1925. Pen and ink, signed and dated by artist lower left, titled and annotated with artist’s name in ink in another hand on accompanying original frame label, 22.9 x 20.4cm. Pinholes, slight stains and crinkles to edges of paper not affecting image. More

1926. Watercolour, signed and dated lower left, 22.7 x 19.5cm. Pinholes, minor stain to upper left margin, old mount burn. More

1926. Watercolour and pencil, signed “Rual” and dated in image lower left and centre, 47.3 x 57.5cm. Slight foxing and crinkles. More

c1890s-1927. Group of five portraits, four inspired by Henry King’s iconic photograph:. (1) Henry King (Aust., 1855-1923). Australian Aborigine, c1890s. Albumen paper photograph, cabinet card format, titled (faint) in negative lower left, photographer’s blind stamp on image lower right, caption in letterpress on backing below image, 14.7 x 9.9cm. Slight..... More

c1929. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.3 x 40.5cm. Slight surface loss to edges. Annotation reads “Probably from USA period, 1922-31.” Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p40. Ref: GH9. More

c1930s. Double-sided oil painting on paper, signature incised into image lower right, titled and signed in ink below image verso, 68.2 x 50cm. Pinholes, missing portions and tears to edges, slight crinkles. Verso image shows a musician playing a banjo. Maurice Bilton was a lecturer at Ridgewood Art Institute (RAI)..... More

c1930s. Pencil with white highlight, signed upper right, 12.5 x 10.8cm. More

1930. Pair of pencil drawings, each initialled, captioned and dated lower right, 16.5 x 25.9cm and 24.8 x 18.9cm. Trimmed margins. Captions read “On the Sydney Show Ground, Easter” and “Looking towards the grand stand, Sydney Show Ground.”. More

c1930s. Seven crayon drawings, each signed upper or lower right, one titled “Mr Farr-A-Loft” in pencil below image, sizes range from 26.7 x 20cm to 28.3 x 22.8cm. Each with stains and missing portions to edges not affecting image, some with minor tears in image, slight soiling overall. These drawings..... More

c1930s. (1) Walter Jardine (Australian, 1884-1970). [Dr William Gilbert “W.G.” Grace]. c1930s. Watercolour, signed upper left, 18.2 x 13.2cm. Slight soiling. Design for the accompanying card, An Ideal Cricket Eleven Series. No. 1: Dr W.G. Grace, based on a 1908 photograph of Grace when he made his final first-class appearance..... More

c1920s-1930s. Watercolour, 32.6 x 39.6cm. Slight tear and crease to upper left corner of image, some stains and minor foxing overall. Provenance: W.A. Pennell estate. An Englishman, Mr Pennell was head of the advertising department of the British American Tobacco Company in Shanghai during the 1920s and 1930s. He was..... More

c1930s. Watercolour, 20.4 x 30.5cm. Slight foxing overall. Provenance: W.A. Pennell estate. An Englishman, Mr Pennell was head of the advertising department of the British American Tobacco Company in Shanghai during the 1920s and 1930s. He was an accomplished artist who taught and employed local artists. Pennell and his family..... More

c1930s. Pencil drawing, titled and signed in pencil on backing below image, 7.4 x 14cm. Minor surface loss and foxing to image, tipped to original backing. Carl Newland Werntz was an American painter, fine arts photographer, illustrator, cartoonist and educator who founded the Chicago Academy of Fine Arts. Werntz was..... More