1932. Etching, titled, editioned 84/90 and signed “E. Warner” in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn. Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910..... More

1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More

1939. Lithograph, titled and signed in pencil below image, 11.7 x 12.3cm. Slight foxing to upper portion of image, minor stains and missing portion to edges of paper, old mount burn. Laid down on acid-free tissue. Held in NGA. Unusual, rare image by Kingston. Hobart-born painter, art teacher and theatrical..... More

1916. Etching and drypoint, monogrammed and dated in plate lower left, signed in pencil in lower margin, 19.8 x 14.8cm. Slight stain to margins, old mount burn. Ref: Asplund #274. More

1986. Colour linocut, editioned 10/40, titled, signed and dated in pencil in lower margin, 37.5 x 25cm. Artist’s work is represented in the NGA. Printmaker Angela Newberry, a graduate of the Royal College of Art in London, has practised exclusively as a printmaker since 1984, sharing her time between Australia..... More

c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More

c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More

c1937-1944/1950. Three woodcuts on a single sheet, “Maillol” monogram stamped lower left with publisher’s blindstamp, 32.3 x 24cm (paper). Foxing overall. Illustrations made for Les Géorgiques de Virgile, vols. I and II. The volumes, printed by Philippe Gonin in Paris, were in planning from 1910 when Maillol was travelling around..... More

c1962-1963. Etching with aquatint, edition of “25” and signed in pencil in lower margin, 34.9 x 40.1cm. Minor rubbing to image centre left. Held in AGNSW. More

1928. Etching with drypoint, titled, signed and dated in plate lower right, editioned 4/75 and signed in ink in lower margin, 35.3 x 22.7cm. Old mount burn. Held in V&A. Image depicts “two men assisting the carpenter to lay new deck planking alongside the deck-house” on the square-rigger Lwow, the..... More

1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More

c1930s. Colour linocut, signed in pencil in lower margin, 18.2 x 16cm. Creases and cockling to image and margins, slight foxing. The Sheldonian Theatre is the official ceremonial hall of the University of Oxford. Constructed between 1664 and 1669, it was Sir Christopher Wren’s first major design. It is one..... More