[Harbour Landscape]
c1920s. Oil on board, signed lower right, 19.9 x 34.7cm. Minor soiling. Framed. More
c1920s. Oil on board, signed lower right, 19.9 x 34.7cm. Minor soiling. Framed. More
c1920s. Oil on paper, signed in ink lower left, 44.8 x 49.3cm. Slight crease to left edge of image. Framed. Named after the mythological multi-headed (usually three-headed) dog or “hellhound”, the HMVS Cerberus was a breastwork monitor that served in the Victoria Naval Forces, the Commonwealth Naval Forces (CNF), and..... More
c1920s. Pen and ink, signed in ink lower centre by Lindsay, captioned in ink below image in an unknown hand, 35.9 x 50.6cm. Framed. Possibly an illustration for The Bulletin or The Lone Hand magazine. More
c1920s. Pencil drawing, signed lower left, 15.2 x 11.4cm. Repaired tears and glue remnants to borders. Laid down on acid-free paper. It is believed that items 145 and 146 were signed by Rees in 1975 for inclusion in an exhibition at the Lister Gallery in Perth, WA. These signatures are..... More
c1920s. Pen and ink with colour pencil, signed lower left, 36.4 x 28.6cm. Slight stains, foxing, surface loss. More
c1920s. Watercolour with gouache, titled in ink on image lower centre, 28 x 53.5cm. Cockling. Framed. More
c1920s. Pen and ink, initialled lower right, titled in ink on portion of original mount hinged below image, 13.6 x 16.6cm. Slight foxing overall, paper remnants and old mount burn to edges. More
c1920s. Ink and wash, annotated and signed by Margaret Coen and Douglas Stewart in ink on board attached to frame verso, 17 x 23.1cm. Old mount burn and glue stains to edges not affecting image, minor creases. Framed. Annotation reads “This drawing is by Norman Lindsay and is reproduced in..... More
c1880s-1922. (1) John Barclay Godson (Brit./Aust., 1882-1957). Henry Lawson’s House, Abbotsford, 1922. Pencil drawing, titled, signed and dated “16/9/22” in pencil lower left to right, 13.6 x 19.7cm. Foxing. Framed. (2) Phillip Street, Sydney [Showing House Of Henry Lawson’s Mother On Left] , c1880s. Albumen paper photograph, titled, dated “late..... More
1922. Pencil drawing, titled, signed and dated “18.11.22” below image, 8.8 x 9.2cm. Tear to right edge, slight foxing to image. Shows a Sydney K-class ferry departing a wharf. K-class ferries (mostly vessels with names beginning with the letter “K”) were in service from 1891 to 1985. Ref: Wiki, Sydney..... More
1923. Watercolour with ink and gouache, signed “Phil McLachlan” and dated in ink lower right, 33.4 x 25.4cm. Slight stains and paper loss to margins, minor foxing. Provenance: artist’s estate. More
1923. Pen and ink, initialled lower right [Arthur T. Gillam], captioned with publishing annotations in ink and pencil above and below image, signed and dated “19.6.23” in ink with address, and stamped “Published Sept. 6, ‘23” verso, 15.5 x 7.3cm. Soiling overall, pinholes and creases to margins. Artist’s address reads..... More
c1923. Gouache with watercolour and charcoal, signed “Carlton” and dated “Feb. 1923[?]” lower right, annotated in ink on frame label verso, 36.7 x 57cm. Perforations to image upper right, minor tears and creases to corners. Framed. Annotation reads “Artist – Carlton, Sydney-based, c1920s. From the estate of Kathleen Butler, secretary..... More
1924. Pen and ink, signed and captioned lower left and right with various publishing annotations in ink and pencil, stamped “published Oct. 30, 1924” verso, 28.4 x 11.6cm. Time staining, pinholes and creases to margins. More
1925. Pen and ink, signed lower left, publishing annotations in upper margin and verso with stamp “Published 1.10.25”, 22.5 x 11.5cm. Slight soiling and crinkles overall. More
1926. Ink and wash with coloured pencil, signed “Deane” and dated upper left, 27.1 x 16cm. Minor foxing overall, pinholes, tipped to original backing. More
1927. Watercolour with pencil, signed and dated in pencil lower right, 27.8 x 36.5cm. Slight stains to lower right corner. Framed. Provenance: Artarmon Galleries. Adelaide Perry also produced a linocut of this view in 1929, which is held in the NGA. More
c1929. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.3 x 40.5cm. Slight surface loss to edges. Annotation reads “Probably from USA period, 1922-31.” Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p40. Ref: GH9. More
1929. Pencil drawing, publishing annotations in pencil in various hands in lower margin, typed title, date and artist’s name in accompanying authentication certificate signed in ink by Lin Bloomfield, 16.6 x 12.7cm. Creases overall, pinholes and chips to margins. Illustrated in North, The Art of Dorrit Black, 1979, pl.18 (b)..... More
c1929. Watercolour with pencil, and accompanying linocut, which is signed and dated in pencil in lower margin, 27.2 m x 37.2cm (watercolour); 14.7 x 20cm (linocut). Framed watercolour. Repaired tears and missing portions to linocut, which is laid down on acid-free backing. These works are an outstanding example of Perry’s..... More
c1930s. Pastel with pencil, 26.5 x 27.5cm. Missing portions, tears, pinholes and insect damage to margins and edges of image, minor foxing. Possibly Mosman Bay. Provenance: artist’s estate. Born in Gippsland, Victoria, painter and sculptor May Butler-George was a popular miniature portrait painter of aristocrats and other eminent people in..... More
c1930s. Watercolour with pencil and white highlight, signed and titled in pencil lower left to right, 22.6 x 30cm. Minor paper remnants and stains to upper edge of image. The statue of Matthew Flinders, seen on the right, was moved to the Macquarie Street side of the library in the..... More
1930. Pencil drawing, annotated by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 10.8 x 14.4cm. Old folds, creases, discolouration, slight tears to edges of image and margins. Annotation reads “1st lesson Polly dear.” Drawn on the verso..... More
c1930s. Pen and ink with white gouache, signed lower centre, rubbed out caption in pencil below image, signed and annotated in ink with artist’s stamp verso, 29.5 x 21.4cm. Slight foxing, soiling and crinkles overall, pinholes and minor wear to edges. Partially legible caption includes “The Exploiter will put the..... More
c1930s. Pencil sketch, initialled lower right, 23 x 20.3cm. Crinkles, soiling and foxing overall. Provenance: Curtis estate. More