[Flowers In Vase]
c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More
c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More
c1933. Oil on canvas, signed lower right, 29 x 39cm. Slight surface loss to upper left corner, laid down on board. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p47. Ref: GH192. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More
c1933. Oil on canvas, signed lower right, 51.2 x 40.8cm. Minor wear to edges. Ref: GH38. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More
c1933. Oil on board, signed lower left, 40.5 x 30.1cm. Slight stains overall, chips to edges. A landscape painting appears verso. Ref: GH52. More
c1934. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.5 x 40.7cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p60. Ref: GH62. More
1934. Oil on canvas, signed lower left, 148.5 x 127cm. Holes to edges, lower portion of canvas folded under stretcher bar (when re-stretched, obscuring part of signature), some soiling and surface loss overall. Original rope border around canvas. Verse in image reads “From all division let our land be free..... More
c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More
c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More
c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More
1936. Oil on canvas on board, signed and dated lower right, 43.8 x 35.7cm. Original frame. Some of the books in the image bear titles relating to art, along with two books by Llewellyn Powys. More
c1936. Pencil sketch, annotated with artist’s name and signed by descendant Ruth Goble in pencil, and titled with various annotations in an unknown hand in pencil verso, 9.2 x 7.4cm. Minor creases and foxing to margins. Linocut illustrated in Coppel, Linocuts of the Machine Age, 1995, p160. Held in NGA..... More
c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More
c1937. Oil on board, signed lower right, 29.5 x 39.8cm. Framed. Ref: GH27. More
1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More
c1938. Watercolour with pencil, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. The oil painting Pasture is held in National Gallery of Victoria collection. Ref: GH79. More
c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More