1926. Drypoint, editioned 11/30, titled, signed and dated in pencil in lower margin, 16.1 x 13.9cm. Slight stains and mount burn overall, minor missing portions to edges of margins. More about Sunlight

1926. Etching with drypoint, monogrammed and dated in plate lower left, signed, titled and editioned 7/50 in pencil in lower margin, 17.5 x 22.6cm. Minor stains to upper edge of image and to margins. More about The Gap, Sydney Heads

1926. Wood engraving, signed and dated in block lower right, editioned 35/50, titled, signed and dated in pencil in lower margin, 8.9 x 13.2cm. Crinkles overall. More about John Batman’s House, Parramatta, NSW

1927. Etching, editioned 20/75, titled, signed and dated in pencil in lower margin, 21.4 x 18.9cm. Minor soiling to margins. Held in NGA. More about Cockatoo

1927. Etching, titled, editioned 2/45, signed and dated in pencil in lower margin, 16.8 x 15.8cm. Minor foxing and rubbing to margins. Born in London, Fred Britton won a scholarship to the Slade School in 1908, and later became a teacher at the South Australian School of Arts and Crafts... More about The Ship, Port Adelaide

c1927. Aquatint with etching, titled in plate lower right, signed in pencil in lower margin, 25.7 x 18.9cm. Held in the State Library of Tasmania collection. More about Hutchins School, Hobart

c1890s-1927. Group of five portraits, four inspired by Henry King’s iconic photograph:. (1) Henry King (Aust., 1855-1923). Australian Aborigine, c1890s. Albumen paper photograph, cabinet card format, titled (faint) in negative lower left, photographer’s blind stamp on image lower right, caption in letterpress on backing below image, 14.7 x 9.9cm. Slight..... More about The Laughing Man By Henry King

1928. Drypoint, titled, dated and signed in pencil in lower margin, 32.9 x 25.1cm. Slight stains. Framed. More about Henry Lawson

c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’... More about Calder House, Eveleigh

1928. Engraving, annotated “epreuve d’artiste (artist’s proof)” and signed in pencil in lower margin, 23.7 x 33.9cm. Paper loss to upper margin, small tear to edge of lower margin, old mount burn. From the suite entitled Atlas, which consisted of seven engravings of the continents, produced in an edition of..... More about Australie

c1928. Woodcut, signed “Raokin” in pencil in lower margin, 11 x 13.3cm. Slight foxing overall, old tape remnants, tears and creases to margins. Held in NGA. While living in Malta from 1927 to 1930, Hawkins adopted the name “Raokin” to avoid publicity, which described him as a “wounded artist” in..... More about Two Men Drinking From A Bucket, Malta

1929. Colour linocut, initialled in block lower left, signed, editioned 23/25 and titled in pencil in lower margin, 21.6 x 18.3cm. Minor paper loss to left edge of image. Portrait of Flett’s grandfather. Illustrated in Butler, A Survey of Australian Relief Prints 1900-1950, p44. Held in Castlemaine Art Gallery. More about The Old Captain

c1929. Drypoint, annotated “A/P. edition 40” and signed in pencil in lower margin, titled in pencil verso, 22.7 x 15.1cm. Minor scuffs to image and foxing to margins. More about “Grant Me, Oh Lord, A Little Temptation Ere Yet It Is Too Late”