1924. Etching, monogrammed and dated in plate lower right, signed, titled and dated in pencil in lower margin, 15.2 x 25cm. Minor foxing to margins. More

1924. Wood engraving, monogrammed in block, titled, signed and dated “1926” in pencil in lower margin, 11.5 x 17.2cm. Illustrated in Bloomfield, L. Roy Davies: wood engravings, 1978, p110, listed with date of 1924. This church was one of the unfinished buildings constructed in Boydtown by wealthy entrepreneur and adventurer..... More

1925. Colour process lithograph with letterpress, with three vignettes each with artist’s name and two dated “1904” lower left in image, all titled below image, 93 x 58.5cm. Repaired tears, missing portions, old folds and tape marks. Linen-backed. Titles read “A try for supper; Pride of the morn; A bush..... More

1925. Drypoint, signed, titled and editioned 8/30 in pencil in lower margin, 12.4 x 18.7cm. Stains, creases and foxing to image, glue stains and rubbing to margins. Ref: Mendelssohn #365. Carcoar is a town in the Central West region of New South Wales. The town has been classified by the..... More

1925. Aquatint, signed, titled and editioned 67/75 in pencil in lower margin, 15.3 x 24.3cm. Minor soiling to margins, old mount burn. Ref: Mendelssohn #346, also listed as Near Binalong. More

1925. Wood engraving, signed, titled and annotated “100” in pencil in lower margin, 15.5 x 15cm. Tape, minor foxing and paper loss to margins. Ref: Mendelssohn, p153. More

c1925. Etching, titled, editioned 11/30 and signed in pencil in lower margin, 15 x 28.8cm. Retouching to discolouration in image upper right, stains to margins. Held in NGA. The Pyrmont Bridge, which replaced the first bridge built in 1858, had one of the largest swing spans in the world at..... More

1925. Etching, monogrammed and dated in plate lower left, titled, editioned 27/75 and signed in pencil in lower margin, 18.6 x 15cm. More

c1925. Linocut, 10 x 10cm. Provenance: Artarmon Galleries. Illustrated in Butler, A Survey of Australian Relief Prints, 1978, plate 53. ‘Hairbrush and mirror’ and ‘Potts Point’ are considered to be Perry’s earliest linocuts. “These [linocuts] encouraged simplification of form and colour in keeping with her modernist compositions (she was a...... More

1926. Lithograph, titled, editioned 19/30, signed and dated in pencil below image, 33.8 x 47cm. Minor stains to centre and left of image, repaired tears to image left and margins. Held in NGA. More

1926. Etching, title, editioned 1/40, signed and dated in pencil in lower margin, 12.2 x 14.1cm. Pinholes, minor creases and rubbing to margins. Held in the National Gallery of Australia collection. More

1926. Drypoint, editioned 14/85, titled, signed and dated in pencil in lower margin, 23.8 x 27.5cm. Slight insect damage, old mount burn. Held in National Gallery of Australia. More

1926. Colour woodcut, titled and signed in pencil on image lower left to right, text including date in letterpress in lower margin, 48.4 x 32.7cm. Text reads “Published by Hall Thorpe, London. Copyright USA, 1926.” Held in NGA. This image is not normally signed and titled by the artist... More