c1920s. Soft-ground etching, sepia ink, titled, signed and annotated “soft ground” in pencil in lower margin, 22.7 x 30.1cm. Minor creases to margins, old mount burn. Castlemaine-born Frank Arthur Nankivell was an artist, printmaker and political cartoonist. He studied art in Australia before travelling to Japan and working as a...... More
![Gonville Chambers, North Tce [Adelaide]. C A. Russell, active 1920s Aust](/pictures/thumb/CL192-155.JPG?v=1524199173)
c1920s. Etching, titled and signed in pencil in lower margin, 15 x 19.2cm. Old mount burn. Held in SLSA. “The site of Gonville Chambers [doctors’ professional rooms] was the home of Dr Frederick Bayer, who arrived in this country in 1847, and is said to be the first man to..... More
c1920. Drypoint, initialled in plate lower centre, editioned 3/30, titled and signed in pencil below image, 21.4 x 17.7cm. Repaired tears to upper margin including platemark, minor paper loss to margins, old mount burn. Not illustrated in Spartalis reference on Van Raalte. London-born Henri van Raalte studied art under John..... More
![Portrait Of Aboriginal Woman]. Cyril Dillon, Aust](/pictures/thumb/CL183-45.JPG?v=1486091836)
c1921. Etching, signed in pencil in lower margin, 17.8 x 14.4cm. Repaired tears and missing portions to margins. Laid down on acid-free tissue. More
c1921. Drypoint, annotated “no. 3, drypoint” and signed in pencil in lower margin, 13.9 x 17.8cm. Slight foxing to image upper left, stains and paper remnants to margins. Laid down on acid-free backing. Image noted in a supplementary exhibition list by Art Gallery of NSW Curator Barry Pearce for the..... More
![Vaucluse House [NSW]. Eirene Mort, Aust](/pictures/thumb/CL192-108.JPG?v=1524199139)
c1921. Etching, titled, editioned 11/50 and signed in pencil in lower margin, 9.8 x 12.8cm. Old mount burn. “In August 1921 Mort wrote to the Vaucluse Park Trustees seeking permission to make a sketch in the courtyard at Vaucluse House, and in November 1921, following a Wentworth celebration day at..... More
1921. Etching, signed in plate lower left, annotated “artist’s proof ‘A’”, titled and signed in pencil in lower margin, 20.3 x 22.1cm. Slight cracks to left platemark and stains to trimmed margins. Laid down on acid-free tissue. Held in SLNSW. More
1921. Aquatint, signed, titled and editioned 12/50 in pencil in lower margin, 12.5 x 24.2cm. Minor insect damage to upper edge of image, slight stains to margins. Ref: Mendelssohn #253. Held in NGA, NLA, NGV. More
![Cottage, Clarendon [Windsor District, NSW]. Sydney Ure Smith, 1887–1949 Aust](/pictures/thumb/CL199-89.jpg?v=1585635301)
1921. Etching, annotated “no. 43 [of] 50 proofs”, titled and signed in pencil in lower margin, 10.5 x 10.6cm. Old mount burn. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a “keen interest in architecture..... More
1922. Wood engraving, titled and signed in block upper centre and lower left, signed and annotated “No. 24” in pencil in lower margin, 24 x 15.5cm. Minor foxing. Framed. Title includes Lawson’s birth and death dates. Ref: Mendelssohn #137. Held in NGA. More
c1910-1922. Drypoint, annotated “1st [state]” by Evergood in pencil in lower margin, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 10.3 x 16.9cm. Slight foxing overall. More
c1922. Letterpress, handbill, 41.6 x 25.4cm. Old folds, creases and foxing overall. Text includes “In aid of general improvement of sporting facilities. To be held at New Theatre, White Horse Rd, Box Hill [Victoria] Thursday, May 18th at 8pm… Sec.: I. Fithie. Joint treas.: L. Savage and L. Lutz.”. More
![Old House, Rocks District [NSW]. Edward Warner, Aust](/pictures/thumb/CL166-176.JPG?v=1492487803)
c1922. Etching, titled, editioned 44/75 and signed in pencil in lower margin, 13.5 x 16.3cm. Glue stains to upper margin, minor foxing overall. More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
c1922. Colour linocut, titled, editioned 14/50 and signed in pencil in lower margin, 12.3 x 17.2cm. Illustrated in Sunshine and Shadow, Art Gallery of WA, 2004, #5. Held in National Gallery of Australia, and Art Gallery of WA. More
1922. Wood engraving, signed in block lower right, signed, editioned 75/100 and titled in pencil in lower margin, 18.2 x 15.2cm. Slight stains to upper edge of image and margin, minor crinkles, old mount burn. Ref: Mendelssohn #121. Held in NGA; NGV; AGNSW. Lindsay created approximately 160 wood engravings covering..... More
![Nedlands [Perth, Western Australia]. A B. Webb, 1887–1944 Brit./Aust](/pictures/thumb/CL199-91.jpg?v=1585635309)
c1922. Colour linocut, titled, editioned 33/50 and signed in pencil in lower margin, 12.2 x 17.1cm. Slight stain to image lower centre, minor crease to upper left edge. Illustrated in Sunshine and Shadow, Art Gallery of WA, 2004, #5. Held in NGA; AGWA. “Webb lived at Nedlands, close to the..... More
1923. Aquatint, signed, titled, editioned 42/75 and annotated in pencil in lower margin, 15.4 x 23.8cm. Minor foxing to margins, slight mount burn. Annotation indicates image was printed on 18th century paper, which Lionel Lindsay often used to obtain a mellow look. Ref: Mendelssohn #302. More
1923. Etching, editioned 8/40, titled, signed and dated in pencil in lower margin, 17.9 x 25.1cm. Old mount burn. More
c1923. Etching, editioned 14/50, titled, signed and annotated “ARCA Lond.” in pencil in lower margin, 24.4 x 18.9cm. Foxing, old mount burn. More
![I.F.D. [Isaac Franklyn Davies]. L. Roy Davies, Aust](/pictures/thumb/CL192-24.JPG?v=1524199202)
1923. Wood engraving, titled, editioned 10/50 and signed in pencil in lower margin, 9 x 9.6cm. Repaired incision to centre of image and lower margin, slight discolouration. Illustrated in L. Roy Davies: Wood Engravings, 1978, plate 27. Held in NGA. This is a portrait of the artist’s father. Ref: SMH..... More
c1923. Woodcut, initialled “P.” in block lower left, titled, annotated “25-11” and signed in pencil in lower margin, 7.1 x 7.5cm. Repaired tears and missing portions to margins. Verso is a trimmed partial image of the woodcut Emus. Both woodcuts were illustrated in Art in Australia, 3rd series, no. 4..... More
1923. Etching, initialled and dated in plate lower right, signed, dated, titled and editioned 2/50 in pencil in lower margin, 15 x 19.8cm. Lightly inked impression, slight foxing overall. Held in SLNSW. Burdekin House in Macquarie Street, Sydney, was built in 1841 for merchant Thomas Burdekin (c1799–1844). “It was owned..... More
