Die Brüder (The Brothers)
c1921. Lithograph, artist’s name, title and text in German in letterpress verso, 27.2 x 17.2cm. Minor discolouration to edges of margins. Text includes “Originallithographie.” Published in Genius, vol. 3, 1921, p118. More
c1921. Lithograph, artist’s name, title and text in German in letterpress verso, 27.2 x 17.2cm. Minor discolouration to edges of margins. Text includes “Originallithographie.” Published in Genius, vol. 3, 1921, p118. More
1918/1921. Woodcut, text including artist’s name in letterpress verso, 28 x 19.8cm. Minor discolouration to edges of margins. Schmidt-Rottluff is one of the most important artists of German Expressionism. This image is one of 9 woodcuts that Schmidt-Rottluff published for Das Spiel Christa, a play by Alfred Brust in 1918..... More
1921. Drypoint, signed and numbered “192” in plate, signed in pencil in lower margin by Blampied, titled and dated in ink in an unknown hand on accompanying label, 20 x 30cm. Mounted to card, tape to top margin, old mount burn. From an edition of 100. Ref: Appleby #158. More
1921. Etching, dated in plate lower centre, signed, titled in German, dated and annotated “stich” in pencil in lower margin, 12.1 x 9.7cm. Mounted on a 19th century German certificate. More
1921. Colour stencil, titled, signed and dated in pencil below image, 19 x 25.1cm. More
1921. Etching, signed, titled and editioned 19/50 in pencil in lower margin, 13 x 10.3cm. Slight stains to image lower left, old mount burn. Ref: Mendelssohn #250. More
1922. Colour lithograph poster, signed and dated in image lower right, 79 x 59.4cm. Minor cracking to upper right margin, slight creases and foxing to image. Old linen-backing. Text continues “Mediterranee Inde. Indo-Chine. Extreme-Orient. Imp. Max. Cremnitz Paris.”. More
1922. Etching with stipple, signed in plate upper left, signed by Brockhurst and titled in another hand in pencil in lower margin, 13.9 x 11.2cm. Slight mount burn. Published in an edition of 76. The title refers to the French-Moorish cap or headband worn by women from Dax in the..... More
c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More
1922. Etching and drypoint, signed in pencil on plate mark below image, 11.6 x 33.4cm. From the series The Arteries of Great Britain. More
1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
1922. Woodcut, signed and dated in pencil in lower margin, 26.2 x 12.1cm. Slight foxing to centre and lower portion of image, old mount burn. Held in Auckland Art Gallery. “Born in England in 1880, David Payne trained as a painter, etcher, lithographer, and metal and craft worker before his..... More
1922. Linocut, initialled in block lower right, signed and dated in pencil in lower margin, 8.9 x 27cm. Old tape and glue stains verso. Held in Auckland Art Gallery. More
c1922. Colour woodcut, faded signature in pencil in lower margin, 22.5 x 16cm. Minor rubbing to small margins. Image depicts two young girls on a staircase by candlelight. Image held in the British Museum. “At age fifteen, Mabel Royds was awarded a scholarship to attend the Royal Academy in London..... More
c1918/1922. Colour woodcut, titled and signed in pencil with faint text and copyright date in letterpress in lower margin, 51.6 x 38.2cm. Slight rubbing and soiling to margins and verso. Text reads “Copyright USA 1922.” This image is illustrated in Holden, Hall Thorpe: Coloured Woodcuts, 1980, p77, with a comment that..... More
1918/1923. Lithograph, numbered “35” in plate lower left, signed in pencil lower right, 27.7 x 18.1cm. The lithograph is from the series Ecce Homo (Behold the Man), deluxe edition “A”, issued in an edition of 50. Ref: Dückers #SI, 35. More
1921/1923. Lithograph, erased number “66” in image lower left, signed in pencil below image lower right, 21.7 x 26cm. Minor stains and foxing upper and lower centre. The lithograph is from the series Ecce Homo (Behold the Man), deluxe edition “B1”, issued in an edition of 100. Ref: Dückers #SI..... More
1923/later printing. Hand-coloured etching, 8.5 x 7cm. Old mount burn. Ref: Marchesseau #67. More
c1923. Etching, signed in pencil in lower margin, 12.5 x 17.6cm. Minor foxing to image upper left and margins, old mount burn. Ref: Wootton #59. An etcher and illustrator of children’s and wildlife books, Eileen Soper is best known for her collaboration with writer Enid Blyton. Ref: Wiki. More
1923. Drypoint, signed and dated in plate lower centre, signed in pencil in lower margin, 18 x 26cm. Old horizontal crease to upper portion of image, minor glue stains to margins, old mount burn. Ref: Appleby #95. More
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More