Harlesden, NW10 [London]
1934. Ink drawing, signed, dated and titled lower left to right, 41.8 x 25.2cm. Pinholes and minor missing portions below image, old mount burn. More
1934. Ink drawing, signed, dated and titled lower left to right, 41.8 x 25.2cm. Pinholes and minor missing portions below image, old mount burn. More
c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More
1934. Watercolour, signed and dated lower left, 33 x 39.8cm. Pinholes to edges. Provenance: artist’s estate. More
c1934. Wash with pencil, signed in pencil lower right, 10.6 x 21.6cm. Laid down on original backing. Scottish etcher and watercolourist Muirhead Bone “became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was..... More
1934. Pen and ink, signed and dated in ink lower right, signed and captioned in pencil in upper and lower margins, “McCulloch” estate and date stamp “14 Dec. 1934” verso, 30.3 x 44.7cm. Minor creases, foxing, soiling. Text in cartoon reads “On sale here. ‘Evensong.’ The film version of this..... More
1935. Watercolour, signed and dated lower right, 36.1 x 33.3cm. Insect damage lower right, slight foxing, laid down on original backing. Provenance: artist’s estate. More
1935. Watercolour with pencil, signed and dated lower right, 35.4 x 36.6cm. Foxing overall. Provenance: artist’s estate. More
c1890s & 1935. Plaster relief portrait with hand-painted border, and watercolour with pencil, plaster relief titled “Sir Henry Parkes” in ink verso, watercolour initialled “E.H.B.” and dated “1935” in pencil lower right with caption in ink below image, 23cm (plaster diameter) and 15.8 x 11.3cm (watercolour). Slight stains and foxing..... More
1936. Ink drawing, signed and dated lower left, 24 x 21cm. Old mount burn. More
c1936. Oil on canvas, signed in pencil on stretcher verso, 59.6 x 49.7cm. Slight scuffing and paint loss. Framed. Provenance: Dundas and Thornhill estate. The image seems to be have been inspired by one of the figures in Renoir’s 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir’s model may..... More
1936. Oil on canvas, signed and dated lower right, titled and signed in pencil on stretcher verso, 64.5 x 44.5cm. Minor scuffing and perforations lower right. Framed. Provenance: Dundas and Thornhill estate. Painter and teacher at the National Art School for almost forty years, Thornhill was the second wife of..... More
1936. Oil on board, signed and dated in pencil lower left, 25.5 x 35.5cm. Minor chips to edges. More
1937. Pencil with watercolour, signed and dated in pencil lower right, 25.5 x 36.6cm. Slight old mount burn. More
c1937. Two pencil drawings, both initialled, one captioned and dated “1937?” lower right, annotated and initialled verso, 25.1 x 20.2cm and 12 x 24.6cm. Slight stains, foxing and creases. Caption and annotations include “On Bogan Gate land” and “Sowing wheat. Sketched on Paddy’s land, Bogan Gate.” Bogan Gate is a...... More
c1938. Three sets of comic strips, each consisting of four panels on two sheets of paper, ink and wash with white gouache, all signed or initialled in image, one titled in pencil “Tubsie and Big Boy”, 16.7 x 33.7cm (approx. each sheet). Slight soiling and foxing to most, creases and..... More
1938. Ink drawing, signed and dated in pencil below image, 45 x 27cm. Framed. Illustrated in Varichon #1598, p520. Albert Gleizes was an “important French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris.” He also influenced several international artists who came to Paris..... More
1937-1939. Consisting of two pencil drawings on tracing paper and one oil on paper, each pencil drawing initialled, dated and titled below image, oil painting dated and signed in pencil verso, sizes range from 13.1 x 16.6cm to 18.8 x 18.7cm. Minor foxing. The Atlantic Union Oil Company came to..... More
c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge. Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent..... More
1939. Pencil drawing, signed and dated lower right, titled below image, 21 x 25cm. Slight foxing and soiling to image. More
1939. Watercolour, signed and dated lower right, 34 x 41.4cm. Minor foxing, cockling, pinholes to edges. Provenance: artist’s estate. More
1939. Pencil sketch, titled, dated (twice), signed and captioned above and below image, 19.8 x 24.3cm. Creases, slight foxing. Framed. Caption reads “We don’t know anything about art! But! We do know what people like!” Provenance: Bloomfield Galleries. Most likely a study for Hinder’s 1939 lithograph titled “Archibald Prize [AGNSW].”..... More
c1939. Ink and wash with white highlight, signed “Chatham” in image lower left, captioned “J. Saywell’s Riley Imp” erroneously in panel below image, 21 x 18.1cm. Minor cockling. Framed. “In 1939 [racing car driver] Jack Saywell, then in his late 20s, imported a 1936 3-litre Monoposto Alfa Romeo. It was..... More