The Old Hut
1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More
1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More
1932. Etching, titled, editioned 84/90 and signed “E. Warner” in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn. Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910..... More
1935. Etching, signed and dated in plate lower left, editioned 13/50 and signed in pencil in lower margin, 22.8 x 18.3cm. Slight stains, discolouration and creases to upper and lower margins and platemark. From Warner’s “Men at Work” series. Held in NGA. More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
c1921. Etching, artist and title in plate below image, 45.5 x 34cm. Repaired tears to right margin including platemark, paper remnants to lower portion, old mount burn. Text reads “Grand civic welcome to those gallant heroes HM 19th Regiment of Foot (The Green Howards) on their return from foreign service..... More
1939. Lithograph, titled and signed in pencil below image, 11.7 x 12.3cm. Slight foxing to upper portion of image, minor stains and missing portion to edges of paper, old mount burn. Laid down on acid-free tissue. Held in NGA. Unusual, rare image by Kingston. Hobart-born painter, art teacher and theatrical..... More
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More
1949. Colour aquatint, editioned 87/165 and annotated in pencil in lower margin, 27 x 17cm (image). The annotation “by André Masson ‘49” is by art dealer Richard King. This image is one of the 33 aquatints created to illustrate Les Conquerants (The Conquerors), a 271 page book about civil unrest..... More
1986. Colour linocut, editioned 10/40, titled, signed and dated in pencil in lower margin, 37.5 x 25cm. Artist’s work is represented in the NGA. Printmaker Angela Newberry, a graduate of the Royal College of Art in London, has practised exclusively as a printmaker since 1984, sharing her time between Australia..... More
c1790s. Etching, 26.7 x 21.1cm. Trimmed platemark, discolouration, slight tears and missing portions to left edge. Straight or “cut-throat” razors, consisting of a blade that can fold into a handle, were first listed by Sheffield in England in 1680. By 1740 they were made with cast steel and decorative handles..... More
c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More
c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More
c1920s. Wood engraving, signed in pencil in lower margin, 10.6 x 13.4cm. Slight foxing to margins. Born Albert Henry Lock in London, Anton Lock was a “noted painter, illustrator, etcher and wood engraver, who exhibited widely in the UK and France.” He studied under Walter Sickert at the Westminster School..... More
c1937-1944/1950. Three woodcuts on a single sheet, “Maillol” monogram stamped lower left with publisher’s blindstamp, 32.3 x 24cm (paper). Foxing overall. Illustrations made for Les Géorgiques de Virgile, vols. I and II. The volumes, printed by Philippe Gonin in Paris, were in planning from 1910 when Maillol was travelling around..... More
c1920s. Group of five colour lithographs, signed in image lower left or right, sizes range from 61 x 40.5cm to 63 x 68.6cm. Soiling, creases, cracking, surface loss and missing portions, laid down on original cloth backing. Subjects cover: (1) Chauffeur-driven automobile outside a hotel; (2) Street scene in a small-town square;..... More
c1962-1963. Etching with aquatint, edition of “25” and signed in pencil in lower margin, 34.9 x 40.1cm. Minor rubbing to image centre left. Held in AGNSW. More
1962-1963. Drypoint, editioned 7/25 and signed in pencil in lower margin, 17.8 x 20.3cm. Framed. Ref: Maltzahn #41. More
1928. Etching with drypoint, titled, signed and dated in plate lower right, editioned 4/75 and signed in ink in lower margin, 35.3 x 22.7cm. Old mount burn. Held in V&A. Image depicts “two men assisting the carpenter to lay new deck planking alongside the deck-house” on the square-rigger Lwow, the..... More
1912. Lithograph, initialled in image lower left, 26.4 x 32.3cm. Repaired tears, slight stains to image. Framed. More
1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More
c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More
c1930s. Colour linocut, signed in pencil in lower margin, 18.2 x 16cm. Creases and cockling to image and margins, slight foxing. The Sheldonian Theatre is the official ceremonial hall of the University of Oxford. Constructed between 1664 and 1669, it was Sir Christopher Wren’s first major design. It is one..... More
1838. Pair of silhouette cut-outs, signed, dated and captioned in ink below each image, 18.8 x 8.6cm (approx. each). Old mount burn. Framed. Captions read “Sophia Avery” and “Charlotte Avery.” Born in Dunkirk, Auguste Edouart “left France in 1814, and established himself in London, where he began his career making portraits..... More