c1934. Group of five prints consisting of three lithographs, one with added graphite, one aquatint, and one etching with drypoint, three images titled and each signed in image lower left or right, 8.2 x 15.1cm to 19.6 x 26cm. Foxing and minor creases overall. Titles of lithographs read (1) Collins..... More

1935. Etching, signed and dated in plate lower left, signed in pencil in lower margin, title in letterpress on slip attached to backing below image, 18.9 x 25.2cm. Slight foxing overall, creases and tears to margins, hinged to original backing. More

c1935. Etching, editioned 16/35, titled and signed in pencil in lower margin, 21.4 x 15.1cm. Faint mount burn. More

1935. Etching, signed and dated “10-12-35” in plate lower left, titled and signed in pencil in lower margin, 23.4 x 18.5cm. Repaired tear to platemark lower right, old mount burn. Held in National Gallery of Australia. More

1935. Etching, signed in plate lower left, signed and titled in pencil in lower margin, 13.5 x 21.1cm. Slight foxing and stains to image and margins, old mount burn. Ref: Mendelssohn #520. Held in NGV with Lindsay’s annotation “I inhabited a room in the building left of the Carpenter’s in..... More

1935. Etching, signed and dated in plate lower left, editioned 13/50 and signed in pencil in lower margin, 22.8 x 18.3cm. Slight stains, discolouration and creases to upper and lower margins and platemark. From Warner’s “Men at Work” series. Held in NGA. More

1935. Linocut, initialled in block lower right with title and artist in letterpress in lower margin, 15.3 x 9.8cm. Published in an edition of 1200 in Manuscripts, no. 12, 1935, p51. Illustrated in Coppel, Linocuts of the Machine Age, no. DB/29, p160. More

1936. Etching, signed in plate lower left, signed, titled and annotated “proof” in pencil in lower margin, 26.2 x 20.9cm. Minor creases to margins. Ref: Mendelssohn #530. More

c1936. Linocut, titled and signed in pencil in lower margin, 19.5 x 28.1cm. Slight foxing to right portion of image and margins, creases to lower left corner. Provenance: Adelaide Perry estate via Artarmon Galleries. Held in NGA. British-born painter, printmaker and teacher Mary Cooper Edwards immigrated to Australia in 1914..... More

1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More

1937. Wood engraving, signed in block lower left and in pencil in lower margin, 10.2 x 14.6cm. Minor paper loss and crinkles to margins. Ref: Mendelssohn #78. Image held in the National Gallery of Victoria. Graphic artist, writer, and art critic Sir Lionel Lindsay “shared with his siblings an early..... More

c1938. Colour linocut, titled, editioned 9/100 and signed in ink on image lower left to right and in lower margin, 15.1 x 22.8cm. Slight creases to margins, old mount burn. In the late 1930s Edward Warner designed a series of linocuts which were cut by his daughter and printed by..... More

1938. Etching, editioned “no. 41”, titled and signed in pencil in lower margin, 27.7 x 30.5cm. Slight foxing to upper portion and lower margin. Framed. Held in AGNSW. Illustrated in The Etchings of Cedric Emanuel, 1980, plate 2, with Emanuel’s comment “The first drawing of the etching was done from..... More