![Item #CL168-68 Manx Coast Near Peel, and [Pastoral Landscape With Sheep]. Harry E. Hime,...](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL168-68_1.jpg?width=320&height=427&fit=bounds&v=1492489382)
c1900. Pair of watercolours, each signed lower left, one is titled and annotated in an unknown hand in pencil verso, 26.7 x 75.5cm; 27.5 x 25.6cm. Slight stains and foxing, repaired tears and missing portions. Annotation reads “Sketch book no. 173.”. More
1909. Oil on board, signed “M.E. Blashki” and dated lower left to right, artist’s name and title in an unknown hand in ink on label verso, 30.4 x 40.8cm. Slight stains overall, surface loss and missing portion to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p24..... More
c1909. Pen and ink with watercolour, signed lower left, titled, artist’s name and annotated in various hands in ink with letterpress on two labels affixed to frame verso, 21 x 13.8cm. Repaired portion to lower edge. Framed. Labels include “No. 5. Arthur Rackham, 16 Chalcot Gardens, South Hampstead, London, NW”..... More
![Item #CL170-4 Poole Harbour [Dorset, UK]. Miles Evergood, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL170-4_1.jpg?width=320&height=427&fit=bounds&v=1492493801)
c1913. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 9.4 x 13.1cm. Slight discolouration to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p48. Exhibited at the Great Synagogue, Sydney, 1989. Ref: GH111. More
![Item #CL170-33 [Chalk Pit], Amberley, Sussex. Miles Evergood, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL170-33.jpg?width=320&height=427&fit=bounds&v=1492493797)
1913. Oil on canvas, signed “M. Evergood Blashki” and dated lower right, titled and annotated in an unknown hand in pencil verso with Chelsea art stores stamp, 30.5 x 40.7cm. Minor stains to upper portion, slight dents and surface loss to corners, laid down on board. Annotation reads “Exhibited at..... More
![Item #CL170-3 Corfe Castle [Dorset, UK]. Miles Evergood, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL170-3_1.jpg?width=320&height=427&fit=bounds&v=1492493794)
c1910-1914. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 16.8 x 13cm. Slight soiling to upper centre. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p6. Ref: GH163. Exhibited in Kozminsky Galleries, Melbourne, 2001. More
![Item #CL184-142 [Abstract Composition]. Olga Rozanova, Russian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL184-142.jpg?width=320&height=427&fit=bounds&v=1486091863)
c1915. Watercolour, signed verso, 25.2 x 16.8cm (paper). Slight cockling. Olga Rozanova was a Russian Constructivist painter, who experimented with Cubism and Futurism before settling on her particular abstract style. She was among the first in Russia to advocate abstract art in an essay published in 1913. She illustrated several..... More
![Item #CL175-7 [Nude With Stocking]. Anon](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL175-7.jpg?width=320&height=427&fit=bounds&v=1492659716)
1916. Watercolour with gouache, dated with illegible signature in pencil lower left, 30.2 x 22.1cm. Old crease with surface loss across centre of image, missing portion to lower left corner, scratch to lower right edge. More
1916. Watercolour, titled, signed and dated lower left, annotated and signed in pencil verso, 21.8 x 31.9cm. Slight foxing. Annotation reads “I can guarantee this is an authentic sketch of the warship in question. W.M. Birchall.” HMS Warspite was a Queen Elizabeth-class battleship “built for the Royal Navy during the..... More
c1920s. Ink and wash, signed lower left, titled in pencil with trimmed publishing stamp verso, 47.4 x 47.4cm (paper). Slight soiling throughout, paper remnants to edges, trimmed margins. Most likely an illustration for a Conan Doyle serial in the American magazine Collier’s, founded in 1888. Ref: Wiki. A Sydney-born illustrator..... More
![Item #CL184-48 [Woman With Muff]. Anon](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL184-48.jpg?width=320&height=427&fit=bounds&v=1486091884)
1926. Ink and wash with coloured pencil, signed “Deane” and dated upper left, 27.1 x 16cm. Minor foxing overall, pinholes, tipped to original backing. More
c1929. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.3 x 40.5cm. Slight surface loss to edges. Annotation reads “Probably from USA period, 1922-31.” Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p40. Ref: GH9. More
1931. Watercolour, titled in German, signed, dated and annotated “1C” in image lower right, 17.9 x 28cm. More
![Item #CL166-127 Botanical Gardens, Madrid [Spain]. Muriel Medworth, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-127.jpg?width=320&height=427&fit=bounds&v=1492487436)
1952. Watercolour, signed and dated in pencil lower right, titled in pencil verso, 35.7 x 25.9cm. More
![Item #CL166-128 Barcelona Suburb [Spain]. Muriel Medworth, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-128.jpg?width=320&height=427&fit=bounds&v=1492487437)
1952. Watercolour with pencil, signed and dated in pencil lower right, titled and annotated in pencil verso, 33.8 x 24cm. Minor stains and paper remnant to edges of image. Annotation reads “A monastery is seen behind the tree on the left of the drawing.”. More
![Item #CL166-129 Calle Lluçanès, Barcelona SG [Spain]. Muriel Medworth, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-129.jpg?width=320&height=427&fit=bounds&v=1492487438)
1952. Watercolour, signed and dated in pencil lower right, titled in pencil verso, 33.5 x 24cm. Minor foxing and soiling. Street spelled “Llussanes” in title. More
1950 and 1953. Watercolour, one titled, both signed “William K. Kerr” and dated lower left to right, 38.8 x 56.7cm. Pinholes, slight stains, minor paper remnants and paper loss to edges. More
![Item #CL166-130 [Forest With Water View]. Muriel Medworth, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-130.jpg?width=320&height=427&fit=bounds&v=1492487440)
1953. Watercolour, signed and dated in pencil lower right, 35.7 x 25.8cm. Small paper remnant to image centre right, minor tear to edges, mount burn. More
1956. Pen and ink, signed and dated lower right, five labels on frame verso, 31.5 x 23.7cm. Slight foxing and cockling. Framed. Labels include one with artist and title; three exhibition labels from “Fogg Art Museum [Harvard University]”, “Four Arts Society [Palm Beach, Florida]” and “The Minneapolis Institute of Arts”;..... More
![Item #CL176-60 [PNG Highland Native Portrait]. Paul Osbourne Jones, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-60.jpg?width=320&height=427&fit=bounds&v=1492661075)
c1965. Oil on board, signed lower right, 54.7 x 44.5cm. Minor surface loss and soiling. Framed. Born in Bondi, art teacher, painter and printmaker Paul Jones studied at East Sydney Technical College. He served with the AIF in Papua New Guinea during WWII. Mostly known for his floral studies, he..... More
![Item #CL173-162 Singapore River and [Chinatown Market, Singapore]. Goh Chye Khee,...](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL173-162_1.jpg?width=320&height=427&fit=bounds&v=1492653208)
1982. Pair of watercolours with gouache, one titled, both signed and dated lower right, 56.6 x 76.1cm. Minor foxing and mount burn. More
1957–1960. Two drawings, one charcoal and one pencil, one titled, both signed and dated lower left to right, both with exhibition details on “Helene C. Seiferheld” label and other exhibition labels verso, 20 x 30.5cm and 31 x 22cm. Slight foxing. Titles of portraits read “John Cranko, London, 1960” and..... More