[Old St. Pancras Town Hall, London]
1937. Drypoint, signed in pencil on plate below image, 16.4 x 25cm. More
1937. Drypoint, signed in pencil on plate below image, 16.4 x 25cm. More
1937. Drypoint, signed “Lionel Lindsay, Malaga” and titled in plate lower right and below image, signed and annotated “100” in pencil in lower margin, 27.7 x 30.2cm. Laid down on acid-free paper. Title continues “Burnt during revolution.” Ref: Mendelssohn #545. Held in NGA, NLA, NGV. Many of Malaga’s historical buildings..... More
c1940s. Colour lithograph, initialled in image lower left, annotated “state 2”, titled and signed in pencil in lower margin, 27.5 x 29.4cm. Repaired tears to image upper right and lower centre, slight stains and creases to margins. Haute-Savoie is in the Auvergne-Rhône-Alpes region of eastern France. The first Winter Olympic..... More
c1940s. Group of eight works consisting of five colour linocuts, two wood engravings and one woodcut, all with artist’s name, title and medium printed in lower margin, sizes range from 10.2 x 12.7cm to 21 x 15.1cm. The four artists and their works are: 1) Rona Dyer (b.1923), The Pool..... More
c1941. Colour woodcut, artist’s seal in block lower left, 33.5 x 24.7cm. Upper corners taped to original paper mount. Image possibly from Kawanishi’s 1941 series Scenes from a Port Town. His work is held in numerous international museums, including MoMA, the Art Institute of Chicago, and the British Museum with..... More
c1931-1942. Three prints consisting of two linocuts and one woodcut, each monogrammed in block lower left or right, titled, editioned, signed and one dated “‘42” in pencil in lower margin, 16.2 x 12.7cm to 13.1 x 18.1cm. Foxing to woodcut, old mount burn. Titles and editions read as follows: (1)..... More
c1943. Watercolour, signed lower right, titled in ink on slip from original mat board mounted below image, 25.8 x 29.5cm. Old glue stains to margins. Warner was called up for military service in 1941, working as a camouflager and poster artist. In 1943 he was appointed an official war artist..... More
c1955. Etching and aquatint, printed à la poupée, editioned 6/25, titled and signed in colour pencil in lower margin, 26.4 x 17.3cm. Minor foxing to lower portion, slight old mount burn. Austrian-born artist and writer Frederick Halpern studied painting and printmaking techniques in both Vienna and Paris. Throughout his career..... More
c1955. Lithograph, signed, titled and numbered “60” in pencil in lower margin, 32.4 x 24cm. Minor stains and creases to margin. Grace Paull, who lived in Cold Brook, a village in Herkimer County, New York, was best known as an author and illustrator of children’s books. Ref: Post-Standard, Syracuse, NY..... More
1958. Colour lithograph, signed in image lower right, 21.7 x 28cm. Edition of 2000. Ref: Walterskirchen #274. More
1959. Colour lithograph, annotated “colour state,” titled and signed in pencil in lower margin, 43 x 64.6cm. Old mount burn. Provenance: Redfern Gallery, London, as per label on mount verso. More
1959/1960. Woodcut, initialled and dated “1959” in block upper right, titled, signed and dated “1960” in pencil in lower margin, 20.6 x 29.8cm. Framed. Born in England, Leslie Holland won many art scholarships including one to the Slade, but decided instead to study at the Royal College of Art. He became..... More
c1969. Etching, editioned 25/50 and signed in pencil in lower margin, 69 x 54cm. Minor foxing to margins. More
1976. Soft-ground etching, annotated “artist proof”, titled, signed and dated “26.12.76” in pencil in lower margin, 9.2 x 12.9cm. Glue remnants to upper margin, old mount burn. Ref: Kolenberg #11, no recorded edition. Held in AGNSW. More
1976. Lithograph, captioned, dated, titled and signed in pencil below image, 29.5 x 24.1cm. Old mount burn. Caption reads “Water and Broad Streets, Lower Manhattan.” Image depicts the Financial District located in the Lower East Side of the New York City. Accompanying this lithograph is the original exhibition catalogue, Gerald..... More
1981. Lithograph, signed and dated in image lower left, annotated “Image 3”, editioned 4/40, signed and dated in pencil with Druckma Press blind stamp and Lana watermark in lower margin, 58.5 x 44.5cm. Framed. Illustrated in Smith, Noel Counihan Prints 1931-1981: A Catalogue Raisonné, 1981, plate 123. From the series..... More
c1834–1840. One aquatint and one lithograph, both hand-coloured, one with artist, title and publisher below image, 17.5 x 26.5cm (approx. each). Slight foxing, minor crinkles, one trimmed to margins and laid down on backing. Both framed. (1) After Jean Dubois (Swiss, 1789–1849). French text reads “J. Du Bois pinx. [obscured]..... More
1908–1909. Etching, monogrammed in plate lower left, 10.5 x 13.5cm. Slight foxing. Ref: Mendelssohn #24, listing alternative title “Los Capucins Monastery.” Held in NLA; NGA. More
1850. Etching, initialled in plate below image, 11.2 x 9cm. Minor cockling, discolouration. Framed. Ref: Lister, Samuel Palmer & His Etchings, 1969, plate 3, p100. More
1866/1874. Etching, number “246” in plate upper right, artist, publisher, title and printer in plate below image, 16 x 23.9cm. Repaired tear to lower margin. Text reads “Paris, Cadart & Luquet, Editeurs Imp. Delatre, Rue St Jacques, 303, Paris.” This print is the second state of three, prior to the..... More
1898. Colour lithograph, 20.1 x 25.8cm. Minor cockling, fading. Framed. Provenance: William Weston Gallery. Ref: Kornfeld & Wick #20. Held in MoMA. More
c1900. Colour aquatint, printed à la poupée, signed in pencil in lower margin, 40 x 58cm. Minor foxing to margins. René Lorrain, a lifetime resident of Nancy, France, was a student of Gustave Moreauat at the École des Beaux-Arts, Paris. Lorrain first exhibited at a salon in Nancy and then..... More
c1910. Colour aquatint, printed à la poupée, signed by Lorrain and titled “Notre Dame de Lorette” in pencil in another hand in lower margin, 36.4 x 26cm. Minor foxing to margins. René Lorrain, who resided in Nancy, France, was a student of Gustave Moreauat at the École des Beaux-Arts, Paris..... More
c1912. Drypoint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 4.9 x 12.5cm. Minor surface loss to edges of image, slight tears to plate mark due to excessive impression, strikethrough due to stamp verso, some foxing to margins, old mount..... More
1912. Lithograph, printed in brown ink, initialled in image lower left, 26.4 x 32.3cm. Repaired tears and slight stains to image. Framed. More