![Hobart Town [Tasmania]. A C. Cooke, 1836–1902 Aust](/pictures/thumb/CL203-7.jpg?v=1633911525)
1879. Wood engraving, artist and date in block lower left, 37.4 x 53cm. Slight foxing and discolouration, old folds, uneven margins. This bird’s-eye view of Hobart and Mount Wellington was published in The Australasian Sketcher, 10 May 1879. Image held in the National Gallery of Australia. More
c1890s. Group of six colour lithographs, each with text including caption and name of printer below image, sizes range from 41 x 36.5cm to 44.1 x 41.2cm. Cropped margins, repairs to edges and corners, slight discolouration and crinkles, minor surface loss. Text in each image includes “S.T. Leigh & Co...... More
1923. Pair of linocuts, each initialled in block lower left; one editioned 24/50 and the other 24/35, both titled and signed in pencil in lower margin, 27.2 x 21.9cm (approx. each). Slight foxing and stains, minor crinkles, repaired tears to margins. The Ring is held in the National Gallery of..... More
1924. As issued, letterpress book with French binding (unbound), original boards with partial paper wrappers, and slip case, containing 55 original etchings, some monogrammed in plate, number “265” from an edition of 350 on justification page, title page in French includes author “Octave Mirbeau” and publisher with date “Ambroise Vollard..... More
1929. Etching, initialled and dated in plate lower left, signed, titled and editioned 9/30 in pencil in lower margin, 14.9 x 27.6cm. Excessive impression to lower right corner of platemark, slight foxing to lower margin. The image shows the early stages of the building of the Sydney Harbour Bridge from..... More
![Hobart [Tasmania]. Cedric Emanuel, 1906–1995 Aust](/pictures/thumb/CL203-43.jpg?v=1633911501)
c1931. Etching, editioned 1/50, signed and titled in pencil in lower margin, 41.5 x 32.8cm. Slight foxing, paper remnants and old mount burn to margins. This image of Hobart, which is most likely Emanuel’s largest etching, is held in the National Gallery of Australia. Born in New Zealand, Cedric Emanuel..... More
c1932. Woodcut, initialled in block lower right, title and artist in letterpress in lower margin, other text verso, 15.1 x 10.3cm. Perforations to left margin. This woodblock was published in the magazine Manuscripts: the Book Nook Miscellany, no. 2, June 1932 in an edition of 750. No other edition of..... More
![Sailors’ Home [Melbourne]. John Shirlow, 1869–1936 Aust](/pictures/thumb/CL203-47.jpg?v=1633911503)
1933. Etching, signed, dated and titled in plate upper left to centre, editioned 7/50 and signed in pencil in lower margin, 23.5 x 20.8cm.Slight foxing, soiling and old mount burn to margins. Image held in the National Gallery of Australia. Born in Sunbury, Victoria, John Shirlow was the “first Australian..... More
1934. Colour linocut, titled and monogrammed in block lower centre, editioned 2/14, titled, signed and dated in pencil in lower margin, 27.8 x 35cm. Old stains and slight foxing to margins. An impression of this image, as well as other work, is held in the National Gallery of Australia. Born..... More
![Scarborough Bus [Perth, WA]. Vaclovas Ratas, 1910–1973 Lithuanian/Aust](/pictures/thumb/CL203-60.jpg?v=1633911519)
1952. Wood engraving, initialled in block lower left, editioned 8/25, annotated “Perth, WA”, dated, signed and titled in pencil in lower margin, 12.6 x 12.6cm. Slight foxing to margins. Image held in the Art Gallery of WA, the Art Gallery of NSW and the National Gallery of Australia. Vaclovas Ratas..... More
![Chestnut Teal [Duck]. Murray Griffin, 1903–1992 Aust](/pictures/thumb/CL203-64.jpg?v=1633911522)
c1969. Colour linocut, editioned 5/30, titled and signed in ink in lower margin, 34.5 x 45.7cm. Slight stains and paper and glue remnants to upper margin. Image held in the National Gallery of Australia. Born in Melbourne, Vaughan Murray Griffin “studied drawing and painting at the National Gallery School, Melbourne..... More
![“New Lithographs” [Tasmanian Views]. Lloyd Rees, 1895–1988 Aust](/pictures/thumb/CL203-70_1.jpg?v=1633911526)
1982. Suite of 13 lithographs, first two images editioned 38/40, the rest editioned 38/75, each signed and dated in pencil with printer “Fred Genis” blind stamp in lower margin, sizes range from 30.4 x 40cm to 30 x 57.3cm. In original folio, as issued. The entire suite is illustrated in..... More
2004. Aquatint with etching, annotated “a/p” [artist’s proof] and signed in pencil in lower margin, 21.3 x 25.6cm. Image held in the National Gallery of Australia. Printed by Michael Kempson of Cicada Press in an edition of 50, this image was commissioned by Beagle Press for the deluxe limited edition..... More