c1880s/1890s. Ink and wash with gouache, signed lower right, 31.2 x 22.4cm. Slight stain lower right, minor scuffs overall, crinkles and pinholes to borders. More about Side-saddle Muster

c1890s. Ink and wash with letterpress text overlays, 11 panels, titled and signed “Drew by Hop’s Understudy” upper centre and lower right, 44 x 28.7cm. Minor soiling, discolouration. This drawing, which shows caricatures by Hopkins of himself both as a young boy and as an older man, was used for..... More about A Fambly Groop

c1890s. Group of four charcoal and pencil drawings, all titled and signed in image upper and lower left, two numbered “12” on old collection sticker lower right, sizes range from 33.8 x 12cm to 44 x 14.2cm. All with foxing overall, slight tears and missing portions to edges. (1) “Princess”..... More about Four Drawings Of Personages

c1860s-1890s. Eighteen (18) watercolours, some with gouache or white highlight, two signed (one signature obscured by missing portion) and one dated “Oct. ‘80” lower left, 19.1 x 29.5cm to 63.8 x 47.1cm. Slight foxing overall, some with missing portions, repaired tears or minor creases. Six images laid down on acid-free..... More about NSW Rural And Coastal Views Collection

1893. Pen and ink with wash and slips of newsprint, signed in ink lower right, captioned throughout image, publishing annotations including date “April 1st 1893” in crayon and ink on lower right corner of image, 47.1 x 28.9cm. Foxing and soiling overall, tears to edges of image, creases, pinholes and... More about Henry Parkes, April Fool’s Day Cartoons

c1894. Ink and wash with affixed slips of letterpress and postage stamp, signed lower left, titled on backing verso, 44 x 28.9cm. Foxing, soiling, laid down on original backing. The centre panel depicts the character “The Little Boy from Manly”, created by Hopkins in 1885 in relation to the Sudan... More about Fuss And Feathers

1895. Oil on canvas, signed and dated lower left, 54.3 x 23.9cm. Pinhole to upper right corner, slight soiling. Framed. This painting was exhibited at the Royal Art Society of NSW in 1895, as referenced in their catalogue. Sydney-born Alfred Ernest Starkey was the youngest son of a wealthy soft-drink... More about Near Narrabeen [NSW

1896. Watercolour on card, monogrammed in watercolour, dated and titled in faint pencil below image, 40.5 x 24.5cm. Pinholes, creases and slight foxing. Frank Prout Mahony was the first Australian-born artist whose work was purchased by the Art Gallery of NSW. He was a well-known illustrator during the latter part... More about Show Cat

c1897. Group of six watercolours, one dated and most titled and initialled “M.D.T.” in pencil lower left to right, some annotated or numbered in various hands in pencil verso, sizes range from 11 x 14.3cm to 20.4 x 27cm. Foxing and mount burn overall. Titles read: (a) Abyssynian dwelling, Jerusalem..... More about Jerusalem Environs

c1898. Watercolour with pencil, signed “H. Stuart Wilson [fl. 1890-1902]”, dated and titled lower left to right, 23.2 x 36.4cm. Slight foxing and discolouration overall. Framed. Erroneously dated “1880” in title, as the Hereward was wrecked in 1898. More about Wreck Of The “Hereward”, Maroubra

c1898. Watercolour, signed lower left, 46.1 x 31.5cm. Foxing with old repairs overall, old mount burn to edges. Laid down on acid-free backing. More about Two Ducks In Flight, One Shot

c1900. Crayon and pencil drawing, 20 x 25cm (paper). Minor soiling, old mount burn, laid down on old backing. There are many legends connecting the salamander to fire, possibly due to the tendency of salamanders to live inside rotting logs. When placed into a fire, the salamander would attempt to... More about Salamander And The Gates of Hell

c1900. Pair of gouaches, 28.9 x 22.7cm and 33.1 x 38cm. One with scuffed edges, the other with foxing to upper left and lower right portions, tears and missing portion to lower edge, creases and pinholes. These images are consistent with other works by Lister Lister, which were used as... More about Seascapes