c1921. Etching, artist and title in plate below image, 45.5 x 34cm. Repaired tears to right margin including platemark, paper remnants to lower portion, old mount burn. Text reads “Grand civic welcome to those gallant heroes HM 19th Regiment of Foot (The Green Howards) on their return from foreign service..... More

1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More

1949. Colour aquatint, editioned 87/165 and annotated in pencil in lower margin, 27 x 17cm (image). The annotation “by André Masson ‘49” is by art dealer Richard King. This image is one of the 33 aquatints created to illustrate Les Conquerants (The Conquerors), a 271 page book about civil unrest..... More

c1790s. Etching, 26.7 x 21.1cm. Trimmed platemark, discolouration, slight tears and missing portions to left edge. Straight or “cut-throat” razors, consisting of a blade that can fold into a handle, were first listed by Sheffield in England in 1680. By 1740 they were made with cast steel and decorative handles..... More

c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 21.9 x 16.9cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More

c1920s. Wood engraving, signed in pencil in lower margin, 10.6 x 13.4cm. Slight foxing to margins. Born Albert Henry Lock in London, Anton Lock was a “noted painter, illustrator, etcher and wood engraver, who exhibited widely in the UK and France.” He studied under Walter Sickert at the Westminster School..... More

c1962-1963. Etching with aquatint, edition of “25” and signed in pencil in lower margin, 34.9 x 40.1cm. Minor rubbing to image centre left. Held in AGNSW. More

1928. Etching with drypoint, titled, signed and dated in plate lower right, editioned 4/75 and signed in ink in lower margin, 35.3 x 22.7cm. Old mount burn. Held in V&A. Image depicts “two men assisting the carpenter to lay new deck planking alongside the deck-house” on the square-rigger Lwow, the..... More

1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More

c1930s. Colour linocut, signed in pencil in lower margin, 18.2 x 16cm. Creases and cockling to image and margins, slight foxing. The Sheldonian Theatre is the official ceremonial hall of the University of Oxford. Constructed between 1664 and 1669, it was Sir Christopher Wren’s first major design. It is one..... More

1902/1906. Etching, signed and dated in plate upper left, signed in pencil in lower margin, 12.5 x 10cm. Slight foxing overall. Second state. Twenty-five impressions were recorded in 1906. Ref: Dodgson #100, titled in Italian. Provenance: Estate of Dr Constable, former trustee of Art Gallery of WA. Possibly inspired by..... More

c1906. Etching and drypoint, signed in plate centre right, signed in pencil below image, titled “Head of Granger” and annotated in ink and pencil in various hands in lower margin, 12.8 x 11.5cm. Slight foxing to margins, old mount burn. Annotations include “Plate no. 71.” Ref: Dodgson #15. Variant image..... More

c1926. Etching, signed in plate lower left and in pencil in lower margin, 18.5 x 12.4cm. Slight stains to image centre. Held in NGA. During his time Benjamin Edwin Minns was considered to be one of Australia’s foremost watercolourists. Born near Dungog, NSW, Minns took lessons in painting and drawing..... More