![Wien I, Ausserer Burghof [Vienna I, Outside The Palace Courtyard]. Emma Bormann, 1887–1974...](/pictures/thumb/CL202-29.jpg?v=1619760559)
c1920s. Colour woodcut with added hand-colouring, titled in pencil below image, 27.3 x 35.3cm. This image is a view of the principal imperial palace of the Habsburg dynasty, Hofburg, which is one of the biggest palace complexes in the world. It consists of 18 wings, 19 courtyards and 2600 rooms..... More
c1920s. Group of five colour lithographs, signed in image lower left or right, sizes range from 61 x 40.5cm to 63 x 68.6cm. Soiling, creases, cracking, surface loss and missing portions, laid down on original cloth backing. Subjects cover: (1) Chauffeur-driven automobile outside a hotel; (2) Street scene in a small-town square;..... More
![Refreshment [Seville, Spain]. Lionel Lindsay, 1874–1961 Aust](/pictures/thumb/CL198-83.jpg?v=1576815278)
1921. Etching, signed, titled and editioned 19/50 in pencil in lower margin, 13 x 10.3cm. Slight stains to image lower left, old mount burn. Ref: Mendelssohn #250. More
![Richmond, Yorks’ [Yorkshire]. Albany E. Howarth, British](/pictures/thumb/CL168-74.JPG?v=1492489386)
c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More
![The Thames]. William Walcot, Brit](/pictures/thumb/CL168-149.JPG?v=1492489836)
1922. Etching and drypoint, signed in pencil on plate mark below image, 11.6 x 33.4cm. From the series The Arteries of Great Britain. More
1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
![Lime Kiln Cottage [Lostwithiel, Cornwall]. Harold B. Herbert, Aust](/pictures/thumb/CL166-78.JPG?v=1492486452)
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
![Sunset Landscape]. Edward Gordon Craig, British](/pictures/thumb/CL168-35.JPG?v=1492488933)
1906/1924. Wood engraving, dated “1906”, initialled with date “1924”, editioned 24/150 and annotated in pencil in lower margin, 4.1 x 11cm. Minor crinkles to margins. Annotations include “Only 150 copies printed. Copy 24.”. More
![Arabian Nights]. Edward Julius Detmold, British](/pictures/thumb/CL168-42.JPG?v=1492489361)
c1924. Drypoint, signed in pencil on plate mark below image, 26.8 x 43.1cm. Crease to lower right centre of image, folded left and right margins, slight mount burn. More
![Piccadilly Circus]. William Walcot, British](/pictures/thumb/CL168-150.JPG?v=1492489836)
c1924. Etching and drypoint, signed in pencil on plate mark below image, 10.9 x 17cm. Minor old mount burn. More
1924. Etching and drypoint, signed in pencil on plate mark below image, 9.2 x 18.3cm. Slight foxing, old mount burn. More
![The Pines, Ronda [Spain]. Harold B. Herbert, Aust](/pictures/thumb/CL166-79.JPG?v=1492486453)
c1924. Etching, monogrammed in plate lower left, editioned 37/50, titled and signed in pencil in lower margin, 20.8 x 22.6cm. Old mount burn. More
c1924. Etching, editioned 27/50, titled and signed in pencil in lower margin, 20.3 x 15.1cm. Slight soiling and mount burn. Held in the National Gallery of Australia collection, listed as An Old Monastery, Les Martiques [sic] and The Hermitage, Martigue. More
![Westminster Bridge And St Paul’s On The Thames, London, England]. William Lionel Wyllie, British](/pictures/thumb/CL175-164.JPG?v=1492660339)
1924. Drypoint and roulette, date and text in plate lower right, signed in pencil in lower margin, 20.1 x 40.4cm. Slight foxing to margins, old mount burn. Text reads “London. Published July 1st 1924 by R. Dunthorne & Son. 5 Vigo Street W.”. More
1906/1925. Wood engraving, initialled “C.” in block lower left, dated “1906”, initialled with date “1925”, editioned 51/75 and annotated in pencil in lower margin, 5.8 x 5.7cm. Slight foxing to margins. Annotations include “Only 75 copies printed. Copy 51.”. More
![St Paul’s Cathedral, London]. Albany E. Howarth, Brit](/pictures/thumb/CL168-75.JPG?v=1492489387)
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
![Street Scene, Cairo, Egypt]. After William Ashton, Brit](/pictures/thumb/CL175-9.JPG?v=1492659725)
c1925. Lithograph, monogrammed and signed in image in lower portion, signed in pencil below image, 37.5 x 23.2cm (image). Minor stains, foxing, old mount burn, added platemark. More
![Market Scene, Cairo, Egypt]. After William Ashton, Brit](/pictures/thumb/CL175-10.JPG?v=1492659644)
c1925. Lithograph, signed in pencil below image, 27.3 x 14.9cm. Added platemark, old mount burn. More
![San Trovaso [Venice]. John Taylor Arms, Amer](/pictures/thumb/CL168-7.JPG?v=1492488942)
1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
![St Paul’s Cathedral, London]. Ian Strang, Brit](/pictures/thumb/CL168-136.JPG?v=1492489827)
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
1927. Drypoint, signed, captioned “Marseilles” and dated in plate lower right, signed and annotated “100” in pencil in lower margin, 21.3 x 29.8cm. Old mount burn. Ref: Mendelssohn #411. More
![Anacapri [Italy]. Lionel Lindsay, Aust](/pictures/thumb/CL166-109.JPG?v=1492487423)
1927. Etching, signed in plate lower right, signed, annotated “100” and titled in pencil in lower margin, 15.5 x 25.5cm. Old mount burn. Ref: Mendelssohn #404, title also includes St Eufemia. Anacapri is a commune on the island of Capri, in the province of Naples, Italy. French composer Claude Debussy..... More