Fisherman’s Jetty, Tooradin [Victoria]
1946. Screenprint, 32.2 x 38.8cm. Repair to image upper left (by artist), slight soiling and paper loss to lower margin. Unsigned working proof. Ref: Butler #14. More
1946. Screenprint, 32.2 x 38.8cm. Repair to image upper left (by artist), slight soiling and paper loss to lower margin. Unsigned working proof. Ref: Butler #14. More
1948. Screenprint, 37.7 x 45.3cm. Unsigned working proof. Ref: Butler #39. More
1944-1946. Screenprint, 33.3 x 20cm. Some stains to margins. Unsigned working proof. Ref: Butler #19. More
c1947. Pair of screenprints, approx. 37.4 x 42.7cm (each). Slight soiling to margins. Unsigned working proof. Ref: Butler #37. A painter, printmaker, teacher and stained glass designer, Sumner became known in Australia and internationally for his stained glass windows. His “technically brilliant screenprints,” produced in the 1940s, came to public..... More
1944-1946. Screenprint, 34.7 x 43cm. Soiled margins with printer’s ink. Unsigned working proof. Ref: Butler #6. More
1948. Screenprint, 29 x 31.9cm. Discolouration to margins. Unsigned working proof. Ref: Butler #43. More
1944-1946. Screenprint, 35.7 x 39.9cm. Margin soiled with printer’s ink. Unsigned working proof. Ref: Butler #4. More
1947. Screenprint, 35.1 x 42cm. Tears and creases to margins. Unsigned working proof. Ref: Butler #34. More
c1920s. Etching, titled in image lower left, signed in pencil in lower margin, 29 x 18.1cm. Slight foxing to lower margin. More
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
c1920s. Etching, titled in plate lower right, signed in pencil in lower margin, 22.3 x 30.9cm. Minor stains to right and lower margins. Albany Howarth was an etcher and water-colour painter. Around 1905, Howarth emerged as a major etcher, frequently exhibiting at the Fine Arts Society, the Royal Academy and..... More
c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More
1961. Lithograph, text in letterpress verso, 26 x 20cm. Ref: Lust #155. More
1961. Lithograph, 38 x 28cm. Minor discolouration to edges of paper. From Derriere le Miroir, no. 127. Ref: Lust #149. More
1961. Lithograph, text in letterpress verso, 37.8 x 27.9cm. Ref: Lust #160. More
1961. Lithograph, text in letterpress verso, 31.1 x 12cm. Ref: Lust #154. While Giacometti was a key player in the Surrealist art movement, his work is difficult to categorise. Some describe it as formalist, others argue it is expressionist. Giacometti attempted to create renditions of his models the way he..... More
1961. Lithograph, 38 x 27.9cm. From Derriere le Miroir, no. 127. Ref: Lust #158. More
1961. Lithograph, 38 x 27.9cm. From Derriere le Miroir, no. 127. Ref: Lust #151. More
1926. Wood engraving, editioned 8/50 and signed in pencil in lower margin, 17.7 x 12.7cm. Ref: Alexander Masley website. More
1929. Wood engraving, editioned 5/50, signed and dated in pencil in lower margin, 18 x 23.2cm. Ref: Alexander Masley website. More
1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More
1915. Colour lithograph, signed and dated in and below image lower left and right with remarque, titled and annotated “EA” [artist’s proof] in pencil in lower margin, 39.2 x 26.4cm. Minor foxing and soiling overall. More
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More