Afternoon Light, Sandy Bay [Tasmania]
1982. Lithograph, editioned 62/75, signed and dated in pencil in lower margin, 30.1 x 40.1cm. Slight foxing overall. Ref: Kolenberg #67. More
1982. Lithograph, editioned 62/75, signed and dated in pencil in lower margin, 30.1 x 40.1cm. Slight foxing overall. Ref: Kolenberg #67. More
1982. Etching, editioned 48/100, titled, dated and signed in pencil in lower margin, 17 x 26.9cm. Slight surface loss to lower portion of image. Abbotsleigh is a private girls’ school in the upper north shore of Sydney, founded in 1885. Austin Platt may have included this image among his illustrations..... More
1982. Suite of 13 lithographs, first two images editioned 38/40, the rest editioned 38/75, each signed and dated in pencil with printer “Fred Genis” blind stamp in lower margin, sizes range from 30.4 x 40cm to 30 x 57.3cm. In original folio, as issued. The entire suite is illustrated in..... More
1983. Etching, engraving and aquatint, editioned 16/20, titled, signed and dated in pencil in lower margin, 23 x 41.9cm. Slight stains to margins. From the series “Suburban People.” Ref: Ron McBurnie website. More
1983. Etching, engraving and aquatint, titled in plate lower centre, editioned 11/20, titled, signed and dated in pencil in lower margin, 42.5 x 23cm. From the series “Suburban People.” Ref: Ron McBurnie website, with the comment “It is said that winning the Lotto has about the same probability as being..... More
1983. Etching, engraving and aquatint, editioned 10/20, titled, signed and dated in pencil in lower margin, 17.9 x 46cm. Slight stains to margins. From the series “Suburban People.” Ref: Ron McBurnie website, with the comment “In 1983 large areas of rainforest near the foreshore of Mission Beach in North Queensland..... More
1985. Hand-coloured etching, editioned 52/90, titled, signed and dated in pencil with artist’s stamp in lower margin, 44.6 x 36.5cm. Framed. Held in SLNSW. More
1985. Colour lithograph, editioned 2/50, signed and dated in pencil with publisher’s blind stamp in lower margin, 39.6 x 52cm. The stamp shows an embossed “chook” which was the trademark for publisher Fred Genis. Illustrated in Kolenberg, Lloyd Rees: A Catalogue Raisonné, 1986, #82. Held in the Art Gallery of..... More
1985. Colour lithograph, editioned 1/15, titled, signed and dated in pencil in lower margin, 30.3 x 22.7cm. Old mount burn. Held in National Gallery of Australia. More
1984/1985. Lithograph with watercolour, initialled “L.R.”, signed twice, and dated “’85” twice on image in black and blue ink upper left and lower right, 16.7 x 22.3cm. Slight foxing to lower margin. Ref: Kolenberg #89. Uncoloured copy held in NGA. This lithograph was signed by Rees in two different time..... More
1986. Hand-coloured linocut, editioned 4/50, signed and dated in pencil in lower margin, 30 x 30.3cm. More
1986. Etching with aquatint, titled, editioned 24/30, signed and dated in pencil in lower margin, 25.1 x 50.4cm. Slight foxing overall. Depicts the Goldsbrough Mort building which was built in 1883 as a wool store. Held in NGA. More
1987. Hand-coloured etching, editioned 34/90, titled, signed and dated in pencil with artist’s stamp in lower margin, 44.6 x 36.2cm. Minor stains to margins, slight old mount burn. More
1987. Hand-coloured etching, editioned 11/90, titled, signed and dated in pencil with faded artist’s seal below upper panel, 51.6 x 36.3cm (overall). Lower panel reads “America’s Cup 1986-7.” The 26th America’s Cup took place in Fremantle, Western Australia, where the American challenger Stars and Stripes 87 beat the Australian defender..... More
1988. Linocut, annotated “A/P”, titled, signed and dated in lower margin, 32.5 x 43cm. Minor foxing to image lower right and margins. Stephen King originally studied printmaking at the Sydney College of the Arts. After graduating, he moved to London for postgraduate study at St Martin’s School of Arts. On..... More
1988. Colour screenprint, editioned 49/99, annotated “for Sam”, titled, signed and dated in pencil in lower margin, 54 x 54.4cm. More
1988. Etching, engraving and aquatint, editioned 17/20, titled, signed and dated in pencil in lower margin, 22.8 x 29.8cm. Slight stains to margins. From the series “Suburban People.” Ref: Ron McBurnie website, with the comment “He was not expecting to be held in an anticlimactic way at the conclusion of..... More
1988. Linocut, editioned 3/40, titled, signed and dated in pencil in lower margin, 39.9 x 31.8cm. Slight foxing to margins. Held in NGA. More
1989. Hand-coloured etching, editioned 8/25, titled, signed and dated in pencil in lower margin, 21.6 x 20.8cm. More
c1930/1989. Woodcut, signed in block upper right and in pencil in lower margin, 12.8 x 10.1cm. This image is most likely a self-portrait, as Mahony was known to play the banjo. London-born cartoonist, illustrator and printmaker Will Mahony is the son of Australian artist Frank P. Mahony. Ref: DAAO. More
1989. Etching, editioned 39/50, titled and signed in pencil in lower margin, 39.2 x 47.5cm. Slight foxing. Framed. This image is held in National Gallery of Australia with a comment on Charles Blackman’s printmaking background: “Born in Sydney on 8 December 1928, where he studied drawing, Charles Blackman was self-taught as..... More
c1990s. Aquatint with etching on chine collé, editioned 13/60, titled and signed in pencil in lower margin, 10.7 x 16.1cm. More
1990. Etching, editioned 1/6, titled, signed and dated in pencil in lower margin, 13.1 x 14.2cm. More
c1990. Hand-coloured linocut, annotated and signed in pencil in lower margin, 30 x 30cm. Artist’s colour test in lower margin. Annotations include “1st trial proof”, a description of the visual elements and the process of creating the print. “Printmaker Bruce Goold was schooled in Newcastle and trained at the National..... More