c1923. Woodcut, initialled “P.” in block lower left, titled, annotated “25-11” and signed in pencil in lower margin, 7.1 x 7.5cm. Repaired tears and missing portions to margins. Verso is a trimmed partial image of the woodcut Emus. Both woodcuts were illustrated in Art in Australia, 3rd series, no. 4..... More
1923. Etching, initialled and dated in plate lower right, signed, dated, titled and editioned 2/50 in pencil in lower margin, 15 x 19.8cm. Lightly inked impression, slight foxing overall. Held in SLNSW. Burdekin House in Macquarie Street, Sydney, was built in 1841 for merchant Thomas Burdekin (c1799–1844). “It was owned..... More
1923. Wood engraving, signed and titled in pencil in lower margin, 14.5 x 9.5cm. Slight foxing to image lower centre. Ref: Mendelssohn #111, with the comment “The Jester is Lindsay himself in a hearty Rabelaisian mood, laughing at life and himself with great gusto, without the moustache he always wore.”..... More
c1924. Etching, signed in plate lower left, annotated and editioned “2nd state, 18/30”, titled and signed in pencil in lower margin, 9.6 x 23.5cm. Minor surface loss to lower margin. Image included in the Society of Artists Annual Exhibition held in 1924. Ref: NGA. More
1913-1924. Three colour process lithographs, each dated in image, two initialled “S.S.” in image lower right, 29.7 x 24.3cm (approx. each). Soiling and scuffs overall, laid down on old advertising boards. Cover pages of three issues of The Model Trader, produced by the Grace Brothers Model Store, Broadway, Sydney. Text..... More
1924. Drypoint, titled, signed and editioned 26/35 in pencil in lower margin, 27.8 x 13.4cm. Held in the National Gallery of Australia collection. More
1924. Wood engraving, signed and dated in block lower right, faded title and other annotation in lower margin, 15.2 x 20.8cm. Slight stain to centre of image, minor crinkles to upper margin. The second of two states. Ref: Bloomfield (ed.), L. Roy Davies: Wood Engravings, 1978, #35, p106, listed with..... More
c1924. Lithograph, signed in pencil in lower margin, 24.2 x 18.3cm. Minor stains overall, repaired paper loss to margin. Held in the National Gallery of Australia collection. More
1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More
![North Head From Edwards Beach [Balmoral]. A. H. Fullwood, Aust](/pictures/thumb/CL166-63.JPG?v=1492486439)
1924. Etching, monogrammed and dated in plate lower right, signed, titled and dated in pencil in lower margin, 15.2 x 25cm. Minor foxing to margins. More
![Ben Boyd’s Church, Twofold Bay [NSW]. L. Roy Davies, Australian](/pictures/thumb/CL176-19.JPG?v=1492661040)
1924. Wood engraving, monogrammed in block, titled, signed and dated “1926” in pencil in lower margin, 11.5 x 17.2cm. Illustrated in Bloomfield, L. Roy Davies: wood engravings, 1978, p110, listed with date of 1924. This church was one of the unfinished buildings constructed in Boydtown by wealthy entrepreneur and adventurer..... More
![Office Of “The Sydney Morning Herald” [Under Construction]. Sydney Ure Smith, 1887–1949...](/pictures/thumb/CL198-89.jpg?v=1576815286)
1924. Etching with foul-biting, signed in plate lower left, annotated “no. 5 [of] 30 proofs”, titled and signed in pencil in lower margin, 32.5 x 22.9cm. Slight foxing to left side of image, missing portions and old paper tape to upper margin, old mount burn. Held in NGA, SLNSW, and..... More
1925. Colour process lithograph with letterpress, with three vignettes each with artist’s name and two dated “1904” lower left in image, all titled below image, 93 x 58.5cm. Repaired tears, missing portions, old folds and tape marks. Linen-backed. Titles read “A try for supper; Pride of the morn; A bush..... More
1925. Drypoint, signed, titled and editioned 8/30 in pencil in lower margin, 12.4 x 18.7cm. Stains, creases and foxing to image, glue stains and rubbing to margins. Ref: Mendelssohn #365. Carcoar is a town in the Central West region of New South Wales. The town has been classified by the..... More
1925. Drypoint, signed, titled and annotated “proof C/40” in pencil in lower margin, 12 x 24.5cm. Minor discolouration overall. Ref: Mendelssohn #340, listed as Ben Hall’s Billabong (Bushranger’s House). More
1925. Aquatint, signed, titled and editioned 67/75 in pencil in lower margin, 15.3 x 24.3cm. Minor soiling to margins, old mount burn. Ref: Mendelssohn #346, also listed as Near Binalong. More
1925. Wood engraving, signed, titled and annotated “100” in pencil in lower margin, 15.5 x 15cm. Tape, minor foxing and paper loss to margins. Ref: Mendelssohn, p153. More
c1925. Etching, editioned 2/50, titled and signed in pencil in lower margin, 17.7 x 30.1cm. Missing portion to right margin, slight foxing. Reproduced in Art in Australia, series 3, vol. 13, Sept. 1925, plate 50. Ref: State Library of NSW. Held in National Gallery of Australia. More
![Pyrmont Bridge [NSW]. John Goodchild, Aust](/pictures/thumb/CL176-48.JPG?v=1492661061)
c1925. Etching, titled, editioned 11/30 and signed in pencil in lower margin, 15 x 28.8cm. Retouching to discolouration in image upper right, stains to margins. Held in NGA. The Pyrmont Bridge, which replaced the first bridge built in 1858, had one of the largest swing spans in the world at..... More
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
![St. Mary’s Cathedral Steps [NSW]. Edward Warner, Aust](/pictures/thumb/CL176-138.JPG?v=1492661824)
1925. Etching, monogrammed and dated in plate lower left, titled, editioned 27/75 and signed in pencil in lower margin, 18.6 x 15cm. More
![Shore School, North Sydney, Showing Holtermann Tower]. Ernest Warner, Aust](/pictures/thumb/CL187-121.JPG?v=1496127469)
c1925. Etching, signed in pencil in lower margin, 24.7 x 33.7cm. Repaired tears, missing portions and minor foxing to margins. Laid down on acid-free tissue. Shore School, North Sydney, was previously the home of famous gold miner, merchant and parliamentarian Bernhardt Otto Holtermann, who financed a major photographic project covering..... More
