![Ben Boyd’s Church, Twofold Bay [NSW]. L. Roy Davies, Australian](/pictures/thumb/CL176-19.JPG?v=1492661040)
1924. Wood engraving, monogrammed in block, titled, signed and dated “1926” in pencil in lower margin, 11.5 x 17.2cm. Illustrated in Bloomfield, L. Roy Davies: wood engravings, 1978, p110, listed with date of 1924. This church was one of the unfinished buildings constructed in Boydtown by wealthy entrepreneur and adventurer..... More
![Office Of “The Sydney Morning Herald” [Under Construction]. Sydney Ure Smith, 1887–1949...](/pictures/thumb/CL198-89.jpg?v=1576815286)
1924. Etching with foul-biting, signed in plate lower left, annotated “no. 5 [of] 30 proofs”, titled and signed in pencil in lower margin, 32.5 x 22.9cm. Slight foxing to left side of image, missing portions and old paper tape to upper margin, old mount burn. Held in NGA, SLNSW, and..... More
1925. Colour process lithograph with letterpress, with three vignettes each with artist’s name and two dated “1904” lower left in image, all titled below image, 93 x 58.5cm. Repaired tears, missing portions, old folds and tape marks. Linen-backed. Titles read “A try for supper; Pride of the morn; A bush..... More
1925. Drypoint, signed, titled and editioned 8/30 in pencil in lower margin, 12.4 x 18.7cm. Stains, creases and foxing to image, glue stains and rubbing to margins. Ref: Mendelssohn #365. Carcoar is a town in the Central West region of New South Wales. The town has been classified by the..... More
1925. Drypoint, signed, titled and annotated “proof C/40” in pencil in lower margin, 12 x 24.5cm. Minor discolouration overall. Ref: Mendelssohn #340, listed as Ben Hall’s Billabong (Bushranger’s House). More
1925. Aquatint, signed, titled and editioned 67/75 in pencil in lower margin, 15.3 x 24.3cm. Minor soiling to margins, old mount burn. Ref: Mendelssohn #346, also listed as Near Binalong. More
1925. Wood engraving, signed, titled and annotated “100” in pencil in lower margin, 15.5 x 15cm. Tape, minor foxing and paper loss to margins. Ref: Mendelssohn, p153. More
c1925. Etching, editioned 2/50, titled and signed in pencil in lower margin, 17.7 x 30.1cm. Missing portion to right margin, slight foxing. Reproduced in Art in Australia, series 3, vol. 13, Sept. 1925, plate 50. Ref: State Library of NSW. Held in National Gallery of Australia. More
![Pyrmont Bridge [NSW]. John Goodchild, Aust](/pictures/thumb/CL176-48.JPG?v=1492661061)
c1925. Etching, titled, editioned 11/30 and signed in pencil in lower margin, 15 x 28.8cm. Retouching to discolouration in image upper right, stains to margins. Held in NGA. The Pyrmont Bridge, which replaced the first bridge built in 1858, had one of the largest swing spans in the world at..... More
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
![St. Mary’s Cathedral Steps [NSW]. Edward Warner, Aust](/pictures/thumb/CL176-138.JPG?v=1492661824)
1925. Etching, monogrammed and dated in plate lower left, titled, editioned 27/75 and signed in pencil in lower margin, 18.6 x 15cm. More
![Shore School, North Sydney, Showing Holtermann Tower]. Ernest Warner, Aust](/pictures/thumb/CL187-121.JPG?v=1496127469)
c1925. Etching, signed in pencil in lower margin, 24.7 x 33.7cm. Repaired tears, missing portions and minor foxing to margins. Laid down on acid-free tissue. Shore School, North Sydney, was previously the home of famous gold miner, merchant and parliamentarian Bernhardt Otto Holtermann, who financed a major photographic project covering..... More
c1925. Linocut, 10 x 10cm. Provenance: Artarmon Galleries. Illustrated in Butler, A Survey of Australian Relief Prints, 1978, plate 53. ‘Hairbrush and mirror’ and ‘Potts Point’ are considered to be Perry’s earliest linocuts. “These [linocuts] encouraged simplification of form and colour in keeping with her modernist compositions (she was a...... More
1926. Lithograph, titled, editioned 19/30, signed and dated in pencil below image, 33.8 x 47cm. Minor stains to centre and left of image, repaired tears to image left and margins. Held in NGA. More
1926. Etching, title, editioned 1/40, signed and dated in pencil in lower margin, 12.2 x 14.1cm. Pinholes, minor creases and rubbing to margins. Held in the National Gallery of Australia collection. More
1926. Etching with drypoint, monogrammed and dated in plate lower left, signed, titled and editioned 7/50 in pencil in lower margin, 17.5 x 22.6cm. Minor stains to upper edge of image and to margins. More
1926. Drypoint, editioned 14/85, titled, signed and dated in pencil in lower margin, 23.8 x 27.5cm. Slight insect damage, old mount burn. Held in National Gallery of Australia. More
1926. Wood engraving, signed and dated in block lower right, editioned 35/50, titled, signed and dated in pencil in lower margin, 8.9 x 13.2cm. Crinkles overall. More
c1926. Etching, signed in plate lower left and in pencil in lower margin, 18.5 x 12.4cm. Slight stains to image centre. Held in NGA. During his time Benjamin Edwin Minns was considered to be one of Australia’s foremost watercolourists. Born near Dungog, NSW, Minns took lessons in painting and drawing..... More
![Argyle Cut [The Rocks, Sydney]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL183-171.JPG?v=1486091825)
1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA..... More
1927. Etching, titled, editioned 2/45, signed and dated in pencil in lower margin, 16.8 x 15.8cm. Minor foxing and rubbing to margins. Born in London, Fred Britton won a scholarship to the Slade School in 1908, and later became a teacher at the South Australian School of Arts and Crafts..... More
