c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More about Polly In Red Dress

1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More about “Boomerang”, Elizabeth Bay, [Sydney

1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More about Pinkenba [Brisbane, Queensland

c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More about Flowers In Vase

c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More about Gladioli [In Blue Vase

c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More about Study Of Flowers In A Blue Vase

c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More about The Red House

1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a.... More about Arrarra [Northern Territory

c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More about Hotpoint [Hardtmuth Lahm, Cartoonist

1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More about Clearing In The Copse, Hampshire

c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More about Interior With Polly Reading

c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More about Marine, Collaroy

1935. Pencil drawing, signed and dated in pencil lower left, 33.9 x 41.6cm. Minor foxing, soiling and crinkles overall. More about Bayside