![Item #CL198-83 Refreshment [Seville, Spain]. Lionel Lindsay, 1874–1961 Aust](/pictures/thumb/CL198-83.jpg?v=1576815278)
Refreshment [Seville, Spain]
1921. Etching, signed, titled and editioned 19/50 in pencil in lower margin, 13 x 10.3cm. Slight stains to image lower left, old mount burn. Ref: Mendelssohn #250. More
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![Item #CL168-74 Richmond, Yorks’ [Yorkshire]. Albany E. Howarth, British](/pictures/thumb/CL168-74.jpg?v=1492489386)
Richmond, Yorks’ [Yorkshire]
c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More
![Item #CL168-149 [The Thames]. William Walcot, Brit](/pictures/thumb/CL168-149.jpg?v=1492489836)
[The Thames]
1922. Etching and drypoint, signed in pencil on plate mark below image, 11.6 x 33.4cm. From the series The Arteries of Great Britain. More
Lake Tarawera, NZ
1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More
Piccadilly
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
![Item #CL166-78 Lime Kiln Cottage [Lostwithiel, Cornwall]. Harold B. Herbert, Aust](/pictures/thumb/CL166-78.jpg?v=1492486452)
Lime Kiln Cottage [Lostwithiel, Cornwall]
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
![Item #CL168-35 [Sunset Landscape]. Edward Gordon Craig, British](/pictures/thumb/CL168-35.jpg?v=1492488933)
[Sunset Landscape]
1906/1924. Wood engraving, dated “1906”, initialled with date “1924”, editioned 24/150 and annotated in pencil in lower margin, 4.1 x 11cm. Minor crinkles to margins. Annotations include “Only 150 copies printed. Copy 24.”. More
![Item #CL168-42 [Arabian Nights]. Edward Julius Detmold, British](/pictures/thumb/CL168-42.jpg?v=1492489361)
[Arabian Nights]
c1924. Drypoint, signed in pencil on plate mark below image, 26.8 x 43.1cm. Crease to lower right centre of image, folded left and right margins, slight mount burn. More
![Item #CL168-150 [Piccadilly Circus]. William Walcot, British](/pictures/thumb/CL168-150.jpg?v=1492489836)
[Piccadilly Circus]
c1924. Etching and drypoint, signed in pencil on plate mark below image, 10.9 x 17cm. Minor old mount burn. More
Trafalgar Square, Looking Towards The National Gallery
1924. Etching and drypoint, signed in pencil on plate mark below image, 9.2 x 18.3cm. Slight foxing, old mount burn. More
![Item #CL166-79 The Pines, Ronda [Spain]. Harold B. Herbert, Aust](/pictures/thumb/CL166-79.jpg?v=1492486453)
The Pines, Ronda [Spain]
c1924. Etching, monogrammed in plate lower left, editioned 37/50, titled and signed in pencil in lower margin, 20.8 x 22.6cm. Old mount burn. More
An Old Monastery
c1924. Etching, editioned 27/50, titled and signed in pencil in lower margin, 20.3 x 15.1cm. Slight soiling and mount burn. Held in the National Gallery of Australia collection, listed as An Old Monastery, Les Martiques [sic] and The Hermitage, Martigue. More
![Item #CL175-164 [Westminster Bridge And St Paul’s On The Thames, London, England]. William...](/pictures/thumb/CL175-164.jpg?v=1492660339)
[Westminster Bridge And St Paul’s On The Thames, London, England]
1924. Drypoint and roulette, date and text in plate lower right, signed in pencil in lower margin, 20.1 x 40.4cm. Slight foxing to margins, old mount burn. Text reads “London. Published July 1st 1924 by R. Dunthorne & Son. 5 Vigo Street W.”. More
Windy Landscape
1906/1925. Wood engraving, initialled “C.” in block lower left, dated “1906”, initialled with date “1925”, editioned 51/75 and annotated in pencil in lower margin, 5.8 x 5.7cm. Slight foxing to margins. Annotations include “Only 75 copies printed. Copy 51.”. More
![Item #CL168-75 [St Paul’s Cathedral, London]. Albany E. Howarth, Brit](/pictures/thumb/CL168-75.jpg?v=1492489387)
[St Paul’s Cathedral, London]
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
![Item #CL175-9 [Street Scene, Cairo, Egypt]. After William Ashton, Brit](/pictures/thumb/CL175-9.jpg?v=1492659725)
[Street Scene, Cairo, Egypt]
c1925. Lithograph, monogrammed and signed in image in lower portion, signed in pencil below image, 37.5 x 23.2cm (image). Minor stains, foxing, old mount burn, added platemark. More
![Item #CL175-10 [Market Scene, Cairo, Egypt]. After William Ashton, Brit](/pictures/thumb/CL175-10.jpg?v=1492659644)
[Market Scene, Cairo, Egypt]
c1925. Lithograph, signed in pencil below image, 27.3 x 14.9cm. Added platemark, old mount burn. More
![Item #CL168-7 San Trovaso [Venice]. John Taylor Arms, Amer](/pictures/thumb/CL168-7.jpg?v=1492488942)
San Trovaso [Venice]
1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More
Night Time In Dieppe
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
Great Seaside Farm
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
![Item #CL168-136 [St Paul’s Cathedral, London]. Ian Strang, Brit](/pictures/thumb/CL168-136.jpg?v=1492489827)
[St Paul’s Cathedral, London]
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
Church Of St Ferreol, Marseilles
1927. Drypoint, signed, captioned “Marseilles” and dated in plate lower right, signed and annotated “100” in pencil in lower margin, 21.3 x 29.8cm. Old mount burn. Ref: Mendelssohn #411. More
![Item #CL166-109 Anacapri [Italy]. Lionel Lindsay, Aust](/pictures/thumb/CL166-109.jpg?v=1492487423)
Anacapri [Italy]
1927. Etching, signed in plate lower right, signed, annotated “100” and titled in pencil in lower margin, 15.5 x 25.5cm. Old mount burn. Ref: Mendelssohn #404, title also includes St Eufemia. Anacapri is a commune on the island of Capri, in the province of Naples, Italy. French composer Claude Debussy..... More
Le Puy, France
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More
![Item #CL198-93 The Convent, Huelgas [Spain]. Lionel Lindsay, 1874–1961 Aust](/pictures/thumb/CL198-93.jpg?v=1576815289)
The Convent, Huelgas [Spain]
1927. Drypoint, signed in plate lower left, signed, inscribed “to Harold Wright”, annotated “100, final state (107 proofs)”, titled and dated in pencil in lower margin, 17.6 x 31.4cm. Crinkles to lower right corner of image, stains and creases to lower margin. Ref: Mendelssohn #412, with title “The convent of..... More