1815-1820. Lithograph, each portrait signed and dated “1815” in image and captioned with sitters’ names, birth and death dates, 51 x 40.6cm. Minor crinkles and foxing. Captions read “(1) Katherine Anne (North) Lady Glenbervie. Nat. 16 Feb. 1760. Mort 6 Feb. 1817; (2) Sylvester (Douglas) Lord Glenbervie. Nat. 13 May...
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c1903. Etching, aquatint and roulette, printed à la poupée, signed in pencil in lower margin, 19.5 x 13.3cm. Crinkles, old glue stains verso. Provenance: James Fairfax estate. Held in Albertina; British Museum (uncoloured).
1906. Etching with drypoint, signed in pencil in lower margin, 9.9 x 8.1cm. Framed. Ref: Dodgson #78. Held in British Museum.
1919. Etching, signed by John and titled in another hand in pencil in lower margin, 12.6 x 10.1cm. Minor foxing to lower margin. From an edition of 50. Ref: Dodgson #45.
c1920s. Drypoint, titled and signed in pencil in lower margin, 21.3 x 14.7cm. Slight stains overall.
1906/1925. Drypoint, engraved text in plate lower right, letterpress in German and annotation in pencil and ink on accompanying slip, 19.9 x 14.3cm. Slight discolouration to margins. Text in plate reads “Bruno Cassirer Verlag.” Text on slip includes artist’s name, “Knabenkopf” (boy’s head) and published in Kunst und Kunstler, Berlin.....
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1955/1956. Etching, caption “cuivre rayé après tirage (scratched copper after print)” in letterpress in right margin, 20.5 x 6.7cm. Slight foxing and minor tears to margins. The sitter is the artist’s wife, Annette Giacometti. This image was first issued in an edition of 50, signed by the artist. This etching.....