35, titled and signed in pencil in lower margin, 21.4 x 15.1cm. Faint mount burn. More
1935. Etching, signed and dated “10-12-35” in plate lower left, titled and signed in pencil in lower margin, 23.4 x 18.5cm. Repaired tear to platemark lower right, old mount burn. Held in National Gallery of Australia. More
1935. Etching, signed in plate lower left, signed and titled in pencil in lower margin, 13.5 x 21.1cm. Slight foxing and stains to image and margins, old mount burn. Ref: Mendelssohn #520. Held in NGV with Lindsay’s annotation “I inhabited a room in the building left of the Carpenter’s in..... More
1936. Etching, signed in plate lower left, signed, titled and annotated “proof” in pencil in lower margin, 26.2 x 20.9cm. Minor creases to margins. Ref: Mendelssohn #530. More
1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More
1938. Etching, editioned “no. 41”, titled and signed in pencil in lower margin, 27.7 x 30.5cm. Slight foxing to upper portion and lower margin. Framed. Held in AGNSW. Illustrated in The Etchings of Cedric Emanuel, 1980, plate 2, with Emanuel’s comment “The first drawing of the etching was done from..... More
1939. Linocut, titled, editioned 2/20, signed and dated in pencil in lower margin, 29.5 x 23.2cm. Crinkles and slight creases overall, minor foxing and tears to margins. More
c1940s. Etching with soft ground, titled, editioned 1/25 and signed in pencil in lower margin, 17.6 x 22.6cm. Slight surface loss to margins, old mount burn. More
1944-1946. Screenprint, 35.7 x 39.9cm. Margin soiled with printer’s ink. Unsigned working proof. Ref: Butler #4. More
1944-1946. Screenprint, 34.7 x 43cm. Soiled margins with printer’s ink. Unsigned working proof. Ref: Butler #6. More
1949. Etching, signed and dated in plate lower right, editioned 20/50, titled and signed in pencil in lower margin, 26.3 x 20cm. Slight foxing to image upper right. Held in SLNSW. Hobart Government House is considered to be a “fine example of an early Victorian country house in neo-Gothic style..... More
1952. Wood engraving, initialled in block lower left, editioned 8/25, annotated “Perth, WA”, dated, signed and titled in pencil in lower margin, 12.6 x 12.6cm. Slight foxing to margins. Image held in the Art Gallery of WA, the Art Gallery of NSW and the National Gallery of Australia. Vaclovas Ratas..... More
c1954. Etching, titled, dated “ca. 1954”, editioned 11/30 and signed in pencil in lower margin, 15.9 x 15.7cm. Minor foxing to margins. Framed. Sydney-born Elizabeth Rooney was a key artist in the revival of printmaking in Sydney in the early 1960s. In 1949 Rooney studied the etching process under Herbert..... More
1966. Etching, titled, editioned 11/30, signed and dated in pencil in lower margin, 54.1 x 29.8cm. Minor foxing to image centre, lower right and margins. More
1966-1968. Etching with aquatint, titled, annotated “artist’s proof 3”, signed and dated in pencil in lower margin, 30 x 44.9cm. Old mount burn. In order to expand the Bradfield Highway approach to the Sydney Harbour Bridge, the old railway arch bridge, as depicted in this image, had to be dismantled..... More