The Caravan
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
c1940s. Pencil drawing, titled and signed centre left, 20.7 x 26.4cm. Slight stains overall, missing portions to lower edge, old mount burn. Ballarat-born Melbourne painter, printmaker, cartoonist, art critic and teacher, Harold Herbert was the first official WWII artist to be appointed, serving with the AIF in Egypt and the..... More
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
c1924. Etching, monogrammed in plate lower left, editioned 37/50, titled and signed in pencil in lower margin, 20.8 x 22.6cm. Old mount burn. More
1953. Colour lithograph, titled, editioned 13/20, signed and dated in pencil on image lower left to right, 27.8 x 33.5cm. Uneven trimmed margins. Held in NGA. More
1952. Colour linocut, titled, editioned 13/30, signed and dated in pencil in lower margin, 22.5 x 23.5cm. Minor stains to margins. Held in NGA. Born in Victoria, painter and graphic artist Harry Rosengrave attended the National Gallery School (Vic.), the George Bell School and the Melbourne Technical College. A close..... More
c1925. Etching, editioned 2/50, titled and signed in pencil in lower margin, 17.7 x 30.1cm. Missing portion to right margin, slight foxing. Reproduced in Art in Australia, series 3, vol. 13, Sept. 1925, plate 50. Ref: State Library of NSW. Held in National Gallery of Australia. More
1895/1935. Lithograph with sheet music, monogrammed lower left, 26 x 19.5cm. Minor foxing. Double-sided frame. This is the fourteenth of fourteen song titles in the series Mélodies de Désiré Dihau. Each was issued by Paris music publisher C. Joubert with the text “Melodies sur le des Poesies de Jean Richepin”..... More
1886. Lithograph, captioned “Richard Wagner” in image upper centre, 23.2 x 15.1cm. Soiled margins. From the series of illustrations on the work of composer Richard Wagner. Ref: Mason #61. More
1921. Etching, titled, monogramed and dated in plate lower right, numbered “1” [of an unknown edition], titled and signed in pencil in lower margin, 16.4 x 25.5cm. Minor surface loss due to insect damage to upper and lower edges of image, glue remnants and missing portions to margins. Image held..... More
c1930s. Drypoint, signed by Rushbury and titled in an unknown hand in pencil in lower margin, 37.2 x 21.9cm. Minor foxing and soiling to margins. More
1983. Etching, aquatint and roulette, signed in plate lower left, annotated “Pl. V”, editioned 35/65 and signed in pencil in lower margin, 27.5 x 21.1cm. Minor foxing to image. Framed. Ref: Henry Moore: Mother and Child Etchings, 1988, p28. More
1974. Etching with aquatint, editioned 48/50 and signed in pencil in lower margin, 22.4 x 17.6cm. Minor foxing and stains to right margin. Held in Tate Gallery. More
1971. Colour lithograph, 29.9 x 23.1cm. Slight paper remnants to upper left edge. Published for XXe Siècle, no. 36. Held in Tate Gallery. More
1971/1973. Colour lithograph, 30.2 x 23cm. Originally drawn in 1971, an issue of 90 signed and numbered copies was released in 1972. This print comes from the subsequent 1973 issue of 3,000 unsigned copies from XXe Siècle. Ref: Cramer #182. More
1969. Etching, editioned 22/100, signed and dated in pencil in lower margin, 30.8 x 24cm. Minor foxing overall. Held in the Tate collection. More
c1940s. Drypoint, printed à la poupée, signed in plate lower right, signed in pencil in lower margin, 16.9 x 12.7cm. Known for his drypoint etchings. Australian-born Henry Rayner was trained as an artist in Britain. He was a protégé of Walter Sickert and a friend of Augustus John. He was..... More
1961. Linocut, signed, editioned 22/33A and dated in pencil in lower margin, 50.9 x 36.9cm. Old mount burn. Lithuanian-born Salkauskas studied art in Paris and Germany after WWII. In 1949 he moved to Australia and worked as a house painter in Sydney while pursuing his art career. He joined the..... More
c1929. Etching and aquatint, titled and signed in pencil in lower margin, 20.1 x 24.8cm. Repaired tears to centre and lower left, minor stains to upper portion of image, foxing to margins, slight cracking to lower platemark. Laid down on acid-free tissue. Ref: SLNSW. More
c1920s. Etching, titled, editioned 2/12 and signed in pencil in lower margin, 9.8 x 24.6cm. More
c1920. Drypoint, signed in plate upper right, editioned 31/100 and signed in pencil in lower margin, 16.3 x 14cm. More
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More
c1908. Photogravure, 53.2 x 36.8cm (paper). Missing portion to lower margin, repaired tears, creases. Linen-backed. Text continues “Copyright by Mishkin, New York. 2725C. Issued by Thomas A. Edison, Inc, Orange, NJ.”. More
c1908. Photogravure, signed and annotated “NY” in image centre right, 55.8 x 35.6cm (paper). Missing portion to lower margin, repaired tears. Linen-backed. Text continues “Metropolitan Opera Company. Issued by Thomas A. Edison, Inc, Orange, NJ. 3144.” Emmy Destinn (1878-1930) was a Czech-born operatic soprano who had a career both in..... More