c1940s–1950s. Two folk art figures and two vintage silver gelatin photographs, one figure with “Jakanda Reg’d” label attached to base, one photograph with paper manufacturer’s mark “A.M. Crown Copyright Reserved” verso, 13 x 8.5 x 6.5cm and 14 x 6 x 2.5cm (figures); 19.2 x 12.2cm and 19 x 22.7cm..... More
c1940s–1980s. Forty-two (42) vintage silver gelatin photographs, most annotated with ship names and various details in ink and pencil, some with photographer’s stamps from locations in Victoria, Hobart (Tasmania), Wales and Kent (UK) verso, 9 x 14cm (approx. each). Slight scuffing, stains and crinkles overall. Images include Australian tug boats..... More
1947–1978. Softcover “DJ’s” exhibition catalogue with lineblock cover, a Christmas card with linocut illustration and a handwritten note in ink, a typed letter signed by Mahood in ink, and five newspaper cuttings, 13.7 x 11.1cm (catalogue). Covers detached from catalogue, minor stains and tears. The group consists of eight individual..... More
1957–1960. Two drawings, one charcoal and one pencil, one titled, both signed and dated lower left to right, both with exhibition details on “Helene C. Seiferheld” label and other exhibition labels verso, 20 x 30.5cm and 31 x 22cm. Slight foxing. Titles of portraits read “John Cranko, London, 1960” and..... More
c1960s–1970s. Crackle-glazed porcelain on wooden plinth, 25.5 x 14.2 x 17cm. Minor paint splatter top left. More
![Doll Parts]. John Sandler, b.1945 Aust](/pictures/thumb/CL199-130_1.JPG?v=1585635134)
1970–1971. Five prints consisting of one lithograph and four process lithographs, each editioned, titled, signed and dated in pencil below image, 58.5 x 45.5cm (paper). Minor creases, foxing, stains. Titles and editions read (1) “Tea Head”, 21/45; (2) “Soup Portions”, 4/50; (3) “Frozen Food”, 7/50; (4) “Banquet Positives”, 3/60; and..... More
![Boot Fetish]. John Sandler, b.1945 Aust](/pictures/thumb/CL199-131_1.JPG?v=1585635139)
1972–1973. Three colour process lithographs, each editioned, titled, signed and dated in pencil in lower margin, 53.3 x 38.8cm (approx. each). Slight foxing, minor crinkles and creases overall. Titles and editions read (1) “Revealing”, 8/75; (2) “Balancing”, 14/50; and (3) “Observers”, 11/50. Provenance: Hogarth Galleries. More
1974–1981. Nine dyeline prints, most with title, date, artist name “Mauri” or “Maurie” printed below image lower right, six signed in pencil in lower margin, 47 x 53.4cm to 50.9 x 76cm. Minor crinkles and tears to margins, discolouration to one image. Provenance: Hogarth Galleries. Titles read (1) Madam Lash..... More
1978–1979. Six items comprising artwork for five exhibition posters: one with C-type photograph; two with screenprint of which one is hand-coloured; two in pen and ink; plus one magazine article, one poster signed and dated “1978” in pencil lower right, many captioned with exhibition details, 25 x 27.5cm to 54..... More
1983–1984. C-type photograph, signed verso, “Roslyn Oxley Gallery” label with text including “edition A/P” on back of frame, 86 x 80cm. Laid down on aluminium backing. Framed. This image is from the series Untitled 1983/84, comprising 120 photographs. Provenance: Roslyn Oxley Gallery. Illustrated in Henson, Mnemosyne, 2005, p243; and Bill..... More
1921–2005. Fifteen (15) books, 20.4 x 13.5cm to 40.5 x 33cm. Minor creases or bumping to boards, one with binding slightly loose and slight discolouration to interior. Overall fine. This collection of books contains original and facsimile editions by and about the artist and occultist Austin Osman Spare (Brit., 1886–1956)..... More