c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.5 x 17.9cm. Artist’s home depicted in image. Illustrated and referenced in Hammer, Miles Evergood: No end of passion, 2013, pages 52 and 63. Ref: GH78. More
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More
c1933. Oil on board, signed by Evergood lower right, titled by the artist’s great-niece Gael Hammer in ink verso, 39.7 x 29.6cm. Slight paper remnants to upper and lower left corners. Framed. Ref: GH44. More
c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More
c1933. Oil on canvas, signed lower right, 29 x 39cm. Slight surface loss to upper left corner, laid down on board. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p47. Ref: GH192. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More
c1933. Oil on canvas, signed lower right, 51.2 x 40.8cm. Minor wear to edges. Ref: GH38. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More
c1933. Oil on board, signed lower left, 40.5 x 30.1cm. Slight stains overall, chips to edges. A landscape painting appears verso. Ref: GH52. More
1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a.... More
1934. Ink drawing, signed, dated and titled lower left to right, 41.8 x 25.2cm. Pinholes and minor missing portions below image, old mount burn. More
c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More
c1934. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.5 x 40.7cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p60. Ref: GH62. More
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More
1934. Watercolour, signed and dated lower left, 33 x 39.8cm. Pinholes to edges. Provenance: artist’s estate. More
c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More
c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More
1935. Watercolour, signed and dated lower right, 36.1 x 33.3cm. Insect damage lower right, slight foxing, laid down on original backing. Provenance: artist’s estate. More
![“Boomerang”, Elizabeth Bay, [Sydney]. Miles Evergood, Australian.](/pictures/thumb/CL170-27.JPG?v=1492493791)
![Pinkenba [Brisbane, Queensland]. Miles Evergood, Australian.](/pictures/thumb/CL170-29.JPG?v=1492493792)
![[Flowers In Vase]. Miles Evergood, Australian.](/pictures/thumb/CL170-43.JPG?v=1492493805)
![Gladioli [In Blue Vase]. Miles Evergood, Australian.](/pictures/thumb/CL170-45.JPG?v=1492493807)
![[Tree With Fence]. Miles Evergood, Australian.](/pictures/thumb/CL170-48.JPG?v=1492493811)
![Penseroso [Polly, Wife Of Artist]. Miles Evergood, Australian.](/pictures/thumb/CL170-50.JPG?v=1492493814)
![Arrarra [Northern Territory]. Arthur Murch, Australian.](/pictures/thumb/CL192-109.JPG?v=1524199139)
![Harlesden, NW10 [London]. Horace Brodzky, Australian.](/pictures/thumb/CL183-12.JPG?v=1486091810)
![Hotpoint [Hardtmuth Lahm, Cartoonist]. Unk White, Australian.](/pictures/thumb/CL181-149.JPG?v=1486091705)
![[Spanish Village]. fl. Aust., s.](/pictures/thumb/CL176-109.JPG?v=1492661806)
![[Bayside]. Sybil Craig, Aust.](/pictures/thumb/CL166-39.JPG?v=1492486417)
![[Still Life With Peaches And Flowers]. fl. Aust., s.](/pictures/thumb/CL176-110.JPG?v=1492661807)