![Australian Landscapes, Windsor/Richmond Area, NSW]. Sydney Ure Smith, 1887–1949 Aust](/pictures/thumb/CL199-82_1.jpg?v=1585635294)
[Australian Landscapes, Windsor/Richmond Area, NSW]
c1920s. Three watercolour and pencil drawings, one signed in pencil lower left, from 14.9 x 20.9cm to 22.3 x 36cm. Slight stains, crinkles. Provenance: Sydney Ure Smith estate. More
Paintings & Drawings
![Sydney Harbour From Fort Denison With Ships In Background]. Sydney Ure Smith, 1887–1949 Aust](/pictures/thumb/CL199-83.jpg?v=1585635295)
[Sydney Harbour From Fort Denison With Ships In Background]
c1920s. Watercolour and pencil, 33.8 x 24.4cm. Provenance: Sydney Ure Smith estate. More
![Seated Female Nude]. Norman Lindsay, 1879–1969 Aust](/pictures/thumb/CL199-85_1.JPG?v=1585635296)
[Seated Female Nude]
c1920s. Pencil with pen and ink, 18.3 x 16.5cm. Crinkles, creases. Framed. A certificate of authenticity accompanies this drawing. More
[English Fox Hunting Scene]
c1920s. Watercolour with gouache, monogrammed “T.W.” lower left, 10 x 45.8cm. Minor surface loss, old glue stains to edges. More
![Cloudscape]. John D. Moore, Aust](/pictures/thumb/CL192-105_1.JPG?v=1524199138)
[Cloudscape]
1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More
Henry Lawson Family Homes
c1880s-1922. (1) John Barclay Godson (Brit./Aust., 1882-1957). Henry Lawson’s House, Abbotsford, 1922. Pencil drawing, titled, signed and dated “16/9/22” in pencil lower left to right, 13.6 x 19.7cm. Foxing. Framed. (2) Phillip Street, Sydney [Showing House Of Henry Lawson’s Mother On Left] , c1880s. Albumen paper photograph, titled, dated “late..... More
Chinese Gardens
1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More
![Lady And Monkey With Mirror]. Phyllis McLachlan, Australian](/pictures/thumb/CL183-116.JPG?v=1486091809)
[Lady And Monkey With Mirror]
1923. Watercolour with ink and gouache, signed “Phil McLachlan” and dated in ink lower right, 33.4 x 25.4cm. Slight stains and paper loss to margins, minor foxing. Provenance: artist’s estate. More
![Theatre Audience]. C H. Percival, Aust](/pictures/thumb/CL194-122.jpg?v=1543548354)
[Theatre Audience]
1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More
Urquhart, Administrator Of The Northern Territory
1924. Pencil and crayon, signed lower right, various captions in ink and pencil above and below image, stamped “published Apr. 3, ‘24” verso, 31.4 x 14.9cm. Soiling overall, slight tear to upper margin. Captions include “[Urquhart] now on an official visit south.” Frederick Charles Urquhart (1858-1935) was in office between..... More
Scarf Dance
1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More
“To Record A Very Charming Meeting”
c1924. Pen and ink sketch on “Coogee Bay Hotel” letterhead paper, inscribed and signed below image, 26 x 20.7cm (paper). Foxing and creases overall, slight tears to edges. This sketch was most likely made in 1924, based on recorded correspondence from Lambert to his wife on Coogee Bay Hotel letterhead..... More
G.S. McLean
1925. Pen and ink, signed lower left, various captions in ink and pencil above and below image, stamped “Published Jan. 8, ‘25” verso, 25.9 x 10cm. Soiling overall, pinholes to margins. Cancelled captions include “Sometime Secretary of Victorian State Premier’s Department, who has been given the job of waking up..... More
P.W. Grandjean, Henry Ford’s Chief Emissary
1925. Pen and ink, signed lower right, publishing annotations in upper margin and verso with stamp, 29.4 x 9.8cm. Soiling and slight crinkles overall, pinholes to edges. Text continues “who is spending a few millions on new body-building works in Geelong (Victoria) and assembly plants in other states.” Stamp reads..... More
The Duel Ends
1925. Pen and ink, signed and dated by artist lower left, titled and annotated with artist’s name in ink in another hand on accompanying original frame label, 22.9 x 20.4cm. Pinholes, slight stains and crinkles to edges of paper not affecting image. More
![Woman With Muff]. Anon](/pictures/thumb/CL184-48.JPG?v=1486091884)
[Woman With Muff]
1926. Ink and wash with coloured pencil, signed “Deane” and dated upper left, 27.1 x 16cm. Minor foxing overall, pinholes, tipped to original backing. More
![Woman Sewing]. Horace Brodzky, Aust](/pictures/thumb/CL183-9.JPG?v=1486091849)
[Woman Sewing]
1926. Watercolour, signed and dated lower left, 22.7 x 19.5cm. Pinholes, minor stain to upper left margin, old mount burn. More
![Egypt [Street Scene]. Harry J. Weston, Aust](/pictures/thumb/CL183-179.JPG?v=1486012747)
Egypt [Street Scene]
1926. Watercolour, signed, titled and dated in ink lower left, 22.5 x 33.1cm. Minor foxing and paper loss to image left edge. More
[Norse Boat Dreamscape]
1926. Watercolour and pencil, signed “Rual” and dated in image lower left and centre, 47.3 x 57.5cm. Slight foxing and crinkles. More
![Landscape, Port Macquarie [NSW]. Cecil W. Bostock, Aust](/pictures/thumb/CL183-5.JPG?v=1486012787)
Landscape, Port Macquarie [NSW]
1927. Pencil drawing, titled, signed and dated lower left to right, 22.6 x 33.8cm. Paper remnants to left edge, slight surface loss lower centre. An important and influential early Australian photographer, Cecil Bostock was also a highly regarded illustrator, bookbinder and carpenter. Ref: Photo-web. More
The Laughing Man By Henry King
c1890s-1927. Group of five portraits, four inspired by Henry King’s iconic photograph:. (1) Henry King (Aust., 1855-1923). Australian Aborigine, c1890s. Albumen paper photograph, cabinet card format, titled (faint) in negative lower left, photographer’s blind stamp on image lower right, caption in letterpress on backing below image, 14.7 x 9.9cm. Slight..... More
![Potts Point, Sydney Harbour, NSW]. Adelaide Perry, Australian](/pictures/thumb/CL192-129.JPG?v=1524199154)
[Potts Point, Sydney Harbour, NSW]
1927. Watercolour with pencil, signed and dated in pencil lower right, 27.8 x 36.5cm. Slight stains to lower right corner. Framed. Provenance: Artarmon Galleries. Adelaide Perry also produced a linocut of this view in 1929, which is held in the NGA. More
Unfinished Landscape
c1929. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.3 x 40.5cm. Slight surface loss to edges. Annotation reads “Probably from USA period, 1922-31.” Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p40. Ref: GH9. More
Mount Lofty, SA
1929. Pencil sketch, titled and dated lower left, 27.8 x 38.6cm (paper). Old crease to left portion, foxing to edges. More
![The Pressman [Printing Press Operator]. Maurice F. Bilton, active 1930s-50s American](/pictures/thumb/CL184-53_1.JPG?v=1486091886)
The Pressman [Printing Press Operator]
c1930s. Double-sided oil painting on paper, signature incised into image lower right, titled and signed in ink below image verso, 68.2 x 50cm. Pinholes, missing portions and tears to edges, slight crinkles. Verso image shows a musician playing a banjo. Maurice Bilton was a lecturer at Ridgewood Art Institute (RAI)..... More