c1840s. Colour woodcut, printed on two sheets, signed with Japanese characters, censor’s and printer’s seals in block lower left, poem in Japanese characters in image upper left to right, 65.5 x 22.2cm. Slight soiling and repaired chips to edges. Laid down on acid-free paper. The poem, Morning Glory, is a haiku..... More
![Item #CL206-24 Femme Au Cep De Vigne [Woman By The Grapevine]. Pierre-Auguste Renoir,...](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL206-24.jpg?width=320&height=427&fit=bounds&auto=webp&v=1667357913)
c1904. Lithograph, signed in image lower left, 14 x 12.7cm. Minor mount burn. Stella #48, 4th variant, from an edition of 1000. Stella lists five variations for this subject. Stella’s catalogue raissone also lists 25 etchings and 35 lithographs, which were produced during Renoir’s lifetime. “Although known primarily for his impressionist..... More
1907. Drypoint, signed and dated in plate lower left, signed in pencil in lower margin, 17.6 x 12cm. Old mount burn, repaired tear to lower margin. Asplund #211. Held in The Met, (NY). At the end of the 19th century, Anders Leonard Zorn was one of the “most well-known portraitists in..... More
c1920s. Woodcut, titled and signed in pencil in lower margin, 38.7 x 41.7cm. Slight crinkles to margins. The vantage point for this view was from the Ulm Minster (161.5 m/530 ft), which is currently the tallest church building in the world. Construction of the church began in 1377 and was completed..... More
1924. Colour woodcut, signed in pencil on image lower right, titled in pencil in lower margin, 40.5 x 30.9cm. Slight stains to margins. Ref: Miles #10, lists alternate title: Chinese actor in role of a general; with stated edition of 100, but only 46 were printed. This image was used as..... More
c1925. Group of three colour lithographs, postcard format, mounted together, each signed in image lower left or right, letterpress text in mostly Italian including title in right border and verso, 9 x 13.9cm (each postcard). Slight soiling, minor wear to edges. All three postcards include “Movimento Futurista Italiano. Pittore Tato..... More
1898/1926 & 1927. Pair of soft-cover books with original paper wrappers, each volume containing six drypoints by Toulouse-Lautrec, consisting of three images in two states (black and brown) totalling 12 original prints, each volume stamped with number “149” from an edition of 200 on colophon, sizes range from 17 x...... More
1929. Drypoint, editioned “XII”, signed and annotated in ink and titled in pencil in lower margin, 24.1 x 17.5cm. Slight foxing, stains and old mount burn to margins. Wright #20. Annotation reads “Paper: Whatman 1831.” This drypoint is considered Flint’s most iconic image. First achieving fame for his Illustrations and then..... More
1930. Colour woodcut, signed, dated and annotated “No. 7” on image lower right, 35.4 x 41.9cm. Original frame. Born in Bolzano in northern Italy, Carl Moser studied at the Academy of Fine Arts in Munich and the Académie Julian in Paris, later travelling to Germany, Italy, Corsica and Brittany. Influenced by..... More
![Item #CL206-47 Tsurezure [Boredom]. Ishikawa Toraji, 1875–1964 Japanese](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL206-47.jpg?width=320&height=427&fit=bounds&auto=webp&v=1667357960)
c1934. Colour woodcut, signed in ink with artist’s red seal on image upper right, stamped or printed Japanese characters in left margin, 30.1 x 37.9cm. Slight foxing, minor crinkles, tape verso. From the series Ten Types of Female Nudes. Image shows a woman idly flipping through a book with a cat..... More
c1938. Woodcut, annotated, titled and signed in German in pencil on backing below image, 39.6 x 39.8cm. Laid down on original backing. Annotation reads “Original holzschnitt [woodcut].” Painter, draftsman, graphic and commercial artist Robert Hanna studied at the University of Applied Arts in Vienna, graduating with a teaching degree. From 1929..... More
![Item #CL207-29 Der Tod Und Die Gefamgene [Death And The Prisoner]. Robert Hanna,...](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL207-29_1a.jpg?width=320&height=427&fit=bounds&auto=webp&v=1694061513)
c1938. Woodcut, signed in pencil, annotated and titled in German in ink on backing below image, 36.6 x 35.1cm. Laid down on original backing. Annotation includes “Weisgarber, Traiskirchen B.E.A.” Traiskirchen is a city 20 km south of Vienna. “B.E.A.” is most likely an acronym for federal education institutions in Austria during..... More
1939. Soft-cover publication containing five original prints by four prominent European artists and one Australian artist. All prints are signed or monogramed in image, published in an edition of 1200, 31.8 x 24.7cm. Soiling and foxing to cover, some stains, wear and small tears to rear pages. The periodical contains..... More
1953. Linocut and letterpress on a pre-printed colour background, poster format, signed in block lower right, 70 x 55cm (paper). Crinkles and creases across image. Framed. Illustrated in Czwiklitzer, Picasso’s Posters, 1971, #68, p313. Held in National Gallery of Victoria collection. This poster was created in two steps; the background was..... More
![Item #CL205-56 Overhead Rail [New York]. John Olsen, b.1928 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL205-56_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1655438312)
1998. Etching with aquatint, editioned 173/175, signed and dated in pencil in lower margin, 14.4 x 22.2cm. Framed. Image held in Cairns Art Gallery, Queensland. This etching is from Olsen’s series of six etchings titled New York nowhere: meditations and celebrations, Neurology Ward, the New York Hospital, 1998. The series illustrates..... More
c1910s–1920s. Colour zinc relief metalcut, monogrammed in block upper right, annotated “no. 9” and “In Sc et Imp” and signed in pencil in lower margin, title and artist’s name in another hand in pencil verso, 67.8 x 23cm. Old fold to lower centre, slight creases with repairs to upper and..... More
1921. Colour woodcut, signed in pencil on image lower right, annotated “copyright”, dated and numbered “35” in pencil in lower margin, 40.1 x 24.8cm. Slight cockling to edges and old mount burn. Laid down on acid-free tissue. Also known as A Merry Little Breeze. This image is listed in Gravalos, Bertha..... More
1968. Colour screenprint, signed and editioned 36/50 in pencil on image lower left, 42.8 x 55.3cm. Slight stains to centre and upper portion of image and margins. Illustrated in Walker, Alex Katz: A Print Retrospective, Brooklyn Museum, NY, 1987, #6, p27. Born in Brooklyn, New York, Alex Katz was “initially influenced..... More
![Item #CL206-60 [Rider And Horse]. Marino Marini, 1901–1980 Italian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL206-60_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1667357981)
c1978/later printing. Colour aquatint, editioned 7/75 in pencil with stamped facsimile signature and blind stamp with lion motif in lower margin, authentication stamp signed in pencil by artist’s wife “Marina” Marini verso, 51.6 x 38.2cm. Old mount burn. Authentication stamp reads “This is an original colour etching by Marino Marini. The..... More