1920. Etching, titled, numbered “11” and signed in pencil in lower margin, 7.2 x 13.5cm. Stains and minor paper remnants to image centre, pinholes and repaired tears to upper margin, old mount burn. Held in Sydney Living Museums (SLM), with the comment “‘Elizabeth Farm House, Parramatta’ was one of 34..... More

c1920. Drypoint, initialled in plate lower centre, editioned 3/30, titled and signed in pencil below image, 21.4 x 17.7cm. Repaired tears to upper margin including platemark, minor paper loss to margins, old mount burn. Not illustrated in Spartalis reference on van Raalte. London-born Henri van Raalte studied art under John..... More

1921. Etching, signed in plate lower left, annotated “artist’s proof ‘A’”, titled and signed in pencil in lower margin, 20.3 x 22.1cm. Slight cracks to left platemark and stains to trimmed margins. Laid down on acid-free tissue. Held in SLNSW. More

1921. Etching, annotated “no. 43 [of] 50 proofs”, titled and signed in pencil in lower margin, 10.5 x 10.6cm. Old mount burn. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a “keen interest in architecture..... More

1923. Aquatint, signed, titled, editioned 42/75 and annotated in pencil in lower margin, 15.4 x 23.8cm. Minor foxing to margins, slight mount burn. Annotation indicates image was printed on 18th century paper, which Lionel Lindsay often used to obtain a mellow look. Ref: Mendelssohn #302. More

1923. Etching, initialled and dated in plate lower right, signed, dated, titled and editioned 2/50 in pencil in lower margin, 15 x 19.8cm. Lightly inked impression, slight foxing overall. Held in SLNSW. Burdekin House in Macquarie Street, Sydney, was built in 1841 for merchant Thomas Burdekin (c1799–1844). “It was owned..... More

1924. Drypoint, titled, signed and editioned 26/35 in pencil in lower margin, 27.8 x 13.4cm. Held in the National Gallery of Australia collection. More

1924. Wood engraving, monogrammed in block, titled, signed and dated “1926” in pencil in lower margin, 11.5 x 17.2cm. Illustrated in Bloomfield, L. Roy Davies: wood engravings, 1978, p110, listed with date of 1924. This church was one of the unfinished buildings constructed in Boydtown by wealthy entrepreneur and adventurer..... More

c1925. Etching, editioned 1/25, titled and signed in pencil in lower margin, 9.8 x 15.3cm. Crease to lower left corner of image, missing portions and paper remnants to margins, old mount burn. More

1925. Aquatint, signed, titled and editioned 67/75 in pencil in lower margin, 15.3 x 24.3cm. Minor soiling to margins, old mount burn. Ref: Mendelssohn #346, also listed as Near Binalong. More

c1925. Etching, titled, editioned 11/30 and signed in pencil in lower margin, 15 x 28.8cm. Retouching to discolouration in image upper right, stains to margins. Held in NGA. The Pyrmont Bridge, which replaced the first bridge built in 1858, had one of the largest swing spans in the world at..... More

c1925. Etching, signed in pencil in lower margin, 24.7 x 33.7cm. Repaired tears, missing portions and minor foxing to margins. Laid down on acid-free tissue. Shore School, North Sydney, was previously the home of famous gold miner, merchant and parliamentarian Bernhardt Otto Holtermann, who financed a major photographic project covering..... More