[Still Life With Apple Blossoms]
c1930s. Watercolour, signed lower right, 36.5 x 31.2cm. Pinholes to edges, slight foxing. Provenance: artist’s estate. More
c1930s. Watercolour, signed lower right, 36.5 x 31.2cm. Pinholes to edges, slight foxing. Provenance: artist’s estate. More
c1910-c1930s. (1) [Mark Foy’s Building, Sydney], c1910. Vintage silver gelatin photograph, 26.2 x 31cm. Slight silvering, minor foxing, crazing. Framed. Mark Foy’s Department Store, known as “The Piazza”, opened in 1909 on the block bounded by Liverpool, Elizabeth and Castlereagh Streets, Sydney. Since 1985 the building has operated as The..... More
c1930s. Watercolour with gouache, 15.5 x 21.6cm. Minor foxing to upper edge. More
c1930s. Oil on canvas, signed lower right, 61.1 x 45.6cm. Minor scuffing to edges, slight stains upper left. Oil paintings by Trompf rarely appear in the market. Victorian-born, Percival Albert (Percy) Trompf studied at the Ballarat Technical Art School, later joining Giles & Richards in Melbourne, where he designed chocolate..... More
c1920s-1930s. Group of 12 pencil drawings and two linocuts pasted in hand-bound album, annotated, signed and dated “3.3.1978” by publisher Richard Griffin of Gryphon Books in ink on final page of album, 35.1 x 20.5cm (book), 11.4 x 15.5cm to 24.5 x 16cm (drawings). Soiling and foxing to some drawings. This album, titled..... More
1931. Pencil drawing, titled by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 15.7 x 24.3cm. Minor stains to edges of image. Ref: GH169. More
1931. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 35.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p85. Ref: GH69. Exhibited in Gainsborough Gallery, Brisbane, 1932, and Argosy Gallery, Sydney, 1933. More
1931. Watercolour, 25.4 x 17.8cm. Ref: GH85. More
1931. Oil on canvas, signed and annotated by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 40.5 x 50.8cm. Slight wear to edges, minor perforation to lower right corner. Annotation reads “View from first home on returning to Australia, July 1931, Brisbane.” Evergood lived in Queensland from..... More
c1931. Oil on board, signed by Evergood lower right, annotated by the artist’s great-niece Gael Hammer in pencil verso, 30.5 x 40.9cm. Annotation reads “This may have been illustrated in Art in Aust., 1935.” Original artist’s supply label from New York verso. Ref: GH24. More
c1931. Oil on board, inscription “to Polly” scratched on image lower right, signed, and annotated by the artist’s great-niece Gael Hammer in ink on authentication label verso, 40.7 x 30.5cm. Minor surface loss to edges. Annotation reads “Pauline Konitzer Romero became Miles’ de facto wife. They met in 1930 and..... More
1931. Pencil drawing, signed lower left, annotated, titled and dated in pencil in left margin 13.9 x 24.9cm. Minor foxing, soiling and crinkles. Annotation includes “no. 20” and “no. 1.” Another drawing appears verso. More
c1931-1932. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. Ref: GH83. More
c1931-1932. Oil on canvas, signed lower right by Evergood, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.8cm. Surface cracking overall, slight surface loss to edges, laid down on board. Ref: GH60. More
c1932. Oil on canvas, signed lower left, 30.3 x 40.6cm. Laid down on board. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p64. Mount Nebo is 18km north of Brisbane. Ref: GH26. More
c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More
1932. Watercolour, signed and dated lower left, 34.7 x 32.6cm. Slight foxing. Provenance: artist’s estate. More
1933. Ink and wash, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 7.4 x 10.4cm. Minor creases to lower edge. The reverse side of the image features a printed invitation from “Miss Yolande Proctor to view an exhibition of oils..... More
c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More
c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.5 x 17.9cm. Artist’s home depicted in image. Illustrated and referenced in Hammer, Miles Evergood: No end of passion, 2013, pages 52 and 63. Ref: GH78. More
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More
c1933. Oil on board, signed by Evergood lower right, titled by the artist’s great-niece Gael Hammer in ink verso, 39.7 x 29.6cm. Slight paper remnants to upper and lower left corners. Framed. Ref: GH44. More