1934. Etching, signed and dated “29/3/34” in plate lower left, faintly editioned 14/50[?], titled and signed in pencil in lower margin, 22.6 x 30.3cm. Rubbing to upper centre, image edges and margins, missing portions to lower margin. Held in Powerhouse Museum. More
![Item #CL202-26 Castlereagh Street [Sydney]. Gayfield Shaw, 1885–1961 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL202-26.jpg?width=320&height=427&fit=bounds&auto=webp&v=1619760558)
1918. Etching, signed and dated in plate lower right, editioned “No. 1, second state. 30 prints” and signed in pencil in lower margin, 31.6 x 9.2cm. Minor rubbing to upper edge of image, slight foxing and soiling to margins with framing annotations in pencil. Image held in the National Gallery..... More
1949. Etching, signed and dated in plate lower right, editioned 20/50, titled and signed in pencil in lower margin, 26.3 x 20cm. Slight foxing to image upper right. Held in SLNSW. Hobart Government House is considered to be a “fine example of an early Victorian country house in neo-Gothic style..... More
c1930s. Etching, captioned “HM Sloop Investigator, 1802” in plate lower centre, editioned 29/50, titled and signed in ink in lower margin, 26.6 x 22.6cm. Minor foxing to margins. Image depicts Flinders’ Investigator meeting Baudin’s Le Geographe in Encounter Bay, South Australia on 7 April 1802. More
c1930s. Etching, captioned “Bounty” in plate lower centre, editioned 16/50, titled and signed in ink in lower margin, 22.8 x 29cm. Depicts the mutiny on the Bounty on the morning of 28 April 1789. More
c1850s. Hand-coloured etching, signed and titled in plate lower right and below image, 14.6 x 39.7cm (image). Old folds, slight tears, surface loss and minor stains to margins. Held in NGA; NLA; and Powerhouse Museum. More
![Item #CL174-15 Australia [Cattle Droving, Queensland]. George Knight Erskine Fairholme, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL174-15_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492653616)
c1853. Three hand-coloured lithographs, each initialled “G.K.E.F.” in image and titled in ink below image, one annotated “No. 5” in ink above image, 17.3 x 25.4cm (approx. each). Slight stains and minor paper loss with some repairs to margins, old mount burn. All titles include “Australia”, and read “Branding cattle..... More
c1920. Drypoint, initialled in plate lower centre, editioned 3/30, titled and signed in pencil below image, 21.4 x 17.7cm. Repaired tears to upper margin including platemark, minor paper loss to margins, old mount burn. Not illustrated in Spartalis reference on van Raalte. London-born Henri van Raalte studied art under John..... More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
c1925. Colour woodcut, signed in pencil on image lower right, 41 x 26.7cm. Slight foxing. Ref: Holden #14. This image is one of Thorpe’s rarer works, possibly due to a small edition. Wood engraver and painter John Hall Thorpe, known as Hall Thorpe, was an Australian artist who “achieved considerable..... More
c1918/1922. Colour woodcut, titled and signed in pencil with faint text and copyright date in letterpress in lower margin, 51.6 x 38.2cm. Slight rubbing and soiling to margins and verso. Text reads “Copyright USA 1922.” This image is illustrated in Holden, Hall Thorpe: Coloured Woodcuts, 1980, p77, with a comment that..... More
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
![Item #CL192-59 Building A Pontoon Bridge [WWII]. Harold B. Herbert, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-59.jpg?width=320&height=427&fit=bounds&auto=webp&v=1524199243)
c1940s. Pencil drawing, titled and signed centre left, 20.7 x 26.4cm. Slight stains overall, missing portions to lower edge, old mount burn. Ballarat-born Melbourne painter, printmaker, cartoonist, art critic and teacher, Harold Herbert was the first official WWII artist to be appointed, serving with the AIF in Egypt and the..... More
1953. Colour lithograph, titled, editioned 13/20, signed and dated in pencil on image lower left to right, 27.8 x 33.5cm. Uneven trimmed margins. Held in NGA. More
1952. Colour linocut, titled, editioned 13/30, signed and dated in pencil in lower margin, 22.5 x 23.5cm. Minor stains to margins. Held in NGA. Born in Victoria, painter and graphic artist Harry Rosengrave attended the National Gallery School (Vic.), the George Bell School and the Melbourne Technical College. A close..... More
c1925. Etching, editioned 2/50, titled and signed in pencil in lower margin, 17.7 x 30.1cm. Missing portion to right margin, slight foxing. Reproduced in Art in Australia, series 3, vol. 13, Sept. 1925, plate 50. Ref: State Library of NSW. Held in National Gallery of Australia. More
1921. Etching, titled, monogramed and dated in plate lower right, numbered “1” [of an unknown edition], titled and signed in pencil in lower margin, 16.4 x 25.5cm. Minor surface loss due to insect damage to upper and lower edges of image, glue remnants and missing portions to margins. Image held..... More
![Item #CL176-87 [Cockatoo]. Henry Rayner, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-87.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492661860)
c1940s. Drypoint, printed à la poupée, signed in plate lower right, signed in pencil in lower margin, 16.9 x 12.7cm. Known for his drypoint etchings. Australian-born Henry Rayner was trained as an artist in Britain. He was a protégé of Walter Sickert and a friend of Augustus John. He was..... More
1961. Linocut, signed, editioned 22/33A and dated in pencil in lower margin, 50.9 x 36.9cm. Old mount burn. Lithuanian-born Salkauskas studied art in Paris and Germany after WWII. In 1949 he moved to Australia and worked as a house painter in Sydney while pursuing his art career. He joined the..... More
![Item #CL183-59 Pittwater [NSW]. Herbert Gallop, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-59.jpg?width=320&height=427&fit=bounds&auto=webp&v=1486012803)
c1929. Etching and aquatint, titled and signed in pencil in lower margin, 20.1 x 24.8cm. Repaired tears to centre and lower left, minor stains to upper portion of image, foxing to margins, slight cracking to lower platemark. Laid down on acid-free tissue. Ref: SLNSW. More
c1920s. Etching, titled, editioned 2/12 and signed in pencil in lower margin, 9.8 x 24.6cm. More
![Item #CL166-2 [Nurse With Medications]. Ian Armstrong, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-2.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492485865)
1968. Etching and aquatint, editioned 4/10, signed and dated in pencil in lower margin, 13.4 x 11.7cm. Glue stains to margins. More
![Item #CL166-1 [Nurse Writing]. Ian Armstrong, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492485856)
1968. Etching and aquatint, editioned 10/10, signed and dated in pencil in lower margin, 13.5 x 11.8cm. Glue stains to margins. Armstrong’s images may have been inspired by his stay in hospital due to a heart attack and subsequent surgery. Ref: Wiki. More
![Item #CL176-3 L’Atelier De Comps [Studio Composition]. Ian Armstrong, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-3.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492661048)
1985. Colour lithograph, editioned 1/15, titled, signed and dated in pencil in lower margin, 30.3 x 22.7cm. Old mount burn. Held in National Gallery of Australia. More
