c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More

c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More

c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More

1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a...... More

c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More

1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More

c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More

c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More

1935. Pencil drawing, signed and dated in pencil lower left, 33.9 x 41.6cm. Minor foxing, soiling and crinkles overall. More

1935. Watercolour with pencil, signed and dated lower right, 35.4 x 36.6cm. Foxing overall. Provenance: artist’s estate. More

c1936. Oil on canvas, signed in pencil on stretcher verso, 59.6 x 49.7cm. Slight scuffing and paint loss. Framed. Provenance: Dundas and Thornhill estate. The image seems to be have been inspired by one of the figures in Renoir’s 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir’s model may..... More

c1936. Oil on board, signed lower left, 30.4 x 40.6cm. Dents and slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p68. Ref: GH1. More