c1840s. Colour woodcut, printed on two sheets, signed with Japanese characters, censor’s and printer’s seals in block lower left, poem in Japanese characters in image upper left to right, 65.5 x 22.2cm. Slight soiling and repaired chips to edges. Laid down on acid-free paper. The poem, Morning Glory, is a haiku..... More

c1920s. Woodcut, titled and signed in pencil in lower margin, 38.7 x 41.7cm. Slight crinkles to margins. The vantage point for this view was from the Ulm Minster (161.5 m/530 ft), which is currently the tallest church building in the world. Construction of the church began in 1377 and was completed..... More

c1925. Group of three colour lithographs, postcard format, mounted together, each signed in image lower left or right, letterpress text in mostly Italian including title in right border and verso, 9 x 13.9cm (each postcard). Slight soiling, minor wear to edges. All three postcards include “Movimento Futurista Italiano. Pittore Tato..... More

1930. Colour woodcut, signed, dated and annotated “No. 7” on image lower right, 35.4 x 41.9cm. Original frame. Born in Bolzano in northern Italy, Carl Moser studied at the Academy of Fine Arts in Munich and the Académie Julian in Paris, later travelling to Germany, Italy, Corsica and Brittany. Influenced by..... More

1939. Soft-cover publication containing five original prints by four prominent European artists and one Australian artist. All prints are signed or monogramed in image, published in an edition of 1200, 31.8 x 24.7cm. Soiling and foxing to cover, some stains, wear and small tears to rear pages. The periodical contains..... More

1998. Etching with aquatint, editioned 173/175, signed and dated in pencil in lower margin, 14.4 x 22.2cm. Framed. Image held in Cairns Art Gallery, Queensland. This etching is from Olsen’s series of six etchings titled New York nowhere: meditations and celebrations, Neurology Ward, the New York Hospital, 1998. The series illustrates..... More