[Canine Couple In Evening Dress]
c1925. Lithograph, signed in image lower left, signed in ink on image lower right, 27.9 x 20.6cm. Minor foxing, old mount burn. Framed. More
c1925. Lithograph, signed in image lower left, signed in ink on image lower right, 27.9 x 20.6cm. Minor foxing, old mount burn. Framed. More
1921. Drypoint, signed and numbered “192” in plate, signed in pencil in lower margin by Blampied, titled and dated in ink in an unknown hand on accompanying label, 20 x 30cm. Mounted to card, tape to top margin, old mount burn. From an edition of 100. Ref: Appleby #158. More
1923. Drypoint, signed and dated in plate lower centre, signed in pencil in lower margin, 18 x 26cm. Old horizontal crease to upper portion of image, minor glue stains to margins, old mount burn. Ref: Appleby #95. More
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
1925. Drypoint, signed in plate lower left, signed and titled in lower margin, 22.9 x 25.2cm. More
1930. Etching, signed, dated and titled in plate lower left and centre, signed, dated and editioned 41/60 in pencil in lower margin, 26.4 x 19.9cm. More
1865/later printing. Etching, signed lower right and artist’s name and text in plate below image, 9.3 x 8.1cm. Old mount burn. Text reads “Peint et grave [painted and engraved] par Manet, 1862. Imp. A[lfred] Salmon.” 4th state. Ref: Harris #61. This portrait is based on a photograph taken in 1862..... More
1862/later printing. Etching, monogrammed upper left and artist’s name and printer’s line in plate below image, 10.8 x 8.9cm. Text reads “Peint et gravé [painted and engraved] par Manet, 1862. Imp. A[lfred] Salmon.” 2nd state. Ref: Harris #59. Charles Pierre Baudelaire (1821-1867) was a French poet, essayist and art critic..... More
c1930/later printing. Etching, initialled in plate lower left, 10 x 15cm. This image is the 3rd state. Ref: Wofsy #62. More
1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985..... More
1906/1925. Drypoint, engraved text in plate lower right, letterpress in German and annotation in pencil and ink on accompanying slip, 19.9 x 14.3cm. Slight discolouration to margins. Text in plate reads “Bruno Cassirer Verlag.” Text on slip includes artist’s name, “Knabenkopf” (boy’s head) and published in Kunst und Kunstler, Berlin..... More
1906/1917. Drypoint, 12 x 8.7cm. Minor foxing to image lower left and to margins, old mount burn. Ref: Woll #277, Schiefler #243. More
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
1827/1893. Wood engraving, 8.2 x 12.7cm. Slight foxing, old mount burn. From an edition of 350, printed by Calvert’s son in 1893. Image held in the Art Gallery of NSW, the Tate and The Met, with the comment “In this richly detailed engraving, Calvert conjured an idealized medieval world. Made..... More
1906/1925. Wood engraving, initialled “C.” in block lower left, dated “1906”, initialled with date “1925”, editioned 51/75 and annotated in pencil in lower margin, 5.8 x 5.7cm. Slight foxing to margins. Annotations include “Only 75 copies printed. Copy 51.”. More
1927/1938. Woodcut, initialled “C.” in block lower right, dated “1927” and initialled with date “1938” in pencil in lower margin, 11.4 x 16cm. Framed. This is an illustration for a proposed but never published edition of Robinson Crusoe. Craig agreed to illustrate a book on Robinson Crusoe in the late..... More
1906/1924. Wood engraving, dated “1906”, initialled with date “1924”, editioned 24/150 and annotated in pencil in lower margin, 4.1 x 11cm. Minor crinkles to margins. Annotations include “Only 150 copies printed. Copy 24.”. More
c1924. Drypoint, signed in pencil on plate mark below image, 26.8 x 43.1cm. Crease to lower right centre of image, folded left and right margins, slight mount burn. More
1846. Tinted lithograph, artist’s name in image lower right, text including “plate 9” and title above and below image, 17 x 30.3cm. Tears to left margin, slight stains. Plate 9 from Edward Lear, Illustrated Excursions in Italy, Volume 2, 1846. Ref: Noakes #65. Image shows Castello Caetani, a large fortress..... More
1929. Drypoint, signed and dated in plate lower left, editioned 1/50, titled and signed in pencil below image, 24.1 x 15.3cm. Minor surface loss and paper remnants to image lower left and centre right, stains and crinkles to margins, repaired tears to lower portion of image, old mount burn. Born..... More
c1910. Etching, signed “Tiger” in plate lower left, editioned 4/50, titled and signed in pencil in lower margin, 22.2 x 15.7cm. Repaired tears, minor soiling and surface loss to upper portion of image and margins. Laid down on acid-free backing. Held in the National Gallery of Australia collection. More
1935. Etching, signed and dated in plate lower left, editioned 4/50 and signed in pencil in lower margin, 19.5 x 26.7cm. Foxing to margins, old mount burn. More
1935. Etching, signed and dated in plate lower left, signed in pencil in lower margin, title in letterpress on slip attached to backing below image, 18.9 x 25.2cm. Slight foxing overall, creases and tears to margins, hinged to original backing. More
1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More