![Portrait Of Aboriginal Woman]. Cyril Dillon, Aust](/pictures/thumb/CL183-45.JPG?v=1486091836)
[Portrait Of Aboriginal Woman]
c1921. Etching, signed in pencil in lower margin, 17.8 x 14.4cm. Repaired tears and missing portions to margins. Laid down on acid-free tissue. More
Australian
![Vaucluse House [NSW]. Eirene Mort, Aust](/pictures/thumb/CL192-108.JPG?v=1524199139)
Vaucluse House [NSW]
c1921. Etching, titled, editioned 11/50 and signed in pencil in lower margin, 9.8 x 12.8cm. Old mount burn. “In August 1921 Mort wrote to the Vaucluse Park Trustees seeking permission to make a sketch in the courtyard at Vaucluse House, and in November 1921, following a Wentworth celebration day at..... More
The Hawkesbury, Windsor
1921. Etching, signed in plate lower left, annotated “artist’s proof ‘A’”, titled and signed in pencil in lower margin, 20.3 x 22.1cm. Slight cracks to left platemark and stains to trimmed margins. Laid down on acid-free tissue. Held in SLNSW. More
The Sundowner
1921. Aquatint, signed, titled and editioned 12/50 in pencil in lower margin, 12.5 x 24.2cm. Minor insect damage to upper edge of image, slight stains to margins. Ref: Mendelssohn #253. Held in NGA, NLA, NGV. More
![Cottage, Clarendon [Windsor District, NSW]. Sydney Ure Smith, 1887–1949 Aust](/pictures/thumb/CL199-89.jpg?v=1585635301)
Cottage, Clarendon [Windsor District, NSW]
1921. Etching, annotated “no. 43 [of] 50 proofs”, titled and signed in pencil in lower margin, 10.5 x 10.6cm. Old mount burn. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a “keen interest in architecture..... More
Henry Lawson
1922. Wood engraving, titled and signed in block upper centre and lower left, signed and annotated “No. 24” in pencil in lower margin, 24 x 15.5cm. Minor foxing. Framed. Title includes Lawson’s birth and death dates. Ref: Mendelssohn #137. Held in NGA. More
Grand Entertainment, Dramatic, Musical, Gymnastic, By Pupils Of “Horton” Girls’ Grammar School
c1922. Letterpress, handbill, 41.6 x 25.4cm. Old folds, creases and foxing overall. Text includes “In aid of general improvement of sporting facilities. To be held at New Theatre, White Horse Rd, Box Hill [Victoria] Thursday, May 18th at 8pm… Sec.: I. Fithie. Joint treas.: L. Savage and L. Lutz.”. More
![Old House, Rocks District [NSW]. Edward Warner, Aust](/pictures/thumb/CL166-176.JPG?v=1492487803)
Old House, Rocks District [NSW]
c1922. Etching, titled, editioned 44/75 and signed in pencil in lower margin, 13.5 x 16.3cm. Glue stains to upper margin, minor foxing overall. More
Piccadilly
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
Nedlands, W.A.
c1922. Colour linocut, titled, editioned 14/50 and signed in pencil in lower margin, 12.3 x 17.2cm. Illustrated in Sunshine and Shadow, Art Gallery of WA, 2004, #5. Held in National Gallery of Australia, and Art Gallery of WA. More
The Black Cat
1922. Wood engraving, signed in block lower right, signed, editioned 75/100 and titled in pencil in lower margin, 18.2 x 15.2cm. Slight stains to upper edge of image and margin, minor crinkles, old mount burn. Ref: Mendelssohn #121. Held in NGA; NGV; AGNSW. Lindsay created approximately 160 wood engravings covering..... More
![Nedlands [Perth, Western Australia]. A B. Webb, 1887–1944 Brit./Aust](/pictures/thumb/CL199-91.jpg?v=1585635309)
Nedlands [Perth, Western Australia]
c1922. Colour linocut, titled, editioned 33/50 and signed in pencil in lower margin, 12.2 x 17.1cm. Slight stain to image lower centre, minor crease to upper left edge. Illustrated in Sunshine and Shadow, Art Gallery of WA, 2004, #5. Held in NGA; AGWA. “Webb lived at Nedlands, close to the..... More
The Great Fig Tree, Berry’s Bay, Sydney
1923. Aquatint, signed, titled, editioned 42/75 and annotated in pencil in lower margin, 15.4 x 23.8cm. Minor foxing to margins, slight mount burn. Annotation indicates image was printed on 18th century paper, which Lionel Lindsay often used to obtain a mellow look. Ref: Mendelssohn #302. More
The Orient Line, Sydney
1923. Etching, editioned 8/40, titled, signed and dated in pencil in lower margin, 17.9 x 25.1cm. Old mount burn. More
Bushranger’s Hill, Pittwater
c1923. Etching, editioned 14/50, titled, signed and annotated “ARCA Lond.” in pencil in lower margin, 24.4 x 18.9cm. Foxing, old mount burn. More
![I.F.D. [Isaac Franklyn Davies]. L. Roy Davies, Aust](/pictures/thumb/CL192-24.JPG?v=1524199202)
I.F.D. [Isaac Franklyn Davies]
1923. Wood engraving, titled, editioned 10/50 and signed in pencil in lower margin, 9 x 9.6cm. Repaired incision to centre of image and lower margin, slight discolouration. Illustrated in L. Roy Davies: Wood Engravings, 1978, plate 27. Held in NGA. This is a portrait of the artist’s father. Ref: SMH..... More
Cockatoos
c1923. Woodcut, initialled “P.” in block lower left, titled, annotated “25-11” and signed in pencil in lower margin, 7.1 x 7.5cm. Repaired tears and missing portions to margins. Verso is a trimmed partial image of the woodcut Emus. Both woodcuts were illustrated in Art in Australia, 3rd series, no. 4..... More
Burdekin House, Sydney
1923. Etching, initialled and dated in plate lower right, signed, dated, titled and editioned 2/50 in pencil in lower margin, 15 x 19.8cm. Lightly inked impression, slight foxing overall. Held in SLNSW. Burdekin House in Macquarie Street, Sydney, was built in 1841 for merchant Thomas Burdekin (c1799–1844). “It was owned..... More
Sydney From Bay Road
c1924. Etching, signed in plate lower left, annotated and editioned “2nd state, 18/30”, titled and signed in pencil in lower margin, 9.6 x 23.5cm. Minor surface loss to lower margin. Image included in the Society of Artists Annual Exhibition held in 1924. Ref: NGA. More
“The Model Trader” [Cover Pages]
1913-1924. Three colour process lithographs, each dated in image, two initialled “S.S.” in image lower right, 29.7 x 24.3cm (approx. each). Soiling and scuffs overall, laid down on old advertising boards. Cover pages of three issues of The Model Trader, produced by the Grace Brothers Model Store, Broadway, Sydney. Text..... More
The Porch, St Michael’s, Rose Bay
1924. Drypoint, titled, signed and editioned 26/35 in pencil in lower margin, 27.8 x 13.4cm. Held in the National Gallery of Australia collection. More
Rankin’s Homestead
1924. Wood engraving, signed and dated in block lower right, faded title and other annotation in lower margin, 15.2 x 20.8cm. Slight stain to centre of image, minor crinkles to upper margin. The second of two states. Ref: Bloomfield (ed.), L. Roy Davies: Wood Engravings, 1978, #35, p106, listed with..... More
Penseroso (Polly)
c1924. Lithograph, signed in pencil in lower margin, 24.2 x 18.3cm. Minor stains overall, repaired paper loss to margin. Held in the National Gallery of Australia collection. More