1921. Etching, signed in plate lower left, annotated “artist’s proof ‘A’”, titled and signed in pencil in lower margin, 20.3 x 22.1cm. Slight cracks to left platemark and stains to trimmed margins. Laid down on acid-free tissue. Held in SLNSW. More

1921. Etching, annotated “no. 43 [of] 50 proofs”, titled and signed in pencil in lower margin, 10.5 x 10.6cm. Old mount burn. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a “keen interest in architecture..... More

1922. Wood engraving, titled and signed in block upper centre and lower left, signed and annotated “No. 24” in pencil in lower margin, 24 x 15.5cm. Minor foxing. Framed. Title includes Lawson’s birth and death dates. Ref: Mendelssohn #137. Held in NGA. More

c1922. Etching, titled, editioned 44/75 and signed in pencil in lower margin, 13.5 x 16.3cm. Glue stains to upper margin, minor foxing overall. More

c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More

1923. Aquatint, signed, titled, editioned 42/75 and annotated in pencil in lower margin, 15.4 x 23.8cm. Minor foxing to margins, slight mount burn. Annotation indicates image was printed on 18th century paper, which Lionel Lindsay often used to obtain a mellow look. Ref: Mendelssohn #302. More

c1923. Etching, editioned 14/50, titled, signed and annotated “ARCA Lond.” in pencil in lower margin, 24.4 x 18.9cm. Foxing, old mount burn. More

c1923. Woodcut, initialled “P.” in block lower left, titled, annotated “25-11” and signed in pencil in lower margin, 7.1 x 7.5cm. Repaired tears and missing portions to margins. Verso is a trimmed partial image of the woodcut Emus. Both woodcuts were illustrated in Art in Australia, 3rd series, no. 4..... More

1923. Pair of linocuts, each initialled in block lower left; one editioned 24/50 and the other 24/35, both titled and signed in pencil in lower margin, 27.2 x 21.9cm (approx. each). Slight foxing and stains, minor crinkles, repaired tears to margins. The Ring is held in the National Gallery of..... More

1913-1924. Three colour process lithographs, each dated in image, two initialled “S.S.” in image lower right, 29.7 x 24.3cm (approx. each). Soiling and scuffs overall, laid down on old advertising boards. Cover pages of three issues of The Model Trader, produced by the Grace Brothers Model Store, Broadway, Sydney. Text..... More

1924. Wood engraving, signed and dated in block lower right, faded title and other annotation in lower margin, 15.2 x 20.8cm. Slight stain to centre of image, minor crinkles to upper margin. The second of two states. Ref: Bloomfield (ed.), L. Roy Davies: Wood Engravings, 1978, #35, p106, listed with..... More

1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More

1924. Wood engraving, monogrammed in block, titled, signed and dated “1926” in pencil in lower margin, 11.5 x 17.2cm. Illustrated in Bloomfield, L. Roy Davies: wood engravings, 1978, p110, listed with date of 1924. This church was one of the unfinished buildings constructed in Boydtown by wealthy entrepreneur and adventurer..... More