1796. Engraving, text including artist, title and date in plate below image, 36 x 49.4cm. Slight foxing overall, stains, tears and missing portions to margins. Text includes “W. Alexander, delt. J. Landseer & T. Shirt, sculpt. London, published April 12, 1796, by G. Nicol.” In 1792 William Alexander, an English..... More

c1911. Watercolour with gouache, original postcard design, accompanied with colour process screen print postcard of the same image, titled and signed in image lower left and right, artist’s name stamped in lower margin, title and signature replicated in postcard image with the annotation “Oilette”, text in letterpress verso, 15.3 x...... More

1926. Etching with drypoint, monogrammed and dated in plate lower left, signed, titled and editioned 7/50 in pencil in lower margin, 17.5 x 22.6cm. Minor stains to upper edge of image and to margins. More

1923. Etching, initialled and dated in plate lower right, signed, dated, titled and editioned 2/50 in pencil in lower margin, 15 x 19.8cm. Lightly inked impression, slight foxing overall. Held in SLNSW. Burdekin House in Macquarie Street, Sydney, was built in 1841 for merchant Thomas Burdekin (c1799–1844). “It was owned..... More

c1920s. Etching, titled and monogrammed in plate lower left to right, signed, titled and editioned 5/50 in pencil in lower margin, 19.8 x 15.1cm. Slight foxing overall. Title in plate reads “Windmill Hill, Old Sydney.” Held in the National Gallery of Australia collection. See also item #116. More

c1920s. Lithograph, signed in image lower left, titled below image lower right, 47.1 x 36.9cm. Slight foxing, minor missing portion to upper left corner. Held in the Museum of Jewish Art and History, France. More

c1916. Metal relief print, signed in plate lower left, signed and annotated “38” in pencil in lower margin, 32.9 x 24.6cm. Minor stains to margins. Shrimpton was known to have experimented with relief print techniques, using metal instead of wood. Her partner, British artist William Giles, also experimented with techniques..... More

1827. Lithograph, text below image in English and French, 27.8 x 19.6cm. Minor surface loss to upper right margin, old horizontal fold. Text includes “The distinguished heroine from Spezia. This print forms one of the series of Greek portraits (1st Part) now in course of publication in London and Paris..... More

1827. Lithograph, text in English and French below image, 27 x 18cm. Minor stain to right margin. Text includes “President of the Legislative Body of the Greek Government, in 1822. Drawn from life and published in London and Paris, 1827. This print forms one of the series of Greek portraits..... More

1827. Lithograph, text below image in English and French, 26.3 x 22cm. Minor crease to centre of image, slight soiling to margins. Text includes “Commander in Chief of the troops in the Morea. Drawn from life and published in London and Paris, 1827, by A. Friedel. This print forms one..... More

1942/1948. Linocut, monogrammed in block lower right, artist’s name, title and medium in letterpress below image, 18.5 x 14cm. Held in NGA. “Initially making a living as a photographer, Adele Younghusband…maintained a painting practise most of her life…After travelling to Australia to study art with George Bell, she produced linocuts..... More

1933. Linocut, title, medium and artist’s name printed below image, text verso, 17 x 13.5cm. Staple marks to left edge of margin. Published in Manuscripts, no. 4, 1933, p19. More

1977. Colour lithograph, editioned 342/500, signed and dated in pencil in lower margin, 54.5 x 74.5cm. Framed. Held in the Tate collection. More