c1933. Oil on canvas, signed lower right, 29 x 39cm. Slight surface loss to upper left corner, laid down on board. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p47. Ref: GH192. More about Roses And Delphiniums — Dynamic Symmetry
![Gladioli [In Blue Vase]. Miles Evergood, Australian](/pictures/thumb/CL170-45.JPG?v=1492493807)
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More about Gladioli [In Blue Vase
c1933. Oil on canvas, signed lower right, 51.2 x 40.8cm. Minor wear to edges. Ref: GH38. More about Red Apples
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More about Study Of Flowers In A Blue Vase
![Tree With Fence]. Miles Evergood, Australian](/pictures/thumb/CL170-48.JPG?v=1492493811)
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More about Tree With Fence
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More about The Red House
![Penseroso [Polly, Wife Of Artist]. Miles Evergood, Australian](/pictures/thumb/CL170-50.JPG?v=1492493814)
c1933. Oil on board, signed lower left, 40.5 x 30.1cm. Slight stains overall, chips to edges. A landscape painting appears verso. Ref: GH52. More about Penseroso [Polly, Wife Of Artist
![Arrarra [Northern Territory]. Arthur Murch, Australian](/pictures/thumb/CL192-109.JPG?v=1524199139)
1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a.... More about Arrarra [Northern Territory
![Harlesden, NW10 [London]. Horace Brodzky, Australian](/pictures/thumb/CL183-12.JPG?v=1486091810)
1934. Ink drawing, signed, dated and titled lower left to right, 41.8 x 25.2cm. Pinholes and minor missing portions below image, old mount burn. More about Harlesden, NW10 [London
![Hotpoint [Hardtmuth Lahm, Cartoonist]. Unk White, Australian](/pictures/thumb/CL181-149.JPG?v=1486091705)
c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More about Hotpoint [Hardtmuth Lahm, Cartoonist
c1934. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.5 x 40.7cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p60. Ref: GH62. More about Gum Blossom And Wattle
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More about Clearing In The Copse, Hampshire
![Spanish Village]. fl. Aust., s](/pictures/thumb/CL176-109.JPG?v=1492661806)
1934. Watercolour, signed and dated lower left, 33 x 39.8cm. Pinholes to edges. Provenance: artist’s estate. More about Spanish Village
c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More about Interior With Polly Reading
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More about Yarra No. 2
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More about Marine, Collaroy
c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More about Narrabeen Lakes No. 3
![Bayside]. Sybil Craig, Aust](/pictures/thumb/CL166-39.JPG?v=1492486417)
1935. Pencil drawing, signed and dated in pencil lower left, 33.9 x 41.6cm. Minor foxing, soiling and crinkles overall. More about Bayside
![Still Life With Peaches And Flowers]. fl. Aust., s](/pictures/thumb/CL176-110.JPG?v=1492661807)
1935. Watercolour, signed and dated lower right, 36.1 x 33.3cm. Insect damage lower right, slight foxing, laid down on original backing. Provenance: artist’s estate. More about Still Life With Peaches And Flowers
![Castle In Spain]. active Aust., s](/pictures/thumb/CL192-159.JPG?v=1524199175)
1935. Watercolour with pencil, signed and dated lower right, 35.4 x 36.6cm. Foxing overall. Provenance: artist’s estate. More about Castle In Spain
![Portrait Of A Woman]. Horace Brodzky, Aust](/pictures/thumb/CL183-13.JPG?v=1486091812)
1936. Ink drawing, signed and dated lower left, 24 x 21cm. Old mount burn. More about Portrait Of A Woman
![Susannah]. Douglas Dundas . After Auguste Renoir, Aust., French](/pictures/thumb/CL183-47.JPG?v=1486091837)
c1936. Oil on canvas, signed in pencil on stretcher verso, 59.6 x 49.7cm. Slight scuffing and paint loss. Framed. Provenance: Dundas and Thornhill estate. The image seems to be have been inspired by one of the figures in Renoir’s 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir’s model may..... More about Susannah
1936. Oil on canvas, signed and dated lower right, titled and signed in pencil on stretcher verso, 64.5 x 44.5cm. Minor scuffing and perforations lower right. Framed. Provenance: Dundas and Thornhill estate. Painter and teacher at the National Art School for almost forty years, Thornhill was the second wife of... More about Susannah
c1936. Oil on board, signed lower left, 30.4 x 40.6cm. Dents and slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p68. Ref: GH1. More about Bush Fire
![Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-56.JPG?v=1492493816)
c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More about Beaumaris [Victoria