c1978/later printing. Colour aquatint, editioned 7/75 in pencil with stamped facsimile signature and blind stamp with lion motif in lower margin, authentication stamp signed in pencil by artist’s wife “Marina” Marini verso, 51.6 x 38.2cm. Old mount burn. Authentication stamp reads “This is an original colour etching by Marino Marini. The..... More

c1934. Colour woodcut, signed in ink with artist’s red seal on image upper right, stamped or printed Japanese characters in left margin, 30.1 x 37.9cm. Slight foxing, minor crinkles, tape verso. From the series Ten Types of Female Nudes. Image shows a woman idly flipping through a book with a cat..... More

1924. Colour woodcut, signed in pencil on image lower right, titled in pencil in lower margin, 40.5 x 30.9cm. Slight stains to margins. Ref: Miles #10, lists alternate title: Chinese actor in role of a general; with stated edition of 100, but only 46 were printed. This image was used as..... More

c1904. Lithograph, signed in image lower left, 14 x 12.7cm. Minor mount burn. Stella #48, 4th variant, from an edition of 1000. Stella lists five variations for this subject. Stella’s catalogue raissone also lists 25 etchings and 35 lithographs, which were produced during Renoir’s lifetime. “Although known primarily for his impressionist..... More

1888. Colour lithograph with hand-colouring, title in image lower centre, 53.4 x 81.2cm. Repaired paper loss, old stains and creases overall, trimmed margins. Laid down on acid-free paper. This bird’s-eye view of Grafton was originally published in The Illustrated Sydney News, 31 May 1888. Image includes “prominent buildings” such as the..... More

c1860s. Woodcut, 20.4 x 25.7cm (paper size). Old fold through centre, surface soiling, creases, paper loss and thinning spots to lower left corner. This image is from the Edo period (1603–1867). Anthropomorphism of animals including toads or frogs has been used in Japan since the Heian period (794–1185). These caricatures were..... More

1835. Containing 13 double-page colour woodblock maps, Japanese accordion binding with paper-covered boards, title in Hiragana characters on slip affixed to cover, red seal to title page, 34.8 x 20.5cm (book), approx. 33.5 x 39cm (map). Repaired worming to margins and outer edges of maps, rubbing, creases and surface loss to covers..... More

1607/later printing. Engraving, artist’s and engraver’s names with date in plate lower left, 44.5 x 69.4cm. Old vertical fold to centre, minor crinkles to edges, slight foxing and soiling overall, tears and missing portions to margins. The Rhode Island School of Design Museum (USA) exhibition catalogue The Brilliant Line, September 2009..... More

1998. Etching with aquatint, editioned 173/175, signed and dated in pencil in lower margin, 14.4 x 22.2cm. Framed. Image held in Cairns Art Gallery, Queensland. This etching is from Olsen’s series of six etchings titled New York nowhere: meditations and celebrations, Neurology Ward, the New York Hospital, 1998. The series illustrates..... More

c1980. Etching, editioned 86/100, titled and signed in pencil with printer’s blind stamp “WHP” in lower margin, 29.6 x 30.1cm. Minor soiling to margins. This image was illustrated in the first edition of the book by Charles Blackman with text by Nadine Amadio, Charles Blackman, The Lost Domains, 1980. It shows..... More

1959/1960. Woodcut, initialled and dated “1959” in block upper right, titled, signed and dated “1960” in pencil in lower margin, 20.6 x 29.8cm. Framed. Born in England, Leslie Holland won many art scholarships including one to the Slade, but decided instead to study at the Royal College of Art. He became..... More

c1929. Hand-coloured woodcut, signed in pencil in lower margin, 28 x 20.4cm. Framed. This woodcut originally came in a folder which accompanied the book Margaret Preston’s Recent Paintings, 1929, edited by S. Ure Smith and L. Gellert. This book was published in an edition of 250, with half of the edition..... More

c1920s. Woodcut, titled and signed in pencil in lower margin, 38.7 x 41.7cm. Slight crinkles to margins. The vantage point for this view was from the Ulm Minster (161.5 m/530 ft), which is currently the tallest church building in the world. Construction of the church began in 1377 and was completed..... More