1931. Pencil drawing, signed lower left, annotated, titled and dated in pencil in left margin 13.9 x 24.9cm. Minor foxing, soiling and crinkles. Annotation includes “no. 20” and “no. 1.” Another drawing appears verso. More

c1931-1932. Oil on canvas, signed lower right by Evergood, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.8cm. Surface cracking overall, slight surface loss to edges, laid down on board. Ref: GH60. More

c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More

c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More

c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More

1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More

c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More

c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More

c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More

1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More

c1938. Oil on board, signed lower left, 30.5 x 40.6cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p81. Ref: GH19. More

c1938. Six watercolour sketches with gouache and ink, laid down on two panels, titled, annotated, signed “George [G...]”, dated and captioned in ink on backing below images, 12.4 x 18.9cm. Slight foxing, scuffs and surface loss to images, foxing, tears and creases to backing. Annotation includes “Suggestion. Sesquicentenary Celebrations 1938..... More

c1960s. Crayon, felt tip and pen on board, 41 x 51.3cm. Framed. “Selby Warren was a bushman and rabbit-trapper who spent his entire life in the village of Trunkey Creek in the central west of NSW. He started painting in his late seventies using brushes made with his own hair..... More