![Portrait Of A Man In Front Of A Doric Column]. A. H. Fullwood, Aust](/pictures/thumb/CL192-43.JPG?v=1524199228)
c1890s. Pencil drawing, signed lower left, 21 x 16.9cm. Minor surface loss and indentations to image centre, creases and tears to edges. Possibly a self-portrait. More about Portrait Of A Man In Front Of A Doric Column
c1910. Pencil drawing, 12.6 x 16.8cm. Minor soiling to edges. Another drawing appears verso. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p48. Exhibited in Argosy Gallery, Sydney, 1933, and Castlemaine Museum and Art Gallery, 1988. Florence was Evergood’s sister-in-law. Ref: GH200. More about Florence Reading
![Theatre Audience]. C H. Percival, Aust](/pictures/thumb/CL194-122.jpg?v=1543548354)
1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More about Theatre Audience
1930. Pencil drawing, annotated by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 10.8 x 14.4cm. Old folds, creases, discolouration, slight tears to edges of image and margins. Annotation reads “1st lesson Polly dear.” Drawn on the verso..... More about Polly’s First Lesson In Still Life
![Polly [NY]. Miles Evergood, Australian](/pictures/thumb/CL170-38.JPG?v=1492493800)
c1931. Oil on board, inscription “to Polly” scratched on image lower right, signed, and annotated by the artist’s great-niece Gael Hammer in ink on authentication label verso, 40.7 x 30.5cm. Minor surface loss to edges. Annotation reads “Pauline Konitzer Romero became Miles’ de facto wife. They met in 1930 and..... More about Polly [NY
c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More about Polly In Red Dress
![Penseroso [Polly, Wife Of Artist]. Miles Evergood, Australian](/pictures/thumb/CL170-50.JPG?v=1492493814)
c1933. Oil on board, signed lower left, 40.5 x 30.1cm. Slight stains overall, chips to edges. A landscape painting appears verso. Ref: GH52. More about Penseroso [Polly, Wife Of Artist
c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More about Interior With Polly Reading
![Portrait Of A Young Man]. Rachel Roxburgh, Australian](/pictures/thumb/CL192-153.JPG?v=1524199171)
c1940s. Pencil drawing, signed lower right, 32 x 21.5cm. Slight stains, foxing and minor creases overall. More about Portrait Of A Young Man
![Portrait Of A Woman]. Rachel Roxburgh, Aust](/pictures/thumb/CL192-154.JPG?v=1524199172)
c1940s. Pencil sketch, signed lower centre, 24.5 x 25cm. Slight foxing, stains, creases. Sydney-born artist Rachel Mary Roxburgh was also an educator, conservationist, and architectural heritage campaigner. She studied at East Sydney Technical College and Adelaide Perry School. She exhibited with the Contemporary Group and the Society of Artists, and... More about Portrait Of A Woman
![Reclining Nude]. Norman Lindsay, Aust](/pictures/thumb/CL192-86.JPG?v=1524199265)
c1943. Pencil drawing, initialled “N.L.” below image, 17.3 x 36.4cm. Slight foxing, crinkles. Framed. The model for this image may be a “Miss Wheeler,” who is illustrated in a similar pose in Bloomfield, Norman Lindsay: 80 years of pencil drawing, 2008, p161. More about Reclining Nude
c1960s. Oil on board, signed lower right, titled in ink in unknown hand on frame verso, 16.4 x 8.8cm. Slight surface soiling to image centre right. Framed. William Drew studied at the Melbourne Institute of Technology before going overseas in 1963. He lived in Rome, Paris and London and “travelled... More about Dancer With Bird