1483. Single leaf printed in black letter on both sides on laid paper with woodcut illustration, 28.3 x 19.6cm (paper). Paper singed around edges, with loss to margins, slight crinkles, minor water stains, tipped to old backing. The Golden Legend, a “medieval compendium of the lives of the saints…is a massive..... More
c1530/1570. Engraving, monogrammed “A.V.” in image lower left, title and “Claudii Duchetti formis” in plate below image, 44 x 33.2cm. Old fold and slight stains to image, repaired tears and missing portions to margins. Laid down on acid-free tissue. This image of Saint Christopher was published by Claudio Duchetti (active..... More
1729. Engraving, titled in Italian, Latin and French in plate lower centre, 33.2 x 42.2cm. Old vertical fold, stains and minor missing portions to margins. Laid down on acid-free tissue. Text in Latin and French reads “Volatus, ignes artificiales, aliique lusus die Jovis in Bacchanaliis” and “Volee, feux d’artifice, et..... More
1835. Mezzotint, artist’s name, title, and printer in plate below image, 26.1 x 36cm. Slight foxing, old mount burn. Text includes “Designed and engraved by John Martin KIB. London, Charles Tilt, Fleet Street.” This image, depicting a struggle between King Saul and David, was published in Part VIII of John..... More
1838. Baxter colour patent print, annotated in pencil on mount verso, 13.1 x 10.6cm (image). Replaced missing portion to lower left corner below image, slight crease to upper right corner of image, trimmed margins. Annotations include “George Baxter, Missions in China. Published in 1838. Mr Medhurst was a missionary for..... More
1825/1874. Engraving, plate number “6”, captioned and signed with publisher’s line and date in plate above and below image, 21.6 x 17.1cm. Minor foxing to lower portion of image and stains to margins. Text reads “Naked came I out of my mother’s womb & naked shall I return thither. The..... More
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More
![Item #CL168-129 [Chapel Threshold With Blossoms]. Ada Matilda Shrimpton, Brit. 1858–1925](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL168-129.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492489823)
c1916. Metal relief print, signed in plate lower left, signed and annotated “38” in pencil in lower margin, 32.9 x 24.6cm. Minor stains to margins. Shrimpton was known to have experimented with relief print techniques, using metal instead of wood. Her partner, British artist William Giles, also experimented with techniques..... More
c1920s. Lithograph, signed in image lower left, titled below image lower right, 47.1 x 36.9cm. Slight foxing, minor missing portion to upper left corner. Held in the Museum of Jewish Art and History, France. More
![Item #CL184-148 Waldandacht, [Karlsbad, Karlovy Vary, CZ]. Ernst Steidl, Czech](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL184-148.jpg?width=320&height=427&fit=bounds&auto=webp&v=1486091867)
c1920s. Etching, signed in plate lower right, annotated “original radierung (etching)”, titled and signed in pencil in lower margin, 33.4 x 27.5cm. Minor tears, stains and creases to margins. Shrine in Karlovy Vary, a mineral water spa town in the Czech Republic. More
![Item #CL168-75 [St Paul’s Cathedral, London]. Albany E. Howarth, Brit](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL168-75.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492489387)
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
![Item #CL168-136 [St Paul’s Cathedral, London]. Ian Strang, Brit](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL168-136.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492489827)
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
![Item #CL166-111 The Convent Of Santa Eufemia, Antequera [Spain]. Lionel Lindsay, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-111.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492487424)
1928. Drypoint, signed and numbered “100” in pencil in lower margin, 25.3 x 34cm. Slight foxing to margins. Ref: Mendelssohn #440. More
1930. Colour linocut, titled, signed, dated, editioned 12/25 and annotated in pencil in lower margin, 24.1 x 17.3cm. Tears and creases to margins. Annotation includes a list of printing instructions for colours, as well as notes on edition numbering. More
![Item #CL184-58 [Rabbi Studying]. Sir Frank Brangwyn, Brit](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL184-58.jpg?width=320&height=427&fit=bounds&auto=webp&v=1486012961)
c1931. Drypoint, initialled in plate upper right, signed in pencil in lower margin, 16.2 x 14.9cm. Minor foxing to upper margin. In 1931 Brangwyn illustrated the book L’Ombre de la Croix (The Shadow of the Cross) for Jérôme & Jean Tharaud, which described the lives of Jewish people in contemporary..... More
1933. Wood engraving, titled, editioned 12/12, signed, dated and annotated in pencil in lower margin, 11.6 x 17cm. Minor surface loss to edge of image centre right, tears and slight foxing to lower margin. Annotation reads “From the Lamentations of Jeremiah.” Hughes-Stanton won the International Prize for Engraving at the..... More
1936. Colour aquatint, initialled and dated in plate lower left, 31.8 x 22.4cm. Minor foxing to margins. Framed. From Passion, published by Vollard in 1939. Edition of 270. Ref: Wofsy #344. More
1934/1940. Wood engraving, artist’s name and text verso, 10.5 x 5.3cm. Slight foxing. Text reads “Pray for Eric Gill, T.O.S.D. 1882-1940. Laborare est orare (To work is to pray).” This image was used as a memorial card to the artist upon his death in 1940. Originally published in The Passion..... More
1960. Colour lithograph, two images on a single sheet, 35.5 x 52.6cm. Vertical centre fold as issued. Verso shows two small black-and-white illustrations. From Drawings for the Bible, published by Verve, vol. X, nos. 37-38, 1960. Ref: Mourlot #246-247, #269-270. It is unusual for these two images to remain on..... More
1635/later printing. Etching, signed in plate upper centre, 9.5 x 6.5cm. Crinkles to image, repaired paper loss to margins. Ref: Bartsch #80; Hind #123. This etching was most likely printed during the early 19th century. More
1919. Etching, text including artist and title in letterpress on accompanying tissue guard, 14.9 x 20cm. Slight discolouration. Published in Kunst des Radierens. Ref: Schiefler #73, listed as “Aus dem Judenviertel in Amsterdam: Karrenhandel” (From the Jewish Quarter in Amsterdam: Trading Carts). More
c1924. Etching, editioned 27/50, titled and signed in pencil in lower margin, 20.3 x 15.1cm. Slight soiling and mount burn. Held in the National Gallery of Australia collection, listed as An Old Monastery, Les Martiques [sic] and The Hermitage, Martigue. More
1926. Copper engraving, 11.8 x 8.8cm. From the Cleverdon edition. Bookplate design for Dr Newman Neild. Ref: Skelton #414. More
1927. Drypoint, signed and annotated “60” in pencil in lower margin, 25.1 x 17.6cm. Old mount burn. Ref: Mendelssohn #410. More
![Item #CL175-41 [Greek Priest]. Isabel de B. Lockyer, British](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL175-41.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492659689)
c1930s. Colour linocut, signed in pencil in lower margin, 13.2 x 8.3cm. More