Fisherman’s Jetty, Tooradin [Victoria]
1946. Screenprint, 32.2 x 38.8cm. Repair to image upper left (by artist), slight soiling and paper loss to lower margin. Unsigned working proof. Ref: Butler #14. More
1946. Screenprint, 32.2 x 38.8cm. Repair to image upper left (by artist), slight soiling and paper loss to lower margin. Unsigned working proof. Ref: Butler #14. More
1948. Screenprint, 37.7 x 45.3cm. Unsigned working proof. Ref: Butler #39. More
1944-1946. Screenprint, 33.3 x 20cm. Some stains to margins. Unsigned working proof. Ref: Butler #19. More
c1947. Pair of screenprints, approx. 37.4 x 42.7cm (each). Slight soiling to margins. Unsigned working proof. Ref: Butler #37. A painter, printmaker, teacher and stained glass designer, Sumner became known in Australia and internationally for his stained glass windows. His “technically brilliant screenprints,” produced in the 1940s, came to public..... More
1944-1946. Screenprint, 34.7 x 43cm. Soiled margins with printer’s ink. Unsigned working proof. Ref: Butler #6. More
1948. Screenprint, 29 x 31.9cm. Discolouration to margins. Unsigned working proof. Ref: Butler #43. More
1944-1946. Screenprint, 35.7 x 39.9cm. Margin soiled with printer’s ink. Unsigned working proof. Ref: Butler #4. More
1947. Screenprint, 35.1 x 42cm. Tears and creases to margins. Unsigned working proof. Ref: Butler #34. More
1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More
1910. Etching, titled, annotated “no. 12” and signed in pencil in lower margin, 49.6 x 32.4cm. Minor stains and old mount burn overall. Held in the National Gallery of Australia collection. More
c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’..... More
1919. Etching, titled, signed and editioned 27/50 in pencil in lower margin, 30.3 x 20.4cm. Minor foxing, soiling and chips to margins. Held in the Art Gallery of NSW and National Gallery of Australia collections. Gas Lane’s name originates from the old gas works which were located at Darling Harbour..... More
1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More
1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More
1909. Etching, titled, annotated “16” and signed in pencil in lower margin, 30.2 x 20.2cm. Perforations to margins, minor mount burn. Held in the National Gallery of Australia collection, with alternate title Old Bridge, Mosman. More
1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA..... More
1931. Etching, titled, editioned 19/75 and signed “E. Warner” in pencil in lower margin, 12.9 x 16.3cm. Missing portions to margins not affecting image, old mount burn. Laid down on acid-free tissue. Held in SLNSW. More
1932. Etching, titled, editioned 75/75 and signed “E. Warner” in pencil in lower margin, 18.1 x 19.7cm. Repaired cracking to left and right platemarks, rubbing and missing portions to margins. Held in SLNSW. More
1935. Etching, signed and dated in plate lower left, editioned 31/50 and signed in pencil in lower margin, 18.2 x 23.2cm. Slight foxing to margins. Framed. From Warner’s “Men at Work” series. Held in NGA. More
1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More
1932. Etching, titled, editioned 84/90 and signed “E. Warner” in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn. Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910..... More
1935. Etching, signed and dated in plate lower left, editioned 13/50 and signed in pencil in lower margin, 22.8 x 18.3cm. Slight stains, discolouration and creases to upper and lower margins and platemark. From Warner’s “Men at Work” series. Held in NGA. More
1939. Lithograph, titled and signed in pencil below image, 11.7 x 12.3cm. Slight foxing to upper portion of image, minor stains and missing portion to edges of paper, old mount burn. Laid down on acid-free tissue. Held in NGA. Unusual, rare image by Kingston. Hobart-born painter, art teacher and theatrical..... More
c1962-1963. Etching with aquatint, edition of “25” and signed in pencil in lower margin, 34.9 x 40.1cm. Minor rubbing to image centre left. Held in AGNSW. More