[Clown Playing Violin]
c1940s. Watercolour with ink and crayon, 27 x 18.7cm. More
c1940s. Watercolour with ink and crayon, 27 x 18.7cm. More
c1940s. Oil on canvas, and colour lithograph poster, signed lower right, 96 x 71.5cm (painting), 99.5 x 76.cm (poster). Slight soiling. Original frame. This oil painting was commissioned by Resch’s Brewery to be reproduced as a poster for their pubs. It is extremely rare to have both the original artwork..... More
c1940s. Pair of cover illustrations in pen and ink with watercolour, captioned in pencil in lower margin, 32.1 x 37.2cm (approx. each). Soiling, slight creases and foxing overall, pinholes to margins. Nils Josef (Joe) Jonsson was an Australian cartoonist born in Halmstad, Sweden. At age 18 he went to sea..... More
c1940s. Ink and watercolour with white gouache, signed lower left, titled in pencil in lower margin, 24.7 x 33.8cm. Slight soiling and foxing overall. Captions read “Australia. Unbridled censorship.”. More
c1938-1940. Ink and wash with crayon and white gouache, signed lower right, titled in pencil in lower margin, publishing annotation in right margin, 25.3 x 30.3cm. Slight soiling overall. Captions read “Daily News. For an Australian New Deal.”. More
c1940s. Pencil drawing, signed lower left, 20.3 x 17.7cm. Minor soiling. More
c1940s. Pencil study, signed in ink lower right, 27.1 x 17.7cm. Stains and creases to upper portion of image and margins, slight paper loss to edges of margins. More
c1940s. Watercolour, signed in pencil lower right, 27 x 25.4cm. Framed. More
1940. Ink and wash, signed lower left, captioned in image upper centre and in pencil in lower margin, publishing stamp with date verso, 34.2 x 41.7cm. Slight soiling, missing portions to margins. Caption in image reads “During his war cabinet visit to Brisbane, Mr Hughes will be quartered in the..... More
c1940. Pen and ink with white gouache, 23 x 29.3cm. Soiling, foxing, slight surface loss, old glue stains. Captions include “Moroney. Miner’s family.” Provenance: Campbell estate. Timothy Moroney was an office bearer of the Australian Railway Union. Frank Campbell was an illustrator for The Worker, a newspaper affiliated with the..... More
1940. Pen and ink with gouache, signed [Will Mahony (Aust., 1905-1989)] in gouache and titled in pencil with publishing annotations on image and margins, publishing stamp with date verso, 34.2 x 41.6cm. Missing portions and slight soiling to margins. Caption in image reads “During his war cabinet visit to Brisbane..... More
c1940s. Crayon drawing, signed “Nan” in pencil lower left, 32.7 x 37.5cm. Missing portions, creases, tears, stains. Provenance: friend of Nan Hortin. Nan Hortin (nee Lyall) was a painter, sketcher, craft-worker and art teacher. She travelled extensively and was a member of several art groups in Sydney. More
c1940s. Pencil sketch, signed lower right, annotated “Melbourne” in ink below image, 15.5 x 9cm. Stains and foxing overall, tears and creases to edges. Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent artist. Oswald was influenced by Christian Waller, who shared his interest..... More
c1940s. Pencil drawing, signed lower right, 32 x 21.5cm. Slight stains, foxing and minor creases overall. More
c1940s. Pencil sketch, signed lower centre, 24.5 x 25cm. Slight foxing, stains, creases. Sydney-born artist Rachel Mary Roxburgh was also an educator, conservationist, and architectural heritage campaigner. She studied at East Sydney Technical College and Adelaide Perry School. She exhibited with the Contemporary Group and the Society of Artists, and..... More
c1940. Transfer drawing, titled and captioned lower left, 19.7 x 25.6cm. Old folds, slight foxing, trimmed left edge and corners. Caption reads “Period 1880. [Centenary] 1840 to 1940.” Shows the Garden Palace, purpose-built for the Sydney International Exhibition in 1879. This drawing is a study for a mural for Farmer..... More
1940. Pen and ink, initialled and dated in pencil lower left, 18 x 23cm. Slight foxing and creases. The Lee-Enfield is a bolt-action, magazine-fed, repeating rifle that served as the main firearm used by the military forces of the British Empire and Commonwealth during the first half of the 20th..... More
c1940s. Pencil drawing, titled and signed lower centre and right, 54 x 36.8cm. Slight scuffing, pinholes to image upper left. A pencil drawing of three figures, a dragon and a castle appears verso. The face of one of the figures resembles Rosaleen Norton. Uncommon large drawing by Norton of her..... More
1941. Pair of pencil drawings with some added coloured pencil, each captioned, dated “30/3/41” and “10/4/41”, one annotated concerning colours, 22.8 x 27.6cm (each). Minor stains overall. These drawings are from a sketch book. Captions include “New [sic] Ams.[terdam] , Ile de France” and “Detail, HMAS Bungaree, Melbourne.”. More
1941. Crayon drawing, signed “Nan” and dated in pencil lower right, 51.5 x 39.7cm. Missing portions, stains and tears overall. Laid down on acid-free backing. Nan Hortin (née Lyall) was a painter, sketcher, craft-worker and art teacher. She travelled extensively and was a member of several art groups in Sydney..... More
c1942. Double-sided drawing with pencil, ink and crayon, 15.6 x 9.2cm. Minor perforations. Framed. Born in Annandale, NSW, painter Eric Wilson studied under Henry Moore, after winning a travelling art scholarship in 1937. Wilson returned to Australia after travelling through Europe and began creating works in the cubist style. In..... More
c1943. Watercolour with pencil, signed lower right, 35.6 x 28cm. Slight foxing to lower edge. Nevill-Smith was a finalist for the 1943 Wynne Prize with a painting titled “Blue Mountain Ranges.”. More
1944. Watercolour, signed and dated lower right, 29 x 21.4cm. More
1944. Pen and ink with white gouache, signed in ink lower right, publishing annotation “2 col. [The] Worker” and titled in pencil in lower margin, annotated and dated “3/4/44” in ink verso, 33.2 x 25cm. Foxing, creases, tears and pinholes to edges. Captions in image read “Where do I come..... More
c1944. Pen and ink with white gouache, signed in ink lower right, publishing annotation “3. col.” in pencil lower centre, 22.9 x 30cm. Creases, cracking, old pinholes, slight foxing, soiling. Provenance: Campbell estate. Francis (Frank) Herbert Campbell was the husband of artist Margaret Campbell. More