[Ships On Harbour, Adelaide]
c1930s. Watercolour, signed lower right, 20.1 x 37.3cm. Slight foxing, stains to margins, old mount burn. More
c1930s. Watercolour, signed lower right, 20.1 x 37.3cm. Slight foxing, stains to margins, old mount burn. More
c1930. Pen and ink, signed “K.C. Dow” lower right, 26.7 x 17.8cm. Repaired tears to edges of image and missing portions to margins. Laid down on original backing. Animals include a kangaroo, koala, kookaburra and lyre bird. More
c1930. Pen and ink with gouache, signed “Phil McLachlan” and captioned upper left and lower centre, 23.2 x 20.7cm. Slight foxing, discolouration and minor surface loss to margins. Phyllis Laishley McLachlan, on leaving school at the age of 16, studied with Thea Proctor, and at the Julian Ashton School. She..... More
1930. Watercolour with gouache, signed and dated in pencil upper right, 21.5 x 61.5cm. Foxing, repaired tear to upper right corner. Framed. More
1930. Pair of watercolours with pencil: a) initialled and dated “1930?” in pencil in lower margin, annotated “New York” in pencil verso, 19.5 x 8.6cm; and (b) annotated “N.Y.” in pencil in lower margin, annotated “Wiggins model” in pencil verso, 19.2 x 12.8cm. Each titled and dated on accompanying certificate..... More
c1930s. Pair of pen and ink drawings, both signed and dated with one titled lower right, 15.5 x 16.3cm and 15.7 x 15.3cm. Slight creases. Framed. More
c1930s. Watercolour, unsigned, “Schoellers Parole” paper blind stamp upper left, 28.9 x 39.7cm. Insect damage lower right portion, minor missing portions to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 32.8 x 39.1cm. Slight foxing, pinholes to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 30 x 32cm. Pinholes to edges. Provenance: artist’s estate. Information about Betty Solomons seems to be scarce. She appears to have studied pottery at the Technical Education Department in Sydney, with her name listed in the Department’s published examination results in 1923. From 1925 she was known..... More
c1930s. Watercolour, unsigned, 28 x 34.6cm. Pinholes to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 40.6 x 33.5cm. Pinholes to edges, slight foxing. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 32.8 x 27.9cm. Pinholes to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 34.6 x 32.2cm. Pinholes to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 41.6 x 37cm. Pinholes to edges, slight foxing. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 41.5 x 36cm. Pinholes to edges, minor foxing. Provenance: artist’s estate. More
c1930s. Gouache, 20.2 x 25.4cm. British-born Martin Frank Stainforth is best known for portraits of thoroughbred racehorses he painted in England, Australia and the United States. Ref: Wiki; ADB. More
c1930s. Charcoal drawing, artist’s signature stamped lower right, annotated “Bacon” and “5” in pencil and ink in unknown hand verso, 22.5 x 10cm. Foxing to image centre and edges, minor stain to image upper centre, slight discolouration to edges of paper. A faint abstract sketch appears verso. Provenance: Philip Bacon Galleries..... More
c1930s. Charcoal drawing, signed in pencil lower right, 32.1 x 23.3cm. Minor paper loss to image upper left, repaired tears to lower edge, missing portion to right edge. Melbourne-born Ron Meadows “studied at the National Gallery School between 1929 and 1933. In 1934 he was a student at the Melbourne..... More
c1930s. Oil on board, signed in pencil lower right, 24.1 x 34.2cm. Minor surface dirt. William Rowell was a student of Bernard Hall and Frederick McCubbin at the National Gallery School in Melbourne. His first solo exhibition was held at the Athenæum Gallery in 1920, and that year he won..... More
c1930s. Watercolour with pencil, 33.8 x 29.8cm. Pinholes, minor scuffing to image lower left, slight foxing and crinkles overall. Provenance: artist’s estate. Information about Betty Solomons seems to be scarce. She appears to have studied pottery at the Technical Education Department in Sydney, with her name listed in the Department’s..... More
c1930s. Pencil drawing, initialled lower right, 17.6 x 25.8cm. Slight foxing, uneven edges. This sketch was likely taken from the present site of Waterfront Park, Pyrmont, previously the site of the CSR Sugar Refinery. Blackwattle Bay can be seen slightly to the left. More
c1930s. Ink with crayon and gouache, signed upper right, 26.2 x 44.3cm. Slight stains. George Finey’s caricatures were captioned as “the man of the week” in Smith’s Weekly where his work was published from 1921 to 1931. “In fearless portraits he distorted people’s features so that their characteristics and temperament..... More
c1932. Pencil drawing, titled and signed in pencil below image, 20.5 x 17.9cm. Pinholes, soiling and foxing to margins, slight stains to upper and lower portions of image. This drawing was most likely a study for an etching for the 1932 publication Hobart: Eight etchings in facsimile by Charles Robinson..... More
1932. Pencil drawing, signed and dated lower right, 28.4 x 23.3cm. Slight foxing and paper loss to image centre. Image depicts the artist’s wife, painter Dorothy Thornhill. Dundas studied at the Sydney Art School with Julian Ashton. In 1927 he won the Society of Artists’ Travelling Scholarship, which enabled him..... More
1933. Watercolour with pencil, signed and dated in ink lower right, titled in pencil below image, 35.4 x 19.6cm. Minor stains to image, pinholes, tears and stains to margins. Under “Personals” in the Sydney Morning Herald on 29 June 1936 a classified reads “Mr H. Neville Barker, an artist, who..... More