c1960s. Pair of colour process lithographs, 98.1 x 61.7cm (approx. each). Repaired minor tears to edges, slight scuffing. Linen-backed. ‘Keyman’ was a jeans label produced as an offshoot of Yakka in 1962. The company is now known as Hard Yakka workwear. Ref: ADB. The images are most likely referencing Jimi..... More
c1965. Process lithograph poster and letterpress magazine with process screen and colour lineblock illustrations, some images signed in block, 50.6 x 38.2cm, 24.4 x 18.4cm. Slight discolouration, repaired tears and missing portions to edges of poster, minor crinkles and stains to magazine cover. This is the original promotional poster for..... More
c1967. Colour process lithograph, 101.3 x 152cm. Old folds, repaired cracks or perforations, slight stains. Linen-backed. Text continues “Rheumatism, influenza, muscular pains, neuritis, toothache, laryngitis, tonsillitis. Genuine (pink). Reg. trademark. Victory Publicity litho.” Image features a 1967 Fiat 850 Coupé. Vincent’s Powders are “Australian cultural icons, prominent among this country’s..... More
c1970s. Process lithograph, 68.5 x 86cm. Linen-backed. More
c1970s. Process lithograph, 74.7 x 62.4cm. Linen-backed. More
c1970. Colour process lithograph, 36.1 x 48.1cm. Minor creases to corners. Linen-backed. Text continues “Extra comfort in brief encounters.” Image most likely inspired by the Mick Jagger movie Ned Kelly, which was released in 1970. More
c1970s. Pair of colour process lithographs, each signed “Barry Olive” in image lower left or right, 66.2 x 47.6cm (approx. each). Repaired minor missing portions to edges of one image. Linen-backed. Captions include “Dunlop is tennis” or “Dunlop is running.”. More
1979. Colour screenprint, 76.2 x 50.8cm. Linen-backed. Held in NGA. Peter Tully (1947–1992) was a jeweller, designer and artistic director, “notable for his influence on jewellery design in Australia through the utilisation of found and non-precious materials, as well as his artistic direction of the Sydney Mardi Gras (1982–1986).” Ref..... More
1987. Colour screenprint, Redback logo in image lower left, 76.1 x 51.4cm. Slight stains and creases to margins. Linen-backed. Text continues “Commonwealth Department of Community Services and Health, Aboriginal Health Workers of Australia (Qld).” This is the first version of the poster; in subsequent versions the text “Use Frenchies” was..... More
1987. Colour screenprint, “Redback Graphix” logo in image lower left, 76 x 51.5cm. Linen-backed. Text continues “Commonwealth Dept of Community Services and Health; Aboriginal Health Workers of Australia (Qld).” This is the first version of the poster; in subsequent versions the text “Use Frenchies” was replaced by “Use condoms.” Created..... More
c1987. Colour process lithograph, 79.4 x 50.4cm. Repaired minor creases to edges. Linen-backed. Text includes “April 28 to May 11, Green Room, podium level, Centrepoint. Written submissions on intended column locations will be invited at the exhibition. Admission free.” The Sydney Monorail (originally TNT Harbour-link) was a single-loop monorail in..... More
1992. Colour process lithograph, signed in image lower right, 95.3 x 70.3cm. Repaired slight tears, scuffing and missing portions. Linen-backed. Text continues “Mr House-music and her son the curious little dog trumpet discuss the afterlife. ‘Are there any fascists in heaven mummy?’ ‘Yes dear, but they all get turned into..... More
1992. Colour process lithograph, 83.9 x 60.4cm. Repaired creases. Linen-backed. Poster created for the McCann Erickson Sydney commercial for McDonalds in 1992. The inspiration for this image comes from Dennis Stock’s famous photograph of actor James Dean, taken in Times Square, New York in 1955. Ref: Campaignbrief; Magnum Photos. More
1993. Colour process lithograph, initialled “R.” [Jeff Raglus] and dated in image lower right, 91.5 x 69.6cm. Repaired slight tears and missing portions to upper edge. Linen-backed. Text continues “Mambo Graphics P/L 93.” Held in Museum of Applied Arts & Sciences, with the comment “Jeff Raglus [Australian, born 1958], designing..... More
1995. Colour process lithograph, dated and signed in image lower right, 98.5 x 69.4cm. Minor repaired tears and surface loss to margins. Linen-backed. Poster contains a lengthy instructive description of “sexual congress” using Tasmania as a metaphor for female anatomy. Held in Powerhouse Museum. See also item #176, p31. More
1998. Colour process lithograph, dated and signed in image lower right, 98 x 69.3cm. Repaired pinholes, minor creases and crazing. Linen-backed. Text continues “Surf-Cultural Evolution. After a billion years of random mutations the EK Holden emerged from the Southern Ocean perfectly adapted to survive as a land-based vehicle. Mambo Graphics..... More
2000. Colour process lithograph, signed “David McKay” in image lower right, 98.8 x 68.9cm. Repaired minor tears to edges. Linen-backed. Text continues “Greetings from Mambo. Mambo Graphics P/L 2000.” Held in MAAS with the comment “Established in 1984 by Dare Jennings and Andrew Rich, the Mambo label began as a...... More
1936–1960s. One hundred and twenty-six (126) colour and process lithographs, plus four booklets of progressive proofs and one watercolour, sizes range from 33 x 25cm to 102 x 76cm. Tears, creases, old folds, a few posters with foxing, minor insect damage or missing portions. Raymond Sim was an Australian lithographer..... More