c1980s. Six process lithographs, three in colour, each with a series number from 1 to 7 (missing number 5), title and “POL Posters” studio line below image, 56 x 44cm (approx. each). Creases, perforations, surface loss, slight discolouration, minor tears to margins. Titles read (1) The sheep! (2) The exciting... More
c1982. Colour screenprint, 65.8 x 50.4cm. Slight foxing and discolouration, creases, minor tears. Linen-backed. Text continues “The soft white feet of afternoon / Are on the shining meads / The breeze is as a pleasant tune / Amongst the happy reeds.” Image depicts Chairman Mao holding a miniature accordion along... More
1982. Colour screenprint, signed by Debenham and “Lucifoil Posters” [Collective] studio line in image lower right, 76.2 x 50.8cm. Linen-backed. Text continues “You’ve got to have a sense of humour post-Biennale depression. Tactics, Funny Stories, Ya Ya Choral. $4, Thursday Aug. 26th, 8pm. Trade Union Club, 111 Foveaux St, Surry..... More
c1982. Colour screenprint, 83.8 x 58.8cm. Repaired minor tears, creases, crazing. Linen-backed. Text continues “Acknowledgment: Stenberg Bros. MaC: 519 7537.” On October 25, 1982, an article appeared in the Sydney Morning Herald entitled “The threat to Oxford Street” by architect John Haskell, followed by a letter to the editor entitled... More
c1990. Screenprint, 64.8 x 37cm. Minor scuffing. Text includes “What about our children’s future? Australian military budget $8.327 billion [19]89–90. Greenhouse initiative $7.8 million over 2 years. People for Nuclear Disarmament. PO Box A243 Sydney South 2000. 100% recycled paper.”. More
c1970s–1993. Three posters consisting of two screenprints and one colour process lithograph, one signed and dated “RAD ’78” in image lower right, 41.8 x 30cm to 63.7 x 45.5cm. Pinholes, stains. Linen-backed. Text includes (1) Nearly normal Nimbin [NSW] presents let it grow! Fiesta el locoweed. Street parade, people’s summit..... More
c1975–1976. Colour screenprint, 67.1 x 36.8cm. Pinholes, slight foxing. Linen-backed. Held in NGA, listing Ann Stephen as designer and printer along with Callaghan. Image illustrates an early Aboriginal chain gang, mining protest, and the Aboriginal [Tent] Embassy, as part of the narrative of the artist’s story. More