![Office Of “The Sydney Morning Herald” [Under Construction]. Sydney Ure Smith, 1887–1949...](/pictures/thumb/CL198-89.jpg?v=1576815286)
1924. Etching with foul-biting, signed in plate lower left, annotated “no. 5 [of] 30 proofs”, titled and signed in pencil in lower margin, 32.5 x 22.9cm. Slight foxing to left side of image, missing portions and old paper tape to upper margin, old mount burn. Held in NGA, SLNSW, and..... More
1924. Wood engraving, signed in block lower right, signed and annotated “[an edition of] 100” in pencil in lower margin, 10.1 x 12.5cm. Image held in the National Gallery of Art. Graphic artist, writer and art critic Sir Lionel Lindsay “shared with his siblings an early obsession with drawing and..... More
1924. As issued, letterpress book with French binding (unbound), original boards with partial paper wrappers, and slip case, containing 55 original etchings, some monogrammed in plate, number “265” from an edition of 350 on justification page, title page in French includes author “Octave Mirbeau” and publisher with date “Ambroise Vollard..... More
1925. Colour process lithograph with letterpress, with three vignettes each with artist’s name and two dated “1904” lower left in image, all titled below image, 93 x 58.5cm. Repaired tears, missing portions, old folds and tape marks. Linen-backed. Titles read “A try for supper; Pride of the morn; A bush..... More
1925. Drypoint, signed, titled and editioned 8/30 in pencil in lower margin, 12.4 x 18.7cm. Stains, creases and foxing to image, glue stains and rubbing to margins. Ref: Mendelssohn #365. Carcoar is a town in the Central West region of New South Wales. The town has been classified by the..... More
1925. Drypoint, signed, titled and annotated “proof C/40” in pencil in lower margin, 12 x 24.5cm. Minor discolouration overall. Ref: Mendelssohn #340, listed as Ben Hall’s Billabong (Bushranger’s House). More
1925. Aquatint, signed, titled and editioned 67/75 in pencil in lower margin, 15.3 x 24.3cm. Minor soiling to margins, old mount burn. Ref: Mendelssohn #346, also listed as Near Binalong. More
1925. Wood engraving, signed, titled and annotated “100” in pencil in lower margin, 15.5 x 15cm. Tape, minor foxing and paper loss to margins. Ref: Mendelssohn, p153. More
c1925. Etching, editioned 2/50, titled and signed in pencil in lower margin, 17.7 x 30.1cm. Missing portion to right margin, slight foxing. Reproduced in Art in Australia, series 3, vol. 13, Sept. 1925, plate 50. Ref: State Library of NSW. Held in National Gallery of Australia. More
![Pyrmont Bridge [NSW]. John Goodchild, Aust](/pictures/thumb/CL176-48.JPG?v=1492661061)
c1925. Etching, titled, editioned 11/30 and signed in pencil in lower margin, 15 x 28.8cm. Retouching to discolouration in image upper right, stains to margins. Held in NGA. The Pyrmont Bridge, which replaced the first bridge built in 1858, had one of the largest swing spans in the world at..... More
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
![St. Mary’s Cathedral Steps [NSW]. Edward Warner, Aust](/pictures/thumb/CL176-138.JPG?v=1492661824)
1925. Etching, monogrammed and dated in plate lower left, titled, editioned 27/75 and signed in pencil in lower margin, 18.6 x 15cm. More
![Shore School, North Sydney, Showing Holtermann Tower]. Ernest Warner, Aust](/pictures/thumb/CL187-121.JPG?v=1496127469)
c1925. Etching, signed in pencil in lower margin, 24.7 x 33.7cm. Repaired tears, missing portions and minor foxing to margins. Laid down on acid-free tissue. Shore School, North Sydney, was previously the home of famous gold miner, merchant and parliamentarian Bernhardt Otto Holtermann, who financed a major photographic project covering..... More
c1925. Colour woodcut, signed in pencil on image lower right, 41 x 26.7cm. Slight foxing. Ref: Holden #14. This image is one of Thorpe’s rarer works, possibly due to a small edition. Wood engraver and painter John Hall Thorpe, known as Hall Thorpe, was an Australian artist who “achieved considerable..... More
1926. Lithograph, titled, editioned 19/30, signed and dated in pencil below image, 33.8 x 47cm. Minor stains to centre and left of image, repaired tears to image left and margins. Held in NGA. More
1926. Etching, title, editioned 1/40, signed and dated in pencil in lower margin, 12.2 x 14.1cm. Pinholes, minor creases and rubbing to margins. Held in the National Gallery of Australia collection. More
1926. Etching with drypoint, monogrammed and dated in plate lower left, signed, titled and editioned 7/50 in pencil in lower margin, 17.5 x 22.6cm. Minor stains to upper edge of image and to margins. More
1926. Drypoint, editioned 14/85, titled, signed and dated in pencil in lower margin, 23.8 x 27.5cm. Slight insect damage, old mount burn. Held in National Gallery of Australia. More
1926. Wood engraving, signed and dated in block lower right, editioned 35/50, titled, signed and dated in pencil in lower margin, 8.9 x 13.2cm. Crinkles overall. More
c1926. Etching, signed in plate lower left and in pencil in lower margin, 18.5 x 12.4cm. Slight stains to image centre. Held in NGA. During his time Benjamin Edwin Minns was considered to be one of Australia’s foremost watercolourists. Born near Dungog, NSW, Minns took lessons in painting and drawing..... More
![Argyle Cut [The Rocks, Sydney]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL183-171.JPG?v=1486091825)
1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA..... More
