The Ballroom, Bamorough Castle
1912. Lithograph, printed in brown ink, initialled in image lower left, 26.4 x 32.3cm. Repaired tears and slight stains to image. Framed. More
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Corfe Castle
1912. Lithograph, initialled in image lower left, 21.5 x 26.9cm. Paper loss and minor foxing to margins. Edition of 12. Printed by Thomas Way. Illustrated in Butler, Printed Images by Australian Artists 1885-1995, p43. The same view, as a painting, was illustrated in Ure Smith (ed.), The Art of Arthur..... More
![Item #CL170-9 The Copse [England]. Miles Evergood, Australian](/pictures/thumb/CL170-9.jpg?v=1492493825)
The Copse [England]
c1910-1913. Etching with aquatint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 11.1 x 15cm. Slight rubbing to lower right corner of image, minor cockling and crinkles to edges. Ref: GH93. More
![Item #CL184-86 [Mountain Landscape]. Dagmar Hooge, German](/pictures/thumb/CL184-86.jpg?v=1486012992)
[Mountain Landscape]
c1920s. Colour woodcut, annotated “no. 10” and signed in pencil in lower margin, 20.8 x 32.1cm. Slight crease to image upper right, minor discolouration, repaired tears and missing portions to margins. Laid down on acid-free tissue. More
Willow Tree
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 26.8 x 21.7cm. Slight creases and cockling, missing portions, paper remnants and stains to margins, old mount burn. More
St Nicholas, Prague
c1920s. Etching, signed in plate lower right, signed, titled and annotated “edition 85 proofs” in pencil in lower margin, 29.2 x 22.5cm. Minor discolouration to margins. More
![Item #CL168-26 [Rural Landscape With Stone Bridge]. J C. A. Brown](/pictures/thumb/CL168-26.jpg?v=1492488926)
[Rural Landscape With Stone Bridge]
c1920s. Colour woodcut, printed à la poupée, with added hand-colouring, signed and annotated in pencil in lower margin, 19.7 x 14.8cm. Minor rubbing and soiling to margins. Annotation reads “imp. del. et sculp.” À la poupée (with the doll) is a method of applying two or more coloured inks with..... More
Back Entrance To Solomon’s Palace
c1920s. Etching with drypoint and softground, editioned 43/60, initialled “W.W.” and signed by Walcot and titled in another hand in pencil in lower margin, 18.8 x 29.6cm. Minor soiling and rubbing to margins. Born at Lustdorf, near Odessa in a mixed Scottish-Russian family, Walcot was a British architect graphic artist..... More
Battersea Bridge
c1920s. Colour woodcut with gouache, titled and signed in pencil in lower margin, 15.1 x 13.7cm. Old mount burn. Very uncommon image. More
Rom Abend (Rome Evening)
c1920s. Colour woodcut, captioned “Forum Romanum” in image lower left, titled, annotated “handdruck” in German and signed in pencil in lower margin, 35.7 x 32.8cm. Minor foxing. Born in Vienna, Emma Bormann earned a doctorate in 1917 after studying German philosophy and prehistoric archaeology. During this time she also studied..... More
![Item #CL202-30 [Sheep Resting Beneath Trees]. Margaret Curtis Haythorne, 1893–1978 Brit](/pictures/thumb/CL202-30.jpg?v=1619760560)
[Sheep Resting Beneath Trees]
c1920s. Colour woodcut, signed in pencil in lower margin, 24.2 x 38.6cm. Minor creases to margins. British painter and wood engraver Margaret Curtis Haythorne studied at the Liverpool City School of Art around 1915 and later at the Central School of Arts and Crafts in London. She exhibited at the..... More
Spalato. Marjan
c1922. Colour woodcut, titled and signed in pencil in lower margin, 28.7 x 57.5cm. Discolouration to margins, old mount burn. Ref: Fine Arts Museums of San Francisco. Marjan is a hill on the peninsula of the city of Split (Spalato) in Croatia. Ref: Wiki. More
![Item #CL192-88 Chateau De La Tour, Vevey [Switzerland]. Isabel de B. Lockyer, Brit](/pictures/thumb/CL192-88.jpg?v=1524199268)
Chateau De La Tour, Vevey [Switzerland]
1926. Colour linocut, titled, signed, dated and editioned 7/10 in pencil in lower margin, 19.3 x 16.9cm. Ink deposits and slight foxing to margins. More
Jerez De Los Caballeros
1928. Drypoint, signed and titled in plate lower left, signed and annotated “100” by Lindsay and titled in another hand in pencil in lower margin, 30.3 x 32.8cm. Crinkles and slight foxing overall. Ref: Mendelssohn #443, title includes Estremadura, Spain. More
![Item #CL175-77 Around Higashi Amusement Park [Japan]. Hide Kawanishi, Japanese](/pictures/thumb/CL175-77.jpg?v=1492659721)
Around Higashi Amusement Park [Japan]
1935. Colour woodcut, artist’s seal in block lower left and titled in Japanese in ink in right margin, dated in pencil verso, 15.7 x 26 cm. More
![Item #CL175-78 [Downtown Kobe With Mountain Range, Japan]. Hide Kawanishi, Japanese](/pictures/thumb/CL175-78.jpg?v=1492659722)
[Downtown Kobe With Mountain Range, Japan]
c1935. Colour woodblock, artist’s seal on image upper right, signed in pencil on image lower centre, Osaka framer’s label in Japanese affixed on frame verso, 15 x 25.3cm. Framed. This image was used for a large, stained glass window at Sannomiya Center Street in Kobe, Hyogo prefecture. Sannomiya is Kobe’s..... More
Rokko Ropeway
1936. Colour woodcut, artist’s seal in block lower right, titled in Japanese in ink in right margin, dated in pencil verso, 16.2 x 26.2cm. More
Looking Down On The Harbour
1936. Colour woodcut, artist’s seal in block upper left, titled in Japanese and dated in pencil verso, 16.2 x 27cm. More
Evening Glow
c1946. Colour linocut, titled, editioned 5/28 and signed in pencil in lower margin, 12.7 x 12.6cm. Foxing and minor creases overall, old mount burn. Held in Auckland Art Gallery. British-born Kenneth Welsh Hassall was a New Zealand architect, draughtsman, printmaker and illustrator. Ref: Artrecord. More
Les Challonges
1958. Lithograph, signed in image lower right, 21 x 28.5cm. Ref: Walterskirchen #276. More
A Tower In Europe
1922/1976. Etching, signed and dated “1922” in plate lower left, editioned 32/50, titled, signed and dated “1922-76” in pencil in lower margin, 15.7 x 7.7cm. Very slight foxing to margins. Ref: Kolenberg #2, states that this image is “entirely imaginary, since Lloyd Rees had not then yet visited Europe.”. More
Nuova Raccolta Di Delle Principali Vedute Antiche, E Moderne Dell’Alma Citta Di Roma [New Collection Of Major Ancient And Modern Views Of The City Of Rome And Its Surroundings]
c1824–1828. Seventy (70) engravings plus title page engraving, bound together in a tooled leather octavo album with gilt text “Souvenir a mes Voyages” on cover, gilt edges and turn-ins, silk-covered endpapers and a metal clasp, each engraving signed and titled in Italian, some dated, 8.4 x 12.6cm (approx. each image);..... More