The Carpenter
1914. Etching, signed in plate lower left, signed, titled and annotated “19” in pencil in lower margin, 10.3 x 13.4cm. Slight cracking to platemark. Ref: Mendelssohn #103. Held in NGV. More
1914. Etching, signed in plate lower left, signed, titled and annotated “19” in pencil in lower margin, 10.3 x 13.4cm. Slight cracking to platemark. Ref: Mendelssohn #103. Held in NGV. More
1914. Line-block, letterpress and colour process screen leaflet with fold-out panorama, text includes date, artists’ names and an index to key points of interest, 23 x 13cm (cover), 21.7 x 45.2cm (panorama, unfolded). Slight tears, missing portions and discolouration to edges of cover, minor tear and creases to edges of..... More
1914. Lithograph, editioned 11/30, annotated “auto-lithograph,” inscribed, titled and signed in pencil in lower margin, 18 x 30cm. Old mount burn. Inscription reads “To G. [Gayfield] Shaw, Esq. from S. Ure S. Dec. 1916.” Held in SLNSW. Lithographs by Ure Smith are uncommon, and it is also unusual for one..... More
1915. Colour lithograph, signed and dated in and below image lower left and right with remarque, titled and annotated “EA” [artist’s proof] in pencil in lower margin, 39.2 x 26.4cm. Minor foxing and soiling overall. More
1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More
1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More
1915. Etching, signed in plate lower left, annotated “no. 10,” titled, signed and dated “Dec. 1915” in pencil in lower margin, 15.9 x 10.4cm. Pinholes to margins, old mount burn. Held in State Library of NSW, listed as The Little Ketch -Mosman’s Bay. The name of the ketch is Ruby..... More
1915. Wood engraving, signed, dated and titled in pencil in lower margin, 12.8 x 9.7cm. Slight creases to edges of lower margin. Gibbings was a founding member of the Society of Wood Engravers in 1919. Ref: British Council. More
1915. Lithograph, 23 x 29cm. Old mount burn. Ref: Schliefer #202. More
1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More
c1916. Etching, titled, annotated “no. 17” and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to image upper right, pinholes to margins, old mount burn. The National Library of Australia holds a sketch which was most..... More
c1916. Metal relief print, signed in plate lower left, signed and annotated “38” in pencil in lower margin, 32.9 x 24.6cm. Minor stains to margins. Shrimpton was known to have experimented with relief print techniques, using metal instead of wood. Her partner, British artist William Giles, also experimented with techniques..... More
1916. Etching, signed in plate lower left, editioned 31/50, titled and signed in pencil in lower margin, 13.7 x 17.6cm. Minor stains to lower left corner of image and to upper margin. Ref: Mendelssohn #120. Held in NGV and NGA collections. More
1916. Pair of lithographs on one sheet, each signed in image lower left or right, editioned 83/100, signed and titled in pencil below image with drypoint counterproof remarque lower centre, 37.5 x 56.5cm (sheet). Minor creases to edges of margins. Published by Éditions La Guerre. Images titled in French, as..... More
c1915-1917. Hand-coloured lithograph, signed and titled in image lower right and centre, annotated “Lithographie colorieé par l’artiste” and editioned 266/500 in pencil above and below image, 36.2 x 25.9cm. Tears, missing portions and creases to margins. Ref: The Museum of Jewish Art and History, France. More
1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More
1917. Etching, signed in plate lower left, editioned 49/50, titled and signed in pencil in lower margin, 10.5 x 22.6cm. Minor soiling to margins. Illustrated in The Etchings of Sydney Ure Smith, 1920, #39. The Dawes Point Battery, an historical fortification, was located adjacent to the southern pylon of the..... More
1906/1917. Drypoint, 12 x 8.7cm. Minor foxing to image lower left and to margins, old mount burn. Ref: Woll #277, Schiefler #243. More
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More
1917. Etching, signed in plate upper left, annotated “no. 6,” titled, signed and dated in pencil in lower margin, 25 x 17.5cm. Old mount burn. This image shows The Sun newspaper office in Castlereagh St as seen from Moore St. This etching, which had a run of only 15 prints..... More
1917. Lithograph, signed in image lower centre, 35.3 x 46cm. This is no. 61 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Lithograph, signed and dated in image lower right, 35.5 x 46cm. This is no. 64 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 66 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Etching, signed in plate lower left, signed, titled and annotated “no. 24” in pencil in lower margin, 13.8 x 17.5cm. Minor stain to image centre. Ref: Mendelssohn #137, with alternative title “Ashmore House, Old Kent Street, Sydney, demolished 1912.” Held in NGA, NLA, NGV. More