c1840s. Colour woodcut, printed on two sheets, signed with Japanese characters, censor’s and printer’s seals in block lower left, poem in Japanese characters in image upper left to right, 65.5 x 22.2cm. Slight soiling and repaired chips to edges. Laid down on acid-free paper. The poem, Morning Glory, is a haiku..... More
c1920s. Woodcut, titled and signed in pencil in lower margin, 38.7 x 41.7cm. Slight crinkles to margins. The vantage point for this view was from the Ulm Minster (161.5 m/530 ft), which is currently the tallest church building in the world. Construction of the church began in 1377 and was completed..... More
1921. Colour woodcut, signed in pencil on image lower right, annotated “copyright”, dated and numbered “35” in pencil in lower margin, 40.1 x 24.8cm. Slight cockling to edges and old mount burn. Laid down on acid-free tissue. Also known as A Merry Little Breeze. This image is listed in Gravalos, Bertha..... More
c1925. Group of three colour lithographs, postcard format, mounted together, each signed in image lower left or right, letterpress text in mostly Italian including title in right border and verso, 9 x 13.9cm (each postcard). Slight soiling, minor wear to edges. All three postcards include “Movimento Futurista Italiano. Pittore Tato..... More
1898/1926 & 1927. Pair of soft-cover books with original paper wrappers, each volume containing six drypoints by Toulouse-Lautrec, consisting of three images in two states (black and brown) totalling 12 original prints, each volume stamped with number “149” from an edition of 200 on colophon, sizes range from 17 x...... More
1930. Colour woodcut, signed, dated and annotated “No. 7” on image lower right, 35.4 x 41.9cm. Original frame. Born in Bolzano in northern Italy, Carl Moser studied at the Academy of Fine Arts in Munich and the Académie Julian in Paris, later travelling to Germany, Italy, Corsica and Brittany. Influenced by..... More
1939. Soft-cover publication containing five original prints by four prominent European artists and one Australian artist. All prints are signed or monogramed in image, published in an edition of 1200, 31.8 x 24.7cm. Soiling and foxing to cover, some stains, wear and small tears to rear pages. The periodical contains..... More
![Item #CL205-56 Overhead Rail [New York]. John Olsen, b.1928 Aust](/pictures/thumb/CL205-56_1.JPG?v=1655438312)
1998. Etching with aquatint, editioned 173/175, signed and dated in pencil in lower margin, 14.4 x 22.2cm. Framed. Image held in Cairns Art Gallery, Queensland. This etching is from Olsen’s series of six etchings titled New York nowhere: meditations and celebrations, Neurology Ward, the New York Hospital, 1998. The series illustrates..... More
c1910s–1920s. Colour zinc relief metalcut, monogrammed in block upper right, annotated “no. 9” and “In Sc et Imp” and signed in pencil in lower margin, title and artist’s name in another hand in pencil verso, 67.8 x 23cm. Old fold to lower centre, slight creases with repairs to upper and..... More
1968. Colour screenprint, signed and editioned 36/50 in pencil on image lower left, 42.8 x 55.3cm. Slight stains to centre and upper portion of image and margins. Illustrated in Walker, Alex Katz: A Print Retrospective, Brooklyn Museum, NY, 1987, #6, p27. Born in Brooklyn, New York, Alex Katz was “initially influenced..... More