![Shore School, North Sydney, Showing Holtermann Tower]. Ernest Warner, Aust](/pictures/thumb/CL187-121.JPG?v=1496127469)
c1925. Etching, signed in pencil in lower margin, 24.7 x 33.7cm. Repaired tears, missing portions and minor foxing to margins. Laid down on acid-free tissue. Shore School, North Sydney, was previously the home of famous gold miner, merchant and parliamentarian Bernhardt Otto Holtermann, who financed a major photographic project covering... More about Shore School, North Sydney, Showing Holtermann Tower
c1925. Linocut, 10 x 10cm. Provenance: Artarmon Galleries. Illustrated in Butler, A Survey of Australian Relief Prints, 1978, plate 53. ‘Hairbrush and mirror’ and ‘Potts Point’ are considered to be Perry’s earliest linocuts. “These [linocuts] encouraged simplification of form and colour in keeping with her modernist compositions (she was a...... More about Hairbrush And Mirror
1926. Lithograph, titled, editioned 19/30, signed and dated in pencil below image, 33.8 x 47cm. Minor stains to centre and left of image, repaired tears to image left and margins. Held in NGA. More about Afternoon Light
1926. Drypoint, editioned 11/30, titled, signed and dated in pencil in lower margin, 16.1 x 13.9cm. Slight stains and mount burn overall, minor missing portions to edges of margins. More about Sunlight
1926. Etching, title, editioned 1/40, signed and dated in pencil in lower margin, 12.2 x 14.1cm. Pinholes, minor creases and rubbing to margins. Held in the National Gallery of Australia collection. More about High And Dry, Goolwa
1926. Etching with drypoint, monogrammed and dated in plate lower left, signed, titled and editioned 7/50 in pencil in lower margin, 17.5 x 22.6cm. Minor stains to upper edge of image and to margins. More about The Gap, Sydney Heads
1926. Drypoint, editioned 14/85, titled, signed and dated in pencil in lower margin, 23.8 x 27.5cm. Slight insect damage, old mount burn. Held in National Gallery of Australia. More about Young Australia
1926. Wood engraving, signed and dated in block lower right, editioned 35/50, titled, signed and dated in pencil in lower margin, 8.9 x 13.2cm. Crinkles overall. More about John Batman’s House, Parramatta, NSW
1926. Colour woodcut, titled and signed in pencil on image lower left to right, text including date in letterpress in lower margin, 48.4 x 32.7cm. Text reads “Published by Hall Thorpe, London. Copyright USA, 1926.” Held in NGA. This image is not normally signed and titled by the artist. More about The Chinese Vase
1927. Etching, editioned 20/75, titled, signed and dated in pencil in lower margin, 21.4 x 18.9cm. Minor soiling to margins. Held in NGA. More about Cockatoo
![Argyle Cut [The Rocks, Sydney]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL183-171.JPG?v=1486091825)
1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA. More about Argyle Cut [The Rocks, Sydney
1927. Etching, titled, editioned 2/45, signed and dated in pencil in lower margin, 16.8 x 15.8cm. Minor foxing and rubbing to margins. Born in London, Fred Britton won a scholarship to the Slade School in 1908, and later became a teacher at the South Australian School of Arts and Crafts... More about The Ship, Port Adelaide
1927. Etching, editioned 31/75, titled, signed and dated in pencil in lower margin, 22.6 x 30.2cm. Missing portions to margins, old mount burn. More about Sydney University
c1927. Aquatint with etching, titled in plate lower right, signed in pencil in lower margin, 25.7 x 18.9cm. Held in the State Library of Tasmania collection. More about Hutchins School, Hobart
c1927. Etching, titled, editioned 34/60 and signed in pencil in lower margin, 25.7 x 16.2cm. Minor foxing and slight creases to lower portion of image and margins. Held in the State Library of Tasmania collection. More about Tasmanian Club
1927. Drypoint, signed and annotated “60” in pencil in lower margin, 25.1 x 17.6cm. Old mount burn. Ref: Mendelssohn #410. More about A Church In The Roman Forum
c1890s-1927. Group of five portraits, four inspired by Henry King’s iconic photograph:. (1) Henry King (Aust., 1855-1923). Australian Aborigine, c1890s. Albumen paper photograph, cabinet card format, titled (faint) in negative lower left, photographer’s blind stamp on image lower right, caption in letterpress on backing below image, 14.7 x 9.9cm. Slight..... More about The Laughing Man By Henry King
![A Bush Shipyard [Paddle Steamer]. J C. Goodhart, Australian](/pictures/thumb/CL192-51.JPG?v=1524199236)
c1926-1927. Etching and aquatint, titled and signed in pencil in lower margin, 27 x 36.9cm. Image most likely made from studies of the Murray River in South Australia. More about A Bush Shipyard [Paddle Steamer
![The Roost [Kookaburras]. Sydney Long, Aust](/pictures/thumb/CL192-93.JPG?v=1524199277)
1927. Etching, editioned 28/60, titled and signed in pencil in lower margin, 25 x 20.1cm. Foxing overall. Held in AGNSW; NGA. Ref: Mendelssohn, The Life and Work of Sydney Long, 1979, #76, p260. More about The Roost [Kookaburras
1928. Drypoint, titled, dated and signed in pencil in lower margin, 32.9 x 25.1cm. Slight stains. Framed. More about Henry Lawson
1928. Drypoint, editioned 9/30, titled, signed and dated in pencil in lower margin, 19.3 x 15.7cm. Minor surface loss to image and foxing. More about Julian Ashton Esq
c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’... More about Calder House, Eveleigh
1928. Etching with aquatint, editioned 4/50, titled and signed in pencil in lower margin, 22.5 x 21.5cm. Minor paper remnants to right portion of image, repaired tears and missing portions to margins. Laid down on acid-free paper. Mendelssohn #89. Held in the National Gallery of Australia and Art Gallery of... More about Windmill St, Old Sydney
1928. Engraving, annotated “epreuve d’artiste (artist’s proof)” and signed in pencil in lower margin, 23.7 x 33.9cm. Paper loss to upper margin, small tear to edge of lower margin, old mount burn. From the suite entitled Atlas, which consisted of seven engravings of the continents, produced in an edition of..... More about Australie
1919-1928. Group of 12 pamphlets printed in letterpress with colour lineblock or process screen illustrations, all with dates in text, sizes from 17.2 x 12.2cm to 30.7 x 24.7cm. Some with slight creases or stains. Most are invitations to previews of the spring and summer fashion collections of Melbourne department... More about Melbourne Fashion Show Invitations