c1953. Three items consisting of a vintage silver gelatin photograph with “Sydney Morning Herald” copyright stamp verso, a colour process lithograph pamphlet with price list, and a roneoed typed letter with Penfolds letterhead, 25.3 x 20.6cm (photograph). Minor creases, scuffing and tears to photograph, slight foxing to pamphlet. The pamphlet..... More

1956. Colour lithograph, annotated “HC” [artist’s proof] and signed in pencil in lower margin, 38 x 32.7cm. Framed. Ref: Buisson #56.63. Leonard Tsuguharu Foujita was a painter and printmaker born in Tokyo, Japan, who “applied Japanese ink techniques to Western style paintings...His Book of Cats, published in New York by..... More

c1960s. Three gouache paintings, each captioned with ship name, two initialled and one annotated “murals in [illegible word], Pt Phillip” in pencil lower left to right, 18 x 19.2cm to 12 x 27.5cm. Slight foxing, uneven edges. Studies depict paddle steamers and steamships. Captions read (1) SS Edina rebuilt, (2)..... More

c1960s. Automaton clock with revolving dial, exposed mechanism and composite material housed in a glass dome on a polished wooden base, 15.5 x 18.3 x 11.cm. Clock shows a kitten peering into the “fishbowl” dome as goldfish rotate on the timekeeping dial, set on an engraved base with lotus flowers..... More

1964. Process screen card box housing an exhibition catalogue in the form of a scroll, “Dwan Gallery” label with address to “Sir Robert Adeane, Mayor Gallery, London” attached to base, 7.7 x 18.5 x 11.3cm (box). Creases, wear to box, glue stains to scroll at paper join. The catalogue scroll..... More

1967. Drypoint, dated “16.4.67” in plate upper right, editioned 48/50 in pencil with stamped signature in lower margin, 29.6 x 34.8cm. Framed. Ref: Baer #1488. More

1970. Embroidered cotton with hooped fringe, date lower centre, 82.5 x 97.5cm. Slight stains, creases and pulls to thread. Translated Vietnamese text reads “To Fight – To Win, Into a Land of Steel.” The embroidered scene shows a Viet Cong flag with a man in military uniform and a woman..... More

1971. Fifty-nine (59) vintage silver gelatin photographs in a wood-veneer photo album, captioned and dated “Newcastle 1971, by J.G. Kennewell” on inside cover, each photograph annotated in ink by different hands on margins, 11.6 x 14.3cm to 14 x 18cm (photographs). Minor water damage to first photograph, each laid down..... More

1975. Colour screenprint, titled, editioned 110/300 and signed in pencil in lower margin, 91.3 x 69.5cm. Minor crinkles and cockling to image lower centre. Held in Museum of Fine Arts, Boston. More

1979. Softground etching with watercolour, annotated “A/P” and “Softground watercolour etching”, titled, signed and dated in ink in lower margin, 9.7 x 17.2cm. Slight stains to margins, old mount burn. This etching is after the watercolour study from Rees’ “A Tribute to Sydney” series. The view was taken “from the..... More

1982. Colour screenprint, titled, annotated “artist’s proof”, signed and dated in pencil with “Charles Cardinale serigraph” blind stamp in lower margin, 103 x 38cm. Slight stain to upper margin. “Will Barnet studied at the School of the Museum of Fine Arts in Boston, then moved to New York in 1930..... More

1984/1985. Lithograph with watercolour, initialled “L.R.”, signed twice, and dated “’85” twice on image in black and blue ink upper left and lower right, 16.7 x 22.3cm. Slight foxing to lower margin. Ref: Kolenberg #89. Uncoloured copy held in NGA. This lithograph was signed by Rees in two different time..... More

c1930/1989. Woodcut, signed in block upper right and in pencil in lower margin, 12.8 x 10.1cm. This image is most likely a self-portrait, as Mahony was known to play the banjo. London-born cartoonist, illustrator and printmaker Will Mahony is the son of Australian artist Frank P. Mahony. Ref: DAAO. More