1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More
1978. Colour lithograph, editioned 39/100, signed and dated in pencil in lower margin, 53.7 x 74.1cm. Framed. More
1977. Colour lithograph, editioned 342/500, signed and dated in pencil in lower margin, 54.5 x 74.5cm. Framed. Held in the Tate collection. More
1965. Colour lithograph, editioned 35/75, series number “I,” signed and dated in pencil and “Editions Alecto” blind stamp in lower margin, 53.4 x 73cm. Stains to edges of lower margin. A landmark suite of 34 colour lithographs, Zurich Improvisations were published by Paul Cornwell-Jones, Editions Alecto, London in 1965. The..... More
![Fisherman’s Jetty, Tooradin [Victoria]. Alan Sumner, Aust](/pictures/thumb/CL176-122.JPG?v=1492661814)
1946. Screenprint, 32.2 x 38.8cm. Repair to image upper left (by artist), slight soiling and paper loss to lower margin. Unsigned working proof. Ref: Butler #14. More
1948. Screenprint, 37.7 x 45.3cm. Unsigned working proof. Ref: Butler #39. More
1944-1946. Screenprint, 33.3 x 20cm. Some stains to margins. Unsigned working proof. Ref: Butler #19. More
c1947. Pair of screenprints, approx. 37.4 x 42.7cm (each). Slight soiling to margins. Unsigned working proof. Ref: Butler #37. A painter, printmaker, teacher and stained glass designer, Sumner became known in Australia and internationally for his stained glass windows. His “technically brilliant screenprints,” produced in the 1940s, came to public..... More
1944-1946. Screenprint, 34.7 x 43cm. Soiled margins with printer’s ink. Unsigned working proof. Ref: Butler #6. More
![Church School, Carlton [Victoria]. Alan Sumner, Australian](/pictures/thumb/CL176-126.JPG?v=1492661816)
1948. Screenprint, 29 x 31.9cm. Discolouration to margins. Unsigned working proof. Ref: Butler #43. More
![Grey Roofs, Prahran [Victoria]. Alan Sumner, Australian](/pictures/thumb/CL176-118.JPG?v=1492661811)
1944-1946. Screenprint, 35.7 x 39.9cm. Margin soiled with printer’s ink. Unsigned working proof. Ref: Butler #4. More
![Mount Macedon Garage [Victoria]. Alan Sumner, Australian](/pictures/thumb/CL176-124.JPG?v=1492661815)
1947. Screenprint, 35.1 x 42cm. Tears and creases to margins. Unsigned working proof. Ref: Butler #34. More
c1920s. Etching, titled in image lower left, signed in pencil in lower margin, 29 x 18.1cm. Slight foxing to lower margin. More
![St Paul’s Cathedral, London]. Albany E. Howarth, Brit](/pictures/thumb/CL168-75.JPG?v=1492489387)
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
c1920s. Etching, titled in plate lower right, signed in pencil in lower margin, 22.3 x 30.9cm. Minor stains to right and lower margins. Albany Howarth was an etcher and water-colour painter. Around 1905, Howarth emerged as a major etcher, frequently exhibiting at the Fine Arts Society, the Royal Academy and..... More
![Richmond, Yorks’ [Yorkshire]. Albany E. Howarth, British](/pictures/thumb/CL168-74.JPG?v=1492489386)
c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More
1961. Lithograph, text in letterpress verso, 26 x 20cm. Ref: Lust #155. More
1961. Lithograph, 38 x 28cm. Minor discolouration to edges of paper. From Derriere le Miroir, no. 127. Ref: Lust #149. More
![Nude [Profile]. Alberto Giacometti, Swiss](/pictures/thumb/CL168-57.JPG?v=1492489374)
1961. Lithograph, text in letterpress verso, 37.8 x 27.9cm. Ref: Lust #160. More
![Nude [Standing]. Alberto Giacometti, Swiss](/pictures/thumb/CL168-56.JPG?v=1492489373)
1961. Lithograph, text in letterpress verso, 31.1 x 12cm. Ref: Lust #154. While Giacometti was a key player in the Surrealist art movement, his work is difficult to categorise. Some describe it as formalist, others argue it is expressionist. Giacometti attempted to create renditions of his models the way he..... More
1961. Lithograph, 38 x 27.9cm. From Derriere le Miroir, no. 127. Ref: Lust #158. More
1961. Lithograph, 38 x 27.9cm. From Derriere le Miroir, no. 127. Ref: Lust #151. More
